Africa in the Indian Imagination: Race and the Politics of Postcolonial Citation
In Africa in the Indian Imagination Antoinette Burton reframes our understanding of the postcolonial Afro-Asian solidarity that emerged from the 1955 Bandung conference. Afro-Asian solidarity is best understood, Burton contends, by using friction as a lens to expose the racial, class, gender, sexuality, caste, and political tensions throughout the postcolonial global South. Focusing on India's imagined relationship with Africa, Burton historicizes Africa's role in the emergence of a coherent postcolonial Indian identity. She shows how-despite Bandung's rhetoric of equality and brotherhood-Indian identity echoed colonial racial hierarchies in its subordination of Africans and blackness. Underscoring Indian anxiety over Africa and challenging the narratives and dearly held assumptions that presume a sentimentalized, nostalgic, and fraternal history of Afro-Asian solidarity, Burton demonstrates the continued need for anti-heroic, vexed, and fractious postcolonial critique.
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Africa in the Indian Imagination: Race and the Politics of Postcolonial Citation
In Africa in the Indian Imagination Antoinette Burton reframes our understanding of the postcolonial Afro-Asian solidarity that emerged from the 1955 Bandung conference. Afro-Asian solidarity is best understood, Burton contends, by using friction as a lens to expose the racial, class, gender, sexuality, caste, and political tensions throughout the postcolonial global South. Focusing on India's imagined relationship with Africa, Burton historicizes Africa's role in the emergence of a coherent postcolonial Indian identity. She shows how-despite Bandung's rhetoric of equality and brotherhood-Indian identity echoed colonial racial hierarchies in its subordination of Africans and blackness. Underscoring Indian anxiety over Africa and challenging the narratives and dearly held assumptions that presume a sentimentalized, nostalgic, and fraternal history of Afro-Asian solidarity, Burton demonstrates the continued need for anti-heroic, vexed, and fractious postcolonial critique.
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Africa in the Indian Imagination: Race and the Politics of Postcolonial Citation

Africa in the Indian Imagination: Race and the Politics of Postcolonial Citation

by Antoinette Burton
Africa in the Indian Imagination: Race and the Politics of Postcolonial Citation

Africa in the Indian Imagination: Race and the Politics of Postcolonial Citation

by Antoinette Burton

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Overview

In Africa in the Indian Imagination Antoinette Burton reframes our understanding of the postcolonial Afro-Asian solidarity that emerged from the 1955 Bandung conference. Afro-Asian solidarity is best understood, Burton contends, by using friction as a lens to expose the racial, class, gender, sexuality, caste, and political tensions throughout the postcolonial global South. Focusing on India's imagined relationship with Africa, Burton historicizes Africa's role in the emergence of a coherent postcolonial Indian identity. She shows how-despite Bandung's rhetoric of equality and brotherhood-Indian identity echoed colonial racial hierarchies in its subordination of Africans and blackness. Underscoring Indian anxiety over Africa and challenging the narratives and dearly held assumptions that presume a sentimentalized, nostalgic, and fraternal history of Afro-Asian solidarity, Burton demonstrates the continued need for anti-heroic, vexed, and fractious postcolonial critique.

Product Details

ISBN-13: 9780822361671
Publisher: Duke University Press
Publication date: 04/01/2016
Pages: 202
Product dimensions: 5.50(w) x 8.50(h) x 0.43(d)

About the Author

Antoinette Burton is Professor of History and Catherine C. and Bruce A. Bastian Professor of Global and Transnational Studies at the University of Illinois, Urbana-Champaign. She has written and edited many books, including Ten Books That Shaped the British Empire: Creating an Imperial Commons, Postcolonial Studies and Beyond, and A Primer for Teaching World History: Ten Design Principles, all also published by Duke University Press.

Isabel Hofmeyr is Professor of African Literature at the University of the Witwatersrand, Johannesburg and the author of Gandhi's Printing Press: Experiments in Slow Reading.

Table of Contents

Foreword / Isabel Hofmeyr  viii

Acknowledgments  xiii

Introduction. Citing/Siting Africa in the Indian Postcolonial Imagination  1

1. "Every Secret Thing"? Racial Politics in Ansuyah R. Singh's Behold the Earth Mourns (1960)  27

2. Race and the Politics of Position: Above and Below in Frank Moraes' The Importance of Being Black (1965)  57

3. Fictions of Postcolonial Development: Race, Intimacy and Afro-Asian Solidarity in Chanakya Sen's The Morning After (1973)  89

4. Hands and Feed: Phyllis Naidoo's Impressions of Anti-apartheid History (2002-2006)  123

Epilogue  167

Index 173

What People are Saying About This

Colonial Proximities: Crossracial Encounters and Juridical Truths in British Columbia, 1871–1921 - Renisa Mawani

"Reflecting Antoinette Burton's fearlessness, scholarly dexterity, and shining brilliance, Africa in the Indian Imagination is an impressive achievement. Burton raises important questions on how to approach historical evidence in the writing of imperial histories, while providing a rich, nuanced, and deep account of the tense relations between Indians and Africans as they emerged from colonial relations. A vital book."

Elleke Boehmer

"In Africa in the Indian Imagination imperial historian Antoinette Burton turns her acute moral and analytical attentions to how twentieth-century Indian nationalists used Africa and Africans as reference points for imagining an independent identity. Africa in the Indian Imagination consolidates and extends Burton’s fine skills as postcolonial diagnostician and adds important conceptual devices to the toolbox of geopolitical historiography, not least 'solidarity through friction,' 'tense and tender relations,' and 'postcolonial citation' itself. Powerfully acting on its own injunction to provincialize empire by crossing postcolonial with feminist critique, Burton’s bold and important study redraws the map of inter-cultural relations and trans-nationalist collaboration in the twentieth century."

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