Jarzab’s strong debut tracks teenage Neily and Audrey’s investigation of the murder of 16-year-old Carly—Audrey’s cousin and Neily’s ex—in an affluent San Francisco suburb one year after Audrey’s father is convicted of the crime. Neily is a bright, cynical senior at Brighton Day School; bitter after being dumped by Carly, he didn’t return her calls on the night of her death and still blames himself. Audrey, who has returned to Brighton after “a self-imposed exile,” badgers Neily into helping clear her father’s name (“I can tell that behind that weak Holden Caulfield affectation is a spongy, leaking heart desperate for some sort of closure”). The story shifts between Neily and Audrey’s points of view, but only a few times, letting readers sink into each character’s mindset—painful, unhealed wounds are evident underneath both Neily’s clinical, sarcastic exterior and Audrey’s more open, confident manner. It’s a slow-building, slow-burning mystery—Jarzab is as interested in probing Neily and Audrey’s emotional states and the ramifications of Carly’s murder as she is in solving it—but the author’s confident, literary prose makes for a tense and immersive thriller. Ages 14–up. (Jan.)
All Unquiet Things
Narrated by Mike Chamberlain, Allyson Ryan
Anna JarzabUnabridged — 10 hours, 38 minutes
All Unquiet Things
Narrated by Mike Chamberlain, Allyson Ryan
Anna JarzabUnabridged — 10 hours, 38 minutes
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Overview
Carly: She was sweet. Smart. Self-destructive. She knew the secrets of Brighton Day School's most privileged students. Secrets that got her killed.
Neily: Dumped by Carly for a notorious bad boy, Neily didn't answer the phone call she made before she died. If he had, maybe he could have helped her. Now he can't get the image of her lifeless body out of his mind.
Audrey: She's the reason Carly got tangled up with Brighton's fast crowd in the first place, and now she regrets it-especially since she's convinced the police have put the wrong person in jail. Audrey thinks the murderer is someone at Brighton, and she wants Neily to help her find out who it is.
As reluctant allies Neily and Audrey dig into their shared past with Carly, her involvement with Brighton's dark goings-on comes to light. But figuring out how Carly and her killer fit into the twisted drama will force Audrey and Neily to face hard truths about themselves and the girl they couldn't save.
Editorial Reviews
Gr 9 Up—This rich, psychological mystery opens with 17-year-old Neily Monroe standing on the bridge where, a year earlier, he found Carly Ribelli's body. Having gone from being her best friend to her boyfriend to a piece of detritus she left in her wake, it's no surprise that he is having trouble "getting over" Carly's murder. Nonetheless, he is determined to somehow make it through high school and move on. Then the school year starts and Neily is approached by Carly's cousin, Audrey. Since her father was convicted of the murder, Neily is surprised that she would come back to school. As it turns out, she is there to find out who really murdered Carly, and she is determined to have his help. The narrative alternates between the teens' perspectives, though Neily's voice—sarcastic and insightful—is the stronger of the two. The portrayal of the cliquey private high school is familiar but not clichéd. A satisfying story from a promising new author.—Eliza Langhans, Hatfield Public Library, MA
Neily Monroe is struggling to adjust to life following the murder of his ex-girlfriend Carly and the guilt he feels for not responding to her final attempts to reach him. Their breakup had been especially painful and embarrassing for Neily. When Carly's cousin Audrey suggests the real killer is still at large, he thinks she is just trying to clear her father, who is serving time for the crime. Gradually, the two find clues in Carly's diary that make someone else a plausible suspect. What had appeared to be a family tragedy triggered by a dispute over money now threatens to expose the darker side of an upscale and privileged clique. This is a sophisticated teen mystery, more introspective than action-oriented. Told as it is through the voices of both Neily and Audrey, readers get to know as much about the troubled girl they both loved as they do the principals. The adults are well drawn, and the impact of their unresolved issues intriguing. Less successful as a mystery than as a subtle look at family tensions and entitlement, at which it excels. (Mystery. 14 & up)
"It’s a slow-building, slow-burning mystery—Jarzab is as interested in probing Neily and Audrey’s emotional states and the ramifications of Carly’s murder as she is in solving it—but the author’s confident, literary prose makes for a tense and immersive thriller."
—Publishers Weekly
"An intriguing puzzle from a welcome new voice in psychological suspense."—Nancy Werlin, New York Times bestselling author of Impossible
"Part mystery, part character study, the story hooks readers immediately, propelling them through a serpentine path of secrets and lies."—Booklist
"A sophisticated teen mystery."—Kirkus Reviews
"[A] rich psychological mystery . . . from a promising new author."—School Library Journal
It’s been a year since Neely’s ex-girlfriend, Carly, was murdered, and he can’t get past her death. Although Carly’s uncle has been imprisoned for her murder, his daughter, Audrey, is convinced of his innocence. Audrey is hunting the real killer and enlists Neely’s help. With the story split between Neely and Audrey’s points of view, Mike Chamberlain and Allyson Ryan get equal time narrating. Chamberlain narrates at a slow pace, with little energy, and his female voices are just breathier versions of his own voice. Ryan sounds livelier and more expressive, and she believably portrays males by subtly deepening her tones. Despite the high points of Ryan’s delivery, this is a dull murder mystery overall. G.D. © AudioFile 2010, Portland, Maine
Product Details
| BN ID: | 2940171908324 |
|---|---|
| Publisher: | Penguin Random House |
| Publication date: | 01/12/2010 |
| Edition description: | Unabridged |
Read an Excerpt
All Unquiet Things
By Anna Jarzab
Delacorte Books for Young Readers
Copyright © 2010 Anna JarzabAll right reserved.
ISBN: 9780385907231
Chapter One
Senior Year
It was the end of summer, when the hills were bone dry and brown; the sun beating down and shimmering up off the pavement was enough to give you heatstroke. Once winter came, Empire Valley would be compensated for five months of hot misery with three months of torrential rain, the kind of downpours that make the freeways slick and send cars sliding into one another on ribbons of oil. On the bright side, the hills would turn a green so lustrous they would look as if they had been spray painted, and in the morning the fog would transform the valley into an Arthurian landscape. But before the days got shorter and the rain came, there was the heat and the dust and the sun, conspiring to drive the whole town crazy.
School was starting on Monday. I had two more days of freedom. I hadn’t slept very much since Wednesday night; my palms were sweating, and everything ached with the ache that comes after a long hike and a couple of rough falls. My mother wanted to take me to a doctor for the insomnia, so the night before school started I didn’t go home. Instead, I went to Empire Creek Bridge, where I thought I could clear my head. The bridge was a small, overgrown stone arch, a mimicry of ancient Roman architecture that was more about form than function and could only accommodateone car at a time going one direction on its carefully placed cobblestones. A narrow, slow-moving body of water ran beneath it, and clumps of oak trees rose up near its banks. The bridge was almost useless, but very picturesque. Along one side of it was a small ledge meant for pedestrians, and this was where I lay down so that I wouldn’t get run over, and closed my eyes. I needn’t have bothered. All night, not one car passed. I could have died on that bridge and no one would have known.
This is not to say that I wanted to die. I wasn’t—and have never been—suicidal. The valley was blanketed by a late, torturous heat wave that made the shadows the only decent place to sit during the day, and the dry winds kicked up the dust, making me uneasy. I had grown up in Empire Valley and was used to these uncomfortable summers, but this time I had begun to feel a restlessness reverberating through my bones like the persistent hum of cicadas.
It had been a long, slow summer. I had spent most of it reading massive Russian novels on my porch, playing video games, and sleeping until noon. I didn’t have a lot of friends and I didn’t see much of anyone apart from my parents. I had plenty of schoolwork, too—my class schedule for the upcoming year promised to be brutal, with six AP classes and college application season right around the corner—but nothing seemed to be able to occupy me for very long. My mother had an easy explanation for my agitation—it was my senior year and I was under a lot of pressure, especially from my father, to chart my future—but it was more complicated than that.
There was another reason I had come to Empire Creek Bridge. The year before, almost to the day, a girl I loved had died on this bridge, shot in cold blood. The police considered the matter solved—there had been an arrest, a trial, a guilty verdict—but Carly’s murder retained an air of mystery for me and so did the place where she died. I had so many questions, but nobody except Carly seemed capable of answering them, and by the time I had found her body she was already dead. Despite all the effort I had put into blocking that night from my mind and trying to forget, the murder still haunted me. I didn’t know what help spending time at the bridge would be, but I had been drawn there throughout that boiling summer, and I thought it was best to go with my instincts, even though they never seemed to do me any good.
...
As the sun came up that Saturday morning, I sat watching the animals—deer, hawks, the occasional wild turkey—move around on the scorched foothills. Soon, a patrol car pulled up, its siren whooping to get my attention. I had already moved from the ledge down to the creek bank, and was splashing some water on my face. The doors slammed, and I could hear footsteps making their way behind me. I felt a hand on my shoulder.
“Neily Monroe?” The officer leaned over me. “Your parents are very worried. Did you sleep here last night?”
“Yeah,” I said, though I hadn’t slept at all.
“Bryson?” The other officer was on the bridge.
Bryson stood. “He’s pretty out of it. We should get him home.”
His partner came down and took a look at me. “You feel sick?”
I nodded.
“You look sick,” he said.
“What are you doing here?” Bryson asked. “This is a park. You can’t sleep in a park overnight.”
I glanced around. “Doesn’t look like a park.”
“It is according to the city of Empire Valley.” He looked at his partner for confirmation, but the other cop just shrugged. “Anyway, it’s public property.”
“I am the public,” I said.
“You want to be a wiseass? We’ll put you in the back of that patrol car and haul you down to the station if you keep that up.” Bryson narrowed his eyes at me.
“Can’t you just write me a ticket or something?” I asked. I put my hand to my forehead, suddenly dizzy. I was hungry, too, and already sweating from the heat. I wanted my bed.
Bryson recognized me then, as I knew he would. There were very few full-time police officers in Empire Valley, which had the lowest crime rate in the Bay Area, according to the Chronicle. Bryson had been in the station the night I found Carly.
“What were you doing out here?” he asked again, suspicious. “Does this have anything to do with last year?”
“I don’t know.”
The other cop, whose name tag told me he was Officer Lopez, put a hand on my shoulder. “Let’s get you out of here.”
I tried to follow him up the creek bank, but I couldn’t keep my balance and fell flat in the mud. I thought it might be all right just to lie where I fell.
Bryson slipped his hands under my armpits and tugged at me. “Come on, Neily, you’ve got to help me here,” he grunted, digging his heels into the mud. “Steady as she goes there, captain. Lopez, help me get him in the car.”
“Maybe we should take him to the hospital,” Lopez suggested, and Bryson nodded.
We drove along Empire Creek Road slowly. I let my eyes go lazy and the trees blurred together. The sun was no longer showing. A blanket of clouds had blotted it out. I couldn’t help feeling relieved; maybe it would rain soon and the heat wave would end. I put my head back against the seat and closed my eyes.
...
At the hospital they must have given me some kind of sleeping pill or a tranquilizer, because I woke up at four-thirty on Sunday afternoon feeling gruesome. I stared at the ceiling, bringing the cracks and paint bubbles into focus. I was in my bedroom and could hear somebody moving around downstairs. It was probably my mother, but then there was a low voice, my father’s voice. The fact that he had come meant that, to them, this was serious.
I got out of bed and pulled on a pair of jeans. The room was hot and stuffy, so I quit rummaging around for a shirt and returned to the bed to gather myself. When I had left the house, my room had been a disaster, per usual: clothes—clean and dirty—heaped in piles on the floor, papers strewn all over my desk, garbage spilling out of the trash can. My mother had been in here. She had cleaned.
I finally ambled downstairs, trying not to look so much like a zombie, although God knows for whose benefit. I caught sight of myself in the hall mirror and drew back; my skin was a pale gray, the color of chewed gum, and my dark, wavy hair, which needed a cut, was plastered against my face. There were red creases where my cheeks had been pressed against the pillows. I looked like I was about to hurl. The sedatives hadn’t sat well in my stomach; it churned at the smell of brownies coming from the kitchen. My mother had gone on a rampage of nervous baking. The kitchen counter was covered with platters, each piled high with a different baked good. My parents were at the kitchen table, arguing.
I cleared my throat. They stopped talking about me and looked up.
“Oh, Neily, you’re awake,” my mother clucked, getting out of her seat and wrapping her arms around me. I swayed a little, still unsteady on my feet. She pressed her hand against my forehead. “How are you feeling?”
“Like I’ve been hit by a truck.”
My father didn’t say anything. He just stared at me like he didn’t know who I was. The house seemed smaller with him in it; his self-righteousness was crowding us out.
“What’s he doing here?” I asked, opening the refrigerator and getting a carton of orange juice. My parents had divorced when I was seven, and I could have counted on two hands the number of times my father had visited since he’d moved out. They had joint custody, which was strictly enforced by my mother. She insisted I visit my father every other weekend and sometimes on major holidays, but I don’t think either of us enjoyed our time together much.
From the Hardcover edition.
Continues...
Excerpted from All Unquiet Things by Anna Jarzab Copyright © 2010 by Anna Jarzab. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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