Alternate Side
NEW YORK TIMES BESTSELLER • “Captures the angst and anxiety of modern life with . . . astute observations about interactions between the haves and have-nots, and the realities of life among the long-married.”—USA Today

A provocative novel that explores what it means to be a mother, a wife, and a woman at a moment of reckoning, from the #1 New York Times bestselling author of Miller’s Valley and Still Life with Bread Crumbs.

Some days Nora Nolan thinks that she and her husband, Charlie, lead a charmed life—except when there’s a crisis at work, a leak in the roof at home, or a problem with their twins at college. And why not? New York City was once Nora’s dream destination, and her clannish dead-end block has become a safe harbor, a tranquil village amid the urban craziness. The owners watch one another’s children grow up. They use the same handyman. They trade gossip and gripes, and they maneuver for the ultimate status symbol: a spot in the block’s small parking lot.

Then one morning, Nora returns from her run to discover that a terrible incident has shaken the neighborhood, and the enviable dead-end block turns into a potent symbol of a divided city. The fault lines begin to open: on the block, at Nora’s job, and especially in her marriage. 

Praise for Alternate Side

“[Anna] Quindlen’s quietly precise evaluation of intertwined lives evinces a keen understanding of and appreciation for universal human frailties.”Booklist (starred review)

“Exquisitely rendered . . . [Quindlen] is one of our most astute chroniclers of modern life. . . . [Alternate Side] has an almost documentary feel, a verisimilitude that’s awfully hard to achieve.”The New York Times Book Review

“An exceptional depiction of complex characters—particularly their weaknesses and uncertainties—and the intricacies of close relationships . . . Quindlen’s provocative novel is a New York City drama of fractured marriages and uncomfortable class distinctions.”Publishers Weekly
1127329976
Alternate Side
NEW YORK TIMES BESTSELLER • “Captures the angst and anxiety of modern life with . . . astute observations about interactions between the haves and have-nots, and the realities of life among the long-married.”—USA Today

A provocative novel that explores what it means to be a mother, a wife, and a woman at a moment of reckoning, from the #1 New York Times bestselling author of Miller’s Valley and Still Life with Bread Crumbs.

Some days Nora Nolan thinks that she and her husband, Charlie, lead a charmed life—except when there’s a crisis at work, a leak in the roof at home, or a problem with their twins at college. And why not? New York City was once Nora’s dream destination, and her clannish dead-end block has become a safe harbor, a tranquil village amid the urban craziness. The owners watch one another’s children grow up. They use the same handyman. They trade gossip and gripes, and they maneuver for the ultimate status symbol: a spot in the block’s small parking lot.

Then one morning, Nora returns from her run to discover that a terrible incident has shaken the neighborhood, and the enviable dead-end block turns into a potent symbol of a divided city. The fault lines begin to open: on the block, at Nora’s job, and especially in her marriage. 

Praise for Alternate Side

“[Anna] Quindlen’s quietly precise evaluation of intertwined lives evinces a keen understanding of and appreciation for universal human frailties.”Booklist (starred review)

“Exquisitely rendered . . . [Quindlen] is one of our most astute chroniclers of modern life. . . . [Alternate Side] has an almost documentary feel, a verisimilitude that’s awfully hard to achieve.”The New York Times Book Review

“An exceptional depiction of complex characters—particularly their weaknesses and uncertainties—and the intricacies of close relationships . . . Quindlen’s provocative novel is a New York City drama of fractured marriages and uncomfortable class distinctions.”Publishers Weekly
28.0 In Stock
Alternate Side

Alternate Side

by Anna Quindlen
Alternate Side

Alternate Side

by Anna Quindlen

Hardcover

(Not eligible for purchase using B&N Audiobooks Subscription credits)
$28.00 
  • SHIP THIS ITEM
    In stock. Ships in 6-10 days.
  • PICK UP IN STORE

    Your local store may have stock of this item.

Related collections and offers


Overview

NEW YORK TIMES BESTSELLER • “Captures the angst and anxiety of modern life with . . . astute observations about interactions between the haves and have-nots, and the realities of life among the long-married.”—USA Today

A provocative novel that explores what it means to be a mother, a wife, and a woman at a moment of reckoning, from the #1 New York Times bestselling author of Miller’s Valley and Still Life with Bread Crumbs.

Some days Nora Nolan thinks that she and her husband, Charlie, lead a charmed life—except when there’s a crisis at work, a leak in the roof at home, or a problem with their twins at college. And why not? New York City was once Nora’s dream destination, and her clannish dead-end block has become a safe harbor, a tranquil village amid the urban craziness. The owners watch one another’s children grow up. They use the same handyman. They trade gossip and gripes, and they maneuver for the ultimate status symbol: a spot in the block’s small parking lot.

Then one morning, Nora returns from her run to discover that a terrible incident has shaken the neighborhood, and the enviable dead-end block turns into a potent symbol of a divided city. The fault lines begin to open: on the block, at Nora’s job, and especially in her marriage. 

Praise for Alternate Side

“[Anna] Quindlen’s quietly precise evaluation of intertwined lives evinces a keen understanding of and appreciation for universal human frailties.”Booklist (starred review)

“Exquisitely rendered . . . [Quindlen] is one of our most astute chroniclers of modern life. . . . [Alternate Side] has an almost documentary feel, a verisimilitude that’s awfully hard to achieve.”The New York Times Book Review

“An exceptional depiction of complex characters—particularly their weaknesses and uncertainties—and the intricacies of close relationships . . . Quindlen’s provocative novel is a New York City drama of fractured marriages and uncomfortable class distinctions.”Publishers Weekly

Product Details

ISBN-13: 9780812996067
Publisher: Random House Publishing Group
Publication date: 03/20/2018
Pages: 304
Product dimensions: 5.90(w) x 9.20(h) x 1.10(d)

About the Author

About The Author
Anna Quindlen is a novelist and journalist whose work has appeared on fiction, nonfiction, and self-help bestseller lists. She is the author of nine novels: Object Lessons, One True Thing, Black and Blue, Blessings, Rise and Shine, Every Last One, Still Life with Bread Crumbs, Miller’s Valley, and Alternate Side. Her memoir Lots of Candles, Plenty of Cake, published in 2012, was a #1 New York Times bestseller. Her book A Short Guide to a Happy Life has sold more than a million copies. While a columnist at The New York Times she won the Pulitzer Prize and published two collections, Living Out Loud and Thinking Out Loud. Her Newsweek columns were collected in Loud and Clear.

Hometown:

New York, New York

Date of Birth:

July 8, 1952

Place of Birth:

Philadelphia, Pennsylvania

Education:

B.A., Barnard College, 1974

Read an Excerpt

“Just look at that,” Charlie Nolan said, his arm extended like that of a maître d’ indicating a particularly good table.

“Oh, my God, stop,” said Nora Nolan, looking through the narrow opening of the parking lot, at the end of which she could just glimpse the front bumper of their car.

“It’s beautiful, Bun,” Charlie said. “Come on, you have to admit, it’s beautiful. Look. At. That.” That’s what Charlie did when he wanted to make sure you got his point, turned words into sentences, full stop.

Some. Sweet. Deal.

Big. Brass. Balls.

The first night they’d met, almost twenty-five years ago, in that crowded bar in the Village that was a vegan restaurant now: You. Are. Great.

Really. Really. Great.

Nora could not recall exactly when she’d first begun to think, if not to say: Just. So. Annoying.

In the line of narrow townhouses that made up their side of the block, standing shoulder to shoulder like slender soldiers of flawless posture and unvarying appearance, there was one conspicuous break, a man down, a house-width opening to a stretch of macadam turned into an outdoor parking lot. It held only six cars, and since nearly everyone on the block wanted a space, it had become a hot commodity, a peculiar status symbol.

A book about the city’s history, in the archives of a museum at which she had once interviewed for a job, had told Nora that a house in that space had been gutted in a fire, and the family that owned it had never bothered to rebuild. It had happened in the early 1930s, when the country, the city, and the west side of Manhattan had no money, which of course had happened again in the 1970s, and would doubtless happen again sometime in the future, because that was how the world worked.

At the moment, however, it seemed scarcely possible. A house on the next block had just sold for $10 million in a bidding war. The couple who sold it had bought it for $600,000 when their children were young. Nora knew this because she and her neighbors talked about real estate incessantly. Their children, their dogs, and housing prices: the holy trinity of conversation for New Yorkers of a certain sort. For the men, there were also golf courses and wine lists to be discussed; for the women, dermatologists. Remembering the playground conversations when her children were small, Nora realized that the name of the very best pediatrician had given way to the name of the very best plastic surgeon.

A single block in the middle of what seemed like the most populous island on earth—although it was not, a professor of geography had once told Nora; it was not even in the top ten—and it was like a small town. The people who owned houses on the block had watched one another’s children grow up, seen one another’s dogs go from puppy to infirmity to the crematorium at Hartsdale Pet Cemetery. They knew who redecorated when, and who couldn’t afford to. They all used the same handyman.

“You live on that dead-end block?” someone had asked Nora at an art opening several years before. “One of my friends rented a place there for a year. He said it was like a cult.”

None of those who owned on the block cared about the renters. They came and they went, with their sofa beds and midcentury-modern knockoffs, their Ikea boxes at the curb. They were young, unmoored. They didn’t hang Christmas wreaths or plant window boxes.

The owners all did, and they stuck.

From time to time a real estate agent would troll the block, pushing his card through mail slots and scribbling notes about that odd empty parcel on the north side, to see who owned it and whether a new townhouse could be built there. For now it was a narrow, ill-kept parking lot, oddly shaped, like one of those geometry problems designed to foil students on the SATs: determine the area of this rhomboid. In the worst of the parking spaces, the one wedged into a cut-in behind the back of the neighboring house, Charlie Nolan’s Volvo wagon, in a color called Sherwood Green, now sat. It had been there only for five hours, by Nora’s reckoning, and already the windshield was pocked with the chalky white confetti of pigeon droppings.

That morning, just after sunrise, Charlie had flipped on the overhead light in their bedroom, his face lit up the way it was when he was part of a big deal, had underestimated his bonus, or paid less for a bottle of wine than he decided it was worth.

“I got a space!” he crowed.

Nora heaved herself up onto her elbows. “Have you lost your mind?” she said.

“Sorry sorry sorry,” Charlie said, turning the light off but not moving from the doorway. There was a marital rule of long standing: Nora was to be allowed to sleep as long as she liked on weekends unless there was an emergency. She thought of herself as a person who had few basic requirements, but sleep was one of them. The six months during which her children had wanted to be fed, or were at least awake, in the middle of the night were among the most difficult months of her life. If she had not given birth to twins she might have had only one child, the sleep deprivation was so terrible.

Charlie knew this. He got up and went to work earlier than Nora, and the top of his dresser, the bathroom, his closet were all equipped with small flashlights by which he would dress, and dress again after he had taken the dog to the dog run, come home, and showered. Usually by the time he was in a suit and tie and eating his All-Bran, Nora was at the kitchen table in her nightgown, although it was her preference that they talk as little as possible in the morning.

Yet here was her husband, waking her on a Saturday, with the light full in her eyes.

“I got a space,” he said again, but less maniacally, as though he was setting his emotional temperature closer to hers.

And now she could see their car in the space, already moved from the enclosed garage two blocks away to the dogleg in the lot. Charlie was humming to himself. When they had first moved to the block, Charlie asked around among the other parkers to see if he could inherit the space vacated by the people they were buying the house from. It was communicated in no uncertain terms, and in that osmotic way in which things became known on the block, that a space in the lot was a privilege, not a right, and Charlie somewhat truculently signed up for the indoor garage nearby, privately adding the failure to his list of Things That Were Not Going the Way They Should for Charlie Nolan, a list that in the last year Nora suspected had become a book, perhaps even an encyclopedia.

While Charlie often complained to Nora that the fee for the enclosed garage was only slightly less than the rent on their first apartment, there had never even been a question of parking on the street. Paying for parking relieved one of those petty aggravations that was like dripping water on the stone of self, until one day you discovered it had left a hole the size of a fist in your head. Nora knew that for Charlie, living in the city meant more drips, with harder water. He reminded her of it often enough. New York was not Charlie’s natural habitat.

Nora hoped that this morning’s triumph, small but seemingly monumental to her husband, would make up for that in some fashion. It had rankled for years, when Charlie passed the opening to the lot, and now he had finally scored a space. On the dining room table lay the typed notice, slipped through their mail slot, informing Charlie that the spot formerly allotted to the Dicksons was his if he wanted it; in the spot now was their Volvo. It was a car like their life, prosperous, understated, orderly—no food wrappers, no baby seats, no coins or crumbs on the floor. When the lease on the car was up it would barely need to be detailed before they got another just like it. Charlie always wondered aloud about other manufacturers, models, colors. Nora didn’t care. She was scarcely ever in the car.

A white plastic bag eddied around Nora’s bare ankles for a moment in a breathless summer breeze, touching her, tickling her, circling her painted pink toes. She kicked it aside and it moved down the block, rising and falling like a tiny ghost, disappearing between two parked cars. The street smelled like dank river low tide, melting tar, and, as always in warm weather, the vinegar tang of garbage. Nora had had to yank their dog away from a cardboard container of moo shu something, pulled from a hole in a bag by some other dog and upended near the dead end.

It was crazy, but there was a small, secret part of Nora that was comfortable with trash on the street. It reminded her of her youth, when she’d first arrived in a nastier, scarier, dirtier New York City and moved into a shabby apartment with her best friend, Jenny. A better New York, she sometimes thought to herself now, but never, ever said, one of the many things none of them ever admitted to themselves, at least aloud: that it was better when it was worse.

From the B&N Reads Blog

Customer Reviews