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Product Details
| ISBN-13: | 9781466869240 |
|---|---|
| Publisher: | Farrar, Straus and Giroux |
| Publication date: | 04/08/2014 |
| Sold by: | Macmillan |
| Format: | eBook |
| Pages: | 208 |
| File size: | 250 KB |
About the Author
Lydia Davis is the author of several works of fiction, including Break it Down and The End of the Story. She is also a noted translator, and a collection of stories, The Old Dictionary. She teaches at Bard College and lives in Port Ewen, New York.
Lydia Davis is the author of Essays One, a collection of essays on writing, reading, art, memory, and the Bible. She is also the author of The End of the Story: A Novel and many story collections, including Varieties of Disturbance, a finalist for the 2007 National Book Award for Fiction; Can’t and Won’t (2014); and The Collected Stories of Lydia Davis, described by James Wood in The New Yorker as “a grand cumulative achievement.” Davis is also the acclaimed translator of Swann’s Way and Madame Bovary, both awarded the French-American Foundation Translation Prize, and of many other works of literature. She has been named both a Chevalier and an Officier of the Order of Arts and Letters by the French government, and in 2020 she received the PEN/Malamud Award for Excellence in the Short Story.
Read an Excerpt
Almost No Memory
[STORIES]
By Lydia Davis
Picador
Copyright © 1997 Lydia DavisAll rights reserved.
ISBN: 978-1-4668-6924-0
CHAPTER 1
MEAT, MY HUSBAND
My husband's favorite food, in childhood, was corned beef. I found this out yesterday when friends came over and we started talking about food. At some point they asked what our favorite childhood foods had been. I couldn't think of any, but my husband didn't have to think before answering.
"Corned beef," he said.
"Corned beef with an egg on it!" one of our friends added.
My husband often ate in diners before we met. He had two he liked, but he preferred the one where they did a particularly good hot roast beef sandwich. He still likes a good piece of roast beef, or steak, or hamburger mixed with sauce and spices and grilled outdoors with brochettes of onions and peppers.
But I'm the one who cooks most of his meals now. Often I make him meals with no meat in them at all because I don't think meat is good for us. Often there is no seafood in them either, because most seafood isn't good for us either, and there is almost never any fish in them, partly because I can't remember which sorts of fish may be safe to eat and which are almost certainly not, but mainly because he likes fish only when it's served in a restaurant or cooked in such a way that he can't tell it's fish. Often there is no cheese in our meals either, because of the problem with fat. I'll make him a brown-rice casserole, for example, or winter vegetables with parsley sauce, or turnip soup with turnip greens, or white bean and eggplant gratin, or polenta with spicy vegetables.
"Why don't you make the foods I like?" he asks sometimes.
"Why don't you like the foods I make?" I answer.
Once I marinated slabs of tofu in tamari sauce, champagne vinegar, red wine, toasted marjoram, and dried Chinese mushrooms simmered in water. I marinated them for four or five days and then served them to him, sliced thin, in a sandwich with horseradish and mayonnaise, slices of red onion, lettuce and tomato. First he said the tofu was still very bland, which is what he always says about tofu, then he said that on the other hand, if he hadn't known it was there, he wouldn't have been able to taste the tofu anyway because there were so many other things in the sandwich. He said it was all right, and then he said he knew tofu was good for him.
Sometimes he likes what I make, and if he's in a good mood he says so. Once I made him a cucumber salad with feta cheese and red onion and he liked it, saying it tasted Greek. Another time I made him a lentil salad with peppers and mint and he liked that, too, though he said it tasted like dirt.
But generally he doesn't like what I cook as much as what he used to eat in diners and certainly not as much as what he used to make for himself before he met me.
For instance, he used to make a roulade of beef cooked in a Marsala sauce. He would take thin slices of top round or sirloin, dust them with flour, coat one side with crushed dill seeds, roll them around cooked Italian sausage meat, and pierce them with a toothpick. Then he would sauté them in butter and simmer them in a brown Marsala sauce with mushrooms. He would also make roulades of veal stuffed with prosciutto and Gruyère. Another favorite was a meatloaf of veal, pork, and sirloin. It would contain garlic, rosemary, two eggs, and whole-wheat bread crumbs. He would lay smoked bacon underneath it and on top of it.
Now the loaf I make for him is of ground turkey. It, too, has mushrooms, fresh whole-wheat bread crumbs and garlic in it, but in other ways it is not the same. I make it with one egg, celery, leeks, sweet red peppers, salt and pepper, and a dash of nutmeg.
Outdoors on the deck, he eats it and says nothing, gazing over the water past the willow tree. He is calm and contemplative. I don't think he's calm because I'm feeding him so much less meat, but because he is teaching himself to accept what I do. He doesn't like it but knows that I believe I'm doing it for his own good.
When he says nothing about the turkey loaf, I question him, and when I press him to answer, he says that it's all right but he's not excited about it. He excuses himself by saying that in general he's not very excited about food. I disagree, because I have seen him excited about food, though almost never about what I serve him. In fact, I can remember only one occasion on which he was excited by what I served him.
It was the night I made polenta and spicy vegetables for our dinner, though that was not what excited him. The polenta, spreading in a thick ocher circle under the heap of reddish-brown vegetables, looked strange and reminded us both of a cow patty. When he had eaten some of it, though, my husband said it tasted better than it looked, something he has said before about other meals of mine. The cookbook had suggested a certain dessert to follow: a ripe pear, chilled, with walnuts. As we sat down to our meal, I told my husband what I was planning for dessert, though I was not going to bother chilling the pear.
That's one of my problems as a cook — that I don't bother to do each thing the way it should be done. I don't seem to understand the importance of detail, in cooking. My husband does, and when I told him my plan for dessert, he got right up from the table and put the pear in the freezer to chill.
When we came to eat the pear and the walnuts, the contrast between the cool, juicy sweetness of the fruit and the warmer, oily fragrance of the nuts certainly excited my husband, enough for him to imagine other desserts of fruit — poached figs with ginger, apricot fritters, and sliced blood oranges with pecans. Certainly he was more excited about this dessert than he had been about anything else I had served him. But then he was the one who had put the pear in the freezer, and I've learned by now that when he's involved in preparing a meal, or anything else for that matter, he's more apt to like it.
CHAPTER 2JACK IN THE COUNTRY
Henry encounters Jack on the street and asks how his weekend with Laura was. Jack says he hasn't spoken to Laura in at least a month. Henry is angry. He thinks Ellen has been lying to him about Laura. Ellen says she has been telling the truth: Laura told her over the phone that Jack was coming for the weekend to her house up there in the country. Henry is still angry, but now he is angry because he thinks Laura was lying to Ellen when she told her Jack was coming up for the weekend. At this point, with embarrassment, Ellen realizes her mistake: more than one Jack is involved here. Laura said only that Jack was coming to visit her for the weekend, and it was not the Jack that Ellen and Henry know but the Jack that only Ellen knows, and only slightly, who was about to arrive at Laura's house in the country. With some misgiving, she explains this to Henry. Now Henry is even angrier than before, but he is angry because Laura has been seeing a Jack he does not know instead of the Jack he knows. He is angry because the Jack he knows is an old friend of Laura's, whereas the Jack he does not know must be a new lover. Henry declares he will not speak to Laura again except to ask her to send back his keys. He will take her name out of his address book and refuse to hear any further mention of her from Ellen or the Jack he knows. Henry cannot know, since he will not speak to Laura, that in fact a third Jack has become involved in this story, to the distress of the second Jack, for Laura's affections have already strayed from the Jack that Ellen knows only slightly and that Henry does not know, and fastened on a Jack in the country unknown to them all.
CHAPTER 3FOUCAULT AND PENCIL
Sat down to read Foucault with pencil in hand. Knocked over glass of water onto waiting-room floor. Put down Foucault and pencil, mopped up water, refilled glass. Sat down to read Foucault with pencil in hand. Stopped to write note in notebook. Took up Foucault with pencil in hand. Counselor beckoned from doorway. Put away Foucault and pencil as well as notebook and pen. Sat with counselor discussing situation fraught with conflict taking form of many heated arguments. Counselor pointed to danger, raised red flag. Left counselor, went to subway. Sat in subway car, took out Foucault and pencil but did not read, thought instead about situation fraught with conflict, red flag, recent argument concerning travel: argument itself became form of travel, each sentence carrying arguers on to next sentence, next sentence on to next, and in the end, arguers were not where they had started, were also tired from traveling and spending so long face-to-face in each other's company. After several stations on subway thinking about argument, stopped thinking and opened Foucault. Found Foucault, in French, hard to understand. Short sentences easier to understand than long ones. Certain long ones understandable part by part, but so long, forgot beginning before reaching end. Went back to beginning, understood beginning, read on, and again forgot beginning before reaching end. Read on without going back and without understanding, without remembering, and without learning, pencil idle in hand. Came to sentence that was clear, made pencil mark in margin. Mark indicated understanding, indicated forward progress in book. Lifted eyes from Foucault, looked at other passengers. Took out notebook and pen to make note about passengers, made accidental mark with pencil in margin of Foucault, put down notebook, erased mark. Returned thoughts to argument. Argument not only like vehicle, carried arguers forward, but also like plant, grew like hedge, surrounding arguers at first thinly, some light coming through, then more thickly, keeping light out, or darkening light. By argument's end, arguers could not leave hedge, could not leave each other, and light was dim. Thought of question to ask about argument, took out notebook and pen and wrote down. Put away notebook and returned to Foucault. Understood more clearly at which points Foucault harder to understand and at which points easier: harder to understand when sentence was long and noun identifying subject of sentence was left back at beginning, replaced by male or female pronoun, when forgot what noun pronoun replaced and had only pronoun for company traveling through sentence. Sometimes pronoun then giving way in mid-sentence to new noun, new noun in turn replaced by new pronoun which then continued on to end of sentence. Also harder to understand when subject of sentence was noun like thought, absence, law; easier to understand when subject was noun like beach, wave, sand, sanatorium, pension, door, hallway, or civil servant. Before and after sentence about sand, civil servant, or pension, however, came sentence about attraction, neglect, emptiness, absence, or law, so parts of book understood were separated by parts not understood. Put down Foucault and pencil, took out notebook and made note of what was now at least understood about lack of understanding reading Foucault, looked up at other passengers, thought again about argument, made note of same question about argument as before though with stress on different word.
CHAPTER 4THE MICE
Mice live in our walls but do not trouble our kitchen. We are pleased but cannot understand why they do not come into our kitchen, where we have traps set, as they come into the kitchens of our neighbors. Although we are pleased, we are also upset, because the mice behave as though there were something wrong with our kitchen. What makes this even more puzzling is that our house is much less tidy than the houses of our neighbors. There is more food lying about in our kitchen, more crumbs on the counters and filthy scraps of onion kicked against the base of the cabinets. In fact, there is so much loose food in the kitchen I can only think the mice themselves are defeated by it. In a tidy kitchen, it is a challenge for them to find enough food night after night to survive until spring. They patiently hunt and nibble hour after hour until they are satisfied. In our kitchen, however, they are faced with something so out of proportion to their experience that they cannot deal with it. They might venture out a few steps, but soon the overwhelming sights and smells drive them back into their holes, uncomfortable and embarrassed at not being able to scavenge as they should.
CHAPTER 5THE THIRTEENTH WOMAN
In a town of twelve women there was a thirteenth. No one admitted she lived there, no mail came for her, no one spoke of her, no one asked after her, no one sold bread to her, no one bought anything from her, no one returned her glance, no one knocked on her door; the rain did not fall on her, the sun never shone on her, the day never dawned on her, the night never fell for her; for her the weeks did not pass, the years did not roll by; her house was unnumbered, her garden untended, her path not trod upon, her bed not slept in, her food not eaten, her clothes not worn; and yet in spite of all this she continued to live in the town without resenting what it did to her.
CHAPTER 6THE PROFESSOR
A few years ago, I used to tell myself I wanted to marry a cowboy. Why shouldn't I say this to myself — living alone, excited by the brown landscape, sometimes noticing a cowboy in a pickup truck in my rearview mirror, as I drove on the broad highways of the West Coast? In fact, I realize I would still like to marry a cowboy, though by now I'm living in the East and married already to someone who is not a cowboy.
But what would a cowboy want with a woman like me — an English professor, the daughter of another English professor, not very easygoing? If I have a drink or two, I'm more easygoing, but I still speak correctly and don't know how to joke with people unless I know them well, and often these are university people or the people they live with, who also speak correctly. Although I don't mind them, I feel cut off from all the other people in this country — to mention only this country.
I told myself I liked the way cowboys dressed, starting with the hat, and how comfortable they were in their clothes, so practical, having to do with their work. Many professors seem to dress the way they think a professor should dress, without any real interest or love. Their clothes are too tight or else a few years out of style and just add to the awkwardness of their bodies.
After I was hired to teach for the first time, I bought a briefcase, and then after I started teaching I carried it through the halls like the other professors. I could see that the older professors, mostly men but also some women, were no longer aware of the importance of their briefcases, and that the younger women pretended they weren't aware of it, but the younger men carried their briefcases like trophies.
At that same time, my father began sending me thick envelopes containing material he thought would help me in my classes, including exercises to assign and quotes to use. I didn't read more than a few pages sometimes when I was feeling strong. How could an old professor try to teach a young professor? Didn't he know I wouldn't be able to carry my briefcase through the halls and say hello to my colleagues and students and then go home and read the instructions of the old professor?
In fact, I liked teaching because I liked telling other people what to do. In those days it seemed clearer to me than it does now that if I did something a certain way, it had to be right for other people, too. I was so convinced of it that my students were convinced, too. Still, though I was a teacher outside, I was something else inside. Some of the old professors were also old professors inside, but inside, I wasn't even a young professor. I looked like a woman in glasses, but I had dreams of leading a very different kind of life, the life of a woman who would not wear glasses, the kind of woman I saw from a distance now and then in a bar.
More important than the clothes a cowboy wore, and the way he wore them, was the fact that a cowboy probably wouldn't know much more than he had to. He would think about his work, and about his family, if he had one, and about having a good time, and not much else. I was tired of so much thinking, which was what I did most in those days. I did other things, but I went on thinking while I did them. I might feel something, but I would think about what I was feeling at the same time. I even had to think about what I was thinking and wonder why I was thinking it. When I had the idea of marrying a cowboy I imagined that maybe a cowboy would help me stop thinking so much.
(Continues...)
Excerpted from Almost No Memory by Lydia Davis. Copyright © 1997 Lydia Davis. Excerpted by permission of Picador.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
Contents
Title Page,Copyright Notice,
Meat, My Husband,
Jack in the Country,
Foucault and Pencil,
The Mice,
The Thirteenth Woman,
The Professor,
The Cedar Trees,
The Cats in the Prison Recreation Hall,
Wife One in Country,
The Fish Tank,
The Center of the Story,
Love,
Our Kindness,
A Natural Disaster,
Odd Behavior,
St. Martin,
Agreement,
In the Garment District,
Disagreement,
The Actors,
What Was Interesting,
In the Everglades,
The Family,
Trying to Learn,
To Reiterate,
Lord Royston's Tour,
The Other,
A Friend of Mine,
This Condition,
Go Away,
Pastor Elaine's Newsletter,
A Man in Our Town,
A Second Chance,
Fear,
Almost No Memory,
Mr. Knockly,
How He Is Often Right,
The Rape of the Tanuk Women,
What I Feel,
Lost Things,
Glenn Gould,
Smoke,
From Below, as a Neighbor,
The Great-grandmothers,
Ethics,
The House Behind,
The Outing,
A Position at the University,
Examples of Confusion,
The Race of the Patient Motorcyclists,
Affinity,
Acknowledgments,
Also by Lydia Davis,
Copyright,