Alfred Hitchcock and Film Noir: The Darker Side
Alfred Hitchcock was a major figure in the development and flourishing of film noir. His noir films became an inspirational foundation of the neo-noir movement beginning in the 1970s, from Brian de Palma’s mash-up homages to Hitchcock originals such as Obsession (1976) and Body Double (1984) to the dark political thrillers of the era that explore the underside of American life, all of which owe a substantial debt to Hitchcock.
However, the central role of Hitchcock in the long history of film noir has seldom been acknowledged in work devoted to his career and noir criticism more generally. Instead, there has been a tendency to consider Hitchcock’s many dark thrillers and crime melodramas as sui generis, that is, as "Hitchcock films" that are somehow separate and distinct from industry trends. But this is to take a narrow view of the director's accomplishments that underestimates his substantial contributions to film history.
Alfred Hitchcock and Film Noir will be the first book-length treatment of the impressive corpus of Hitchcock noir films considered as such, as well as of his connection more generally to the emergence and flourishing of this important cinematic trend.

1145015329
Alfred Hitchcock and Film Noir: The Darker Side
Alfred Hitchcock was a major figure in the development and flourishing of film noir. His noir films became an inspirational foundation of the neo-noir movement beginning in the 1970s, from Brian de Palma’s mash-up homages to Hitchcock originals such as Obsession (1976) and Body Double (1984) to the dark political thrillers of the era that explore the underside of American life, all of which owe a substantial debt to Hitchcock.
However, the central role of Hitchcock in the long history of film noir has seldom been acknowledged in work devoted to his career and noir criticism more generally. Instead, there has been a tendency to consider Hitchcock’s many dark thrillers and crime melodramas as sui generis, that is, as "Hitchcock films" that are somehow separate and distinct from industry trends. But this is to take a narrow view of the director's accomplishments that underestimates his substantial contributions to film history.
Alfred Hitchcock and Film Noir will be the first book-length treatment of the impressive corpus of Hitchcock noir films considered as such, as well as of his connection more generally to the emergence and flourishing of this important cinematic trend.

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Alfred Hitchcock and Film Noir: The Darker Side

Alfred Hitchcock and Film Noir: The Darker Side

Alfred Hitchcock and Film Noir: The Darker Side

Alfred Hitchcock and Film Noir: The Darker Side

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Overview

Alfred Hitchcock was a major figure in the development and flourishing of film noir. His noir films became an inspirational foundation of the neo-noir movement beginning in the 1970s, from Brian de Palma’s mash-up homages to Hitchcock originals such as Obsession (1976) and Body Double (1984) to the dark political thrillers of the era that explore the underside of American life, all of which owe a substantial debt to Hitchcock.
However, the central role of Hitchcock in the long history of film noir has seldom been acknowledged in work devoted to his career and noir criticism more generally. Instead, there has been a tendency to consider Hitchcock’s many dark thrillers and crime melodramas as sui generis, that is, as "Hitchcock films" that are somehow separate and distinct from industry trends. But this is to take a narrow view of the director's accomplishments that underestimates his substantial contributions to film history.
Alfred Hitchcock and Film Noir will be the first book-length treatment of the impressive corpus of Hitchcock noir films considered as such, as well as of his connection more generally to the emergence and flourishing of this important cinematic trend.


Product Details

ISBN-13: 9781399535175
Publisher: Edinburgh University Press
Publication date: 11/30/2024
Pages: 366
Product dimensions: 6.14(w) x 9.21(h) x 0.00(d)

About the Author

R. Barton Palmer is Calhoun Lemon Professor of Literature Emeritus at Clemson University. He is the author, editor, or general editor of many books including Hollywood’s Dark Cinema: The American Film Noir (1994), After Hitchcock: Influence, Imitation, and Intertextuality (2006), and A Little Solitaire: John Frankenheimer and American Film (2011). He is the series editor for EUP’s traditions in World Cinema, Traditions in American Cinema and International Film Stars series, and he is co-editor of five recent EUP books: Michael Mann, George Cukor, Film Noir, International Noir and The Other Hollywood Renaissance.

Homer B. Pettey is Professor Emeritus of Film and Comparative Literature at the University of Arizona. He serves as the founding and general editor for Global Film Directors (Rutgers U.P.), Global Film Studios (Edinburgh U.P.), and International Stars (Edinburgh U.P.).

Table of Contents

Acknowledgements

Notes on Contributors

Illustrations

Chapter 1. Introduction: The Dark Side and Hitchcock's Early Noirs - R. Barton Palmer and Homer B. Pettey

Chapter 2. The 39 Steps (1935) and the Hard-Boiled Tradition - Homer B. Pettey

Chapter 3. Hitchcock's Gothic Noir (Rebecca [1940] and The Birds [1962]): Haunted and Haunting Women and Les Oiselles Fatales - Julie Grossman

Chapter 4. The Americanization of Hitchcock: The Precariousness of Democratic Agency in War Noir - Alan Woolfolk

Chapter 5. Suspicion (1941): A Noir Woman's Film - Florence Jacobowitz

Chapter 6. Unhitched: Joan Harrison's Noir Marriage Plots - Mark Osteen

Chapter 7. Noir Americana Aesthetics in Shadow of a Doubt (1943) - Elisabeth Bronfen

Chapter 8. What's Love Got to Do with It? Reading Spellbound (1945) Through Marnie (1964) in the Time of #MeToo - Thomas Leitch

Chapter 9. Designing the Notorious Woman: Costume, Characterisation and Star Persona in the Fabrication of the ‘Femme Fatale’ - Helen Hanson

Chapter 10. The In-Between of Stage and Screen: Rope (1948), Stage Fright (1950), and Dial M for Murder (1954) - Bruce Isaacs

Chapter 11. Upending Noir in Strangers on a Train (1951) - Lee Clark Mitchell

Chapter 12. I Confess (1953): Hitchcock and the "Great Darkness" - Jim Leach

Chapter 13. Crossfire of Knowledge: Noir and Tropical Dualism - Murray Pomerance

Chapter 14. The Wrong Man (1956): Hitchcock's Contribution to the Noir "Film of Fact" Production Cycle - R. Barton Palmer

Chapter 15. The Midge Ending: Vertigo (1958) and The Role of the Third Woman - Jans B. Wager

Chapter 16. Territorial Imperative: the Dark Landscape of the Body in Psycho (1960) and Frenzy (1972) - Jennifer L. Jenkins

Chapter 17. The Weak Link in the Chain: Copenhagen and Cold War Noir in Hitchcock’s Torn Curtain (1966) and Topaz (1969) - Ian Scott

Chapter 18. Epilogue - Rear Window (1954) and North by Northwest (1959) - Homer B. Pettey and R. Barton Palmer

Chapter 19. Bibliography

Index

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