All God's Dangers won the National Book Award in 1975. "On a cold January morning in 1969, a young white graduate student from Massachusetts, stumbling along the dim trail of a long-defunct radical organization of the 1930s, the Alabama Sharecropper Union, heard that there was a survivor and went looking for him. In a rural settlement 20 miles or so from Tuskegee in east-central Alabama he found him—the man he calls Nate Shaw—a black man, 84 years old, in full possession of every moment of his life and every facet of its meaning. . . . Theodore Rosengarten, the student, had found a black Homer, bursting with his black Odyssey and able to tell it with awesome intellectual power, with passion, with the almost frightening power of memory in a man who could neither read nor write but who sensed that the substance of his own life, and a million other black lives like his, were the very fiber of the nation's history." —H. Jack Geiger, New York Times Book Review
Theodore Rosengarten is an independent historian whose work focuses on the lives of slaves and freedmen in the nineteenth and twentieth centuries. He is the author of Tombee: Portrait of a Cotton Planter and editor of A Portion of People: Three Hundred Years of Southern Jewish Life. Rosengarten teaches in the Jewish Studies Program and the Department of History at the College of Charleston. He has served as a senior research associate in documentary studies at Duke University and has taught previously at Harvard University and the University of South Carolina. He lives with his wife, Dale, and two sons in South Carolina.
All God's Dangers won the National Book Award in 1975. "On a cold January morning in 1969, a young white graduate student from Massachusetts, stumbling along the dim trail of a long-defunct radical organization of the 1930s, the Alabama Sharecropper Union, heard that there was a survivor and went looking for him. In a rural settlement 20 miles or so from Tuskegee in east-central Alabama he found him—the man he calls Nate Shaw—a black man, 84 years old, in full possession of every moment of his life and every facet of its meaning. . . . Theodore Rosengarten, the student, had found a black Homer, bursting with his black Odyssey and able to tell it with awesome intellectual power, with passion, with the almost frightening power of memory in a man who could neither read nor write but who sensed that the substance of his own life, and a million other black lives like his, were the very fiber of the nation's history." —H. Jack Geiger, New York Times Book Review
The ascendancy of [Booker T. Washington] is one of the most dramatic and significant episodes in the history of American education and of race relations.
