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Overview

Ambition and jealousy - all set to music. Devout court composer Antonio Salieri plots against his rival, the dissolute but supremely talented Wolfgang Amadeus Mozart. How far will Salieri go to achieve the fame that Mozart disregards?

The 1981 Tony Award ® winner for Best Play.

Recorded before a live audience at the UCLA James Bridges Theater in September, 2016.

  • Directed by Rosalind Ayres
  • Producing Director Susan Albert Loewenberg
  • Steven Brand as Baron van Swieten
  • James Callis as Mozart
  • Michael Emerson as Salieri
  • Darren Richardson as Venticello 2
  • Alan Shearman as Count Orsini-Rosenberg
  • Mark Jude Sullivan as Venticello 1
  • Simon Templeman as Joseph II
  • Brian Tichnell as Count Johann Kilian Von Strack
  • Jocelyn Towne as Constanze

Associate Artistic Director, Anna Lyse Erikson. Sound Designer, Recording Engineer and Mixer, Mark Holden for The Invisible Studios, West Hollywood. Foley Artist, Jeff Gardner. Production Manager, Tori Burnett. Editor, Mitchell Lindskoog. Music Supervisor, Scott Willis. Foreign Language Consultant, Matthew Wolf. Select Original Sound Design by Darron L. West, performed by Victor Zupnac.


Editorial Reviews

MAY 2017 - AudioFile

This faithful audio adaptation of Paul Shaffer’s Tony- and Academy Award-winning masterpiece immediately takes the listener to the heart of the story—the emotions. Whether it is Mozart’s (James Callis) dizzying self-confidence, weighed down by his fear of losing his father’s approval, or Constanze’s (Jocelyn Towne) fear of losing her husband, or court composer Antonio Salieri’s (a marvelous Michael Emerson) ability to express admiration, loathing, and doubt all in a single sentence—it’s all there in the words. Emerson, especially, has a wonderful time teasing out the brooding, soaring, crazed flights of fancy in Salieri’s monologues. AMADEUS is a superb, entertaining work, and this live audio version finds the history, humor, and humanity in every scene. B.P. © AudioFile 2017, Portland, Maine

Product Details

BN ID: 2940170336807
Publisher: L.A. Theatre Works
Publication date: 01/15/2017
Edition description: Unabridged

Read an Excerpt

SCENE 1

Vienna

[Darkness.
Savage whispers fill the theater. We can distinguish nothing at first from this snakelike hissing save the word Salieri! repeated here, there and everywhere around the theater. Also, the barely distinguishable word
Assassin!

The whispers overlap and increase in volume, slashing the air with wicked intensity. Then the light grows Upstage to reveal the silhouettes of men and women dressed in the top hats and skirts of the early nineteenth century--CITIZENS OF VIENNA, all crowded together in the Light Box, and uttering their scandal. ]

WHISPERERS: Salieri! . . . Salieri! . . . Salieri!
[Upstage, in a wheelchair, with his back to us, sits an old man. We can just see, as the light grows w little brighter, the top of his head, encased in an old red cap, and perhaps the shawl wrapped around his shoulders. ]
Salieri! . . . Salieri! . . . Salieri!
[Two middle-aged gentlemen hurry in from either side, also wearing the long cloaks and tall hats of the period. These are the two
VENTICELLI: purveyors of fact, rumor and gossip throughout the play. They speak rapidly--in this first appearance extremely rapidly--so that the scene has the air of a fast and dreadful overture. Sometimes they speak to each other, sometimes to us--but always with the urgency of men who have ever been first with the news.

VENTICELLO 1: I don't believe it.

VENTICELLO 2: I don't believe it.

V.1: I don't believe it.

V.2: I don't believe it.

WHISPERERS: Salieri!

V.1: They say.

V.2: I hear.

V.1: I hear.

V.2: They say.

V.1: & V.2: I don't believe it!

WHISPERERS:Salieri!

V.1: The whole city is talking.

V.2: You hear it all over.

V.1: The cafes.

V.2: The Opera.

V.1: The Prater.

V.2: The gutter.

V.1: They say even Metternich repeats it.

V.2: They say even Beethoven, his old pupil.

V.1: But why now?

V.2: After so long?

V.1: Thirty-two years!

V.1: & v.2: I don't believe it!

WHISPERERS: SALIERI!

V.1: They say he shouts it out all day!

V.2: I hear he cries it out all night!

V.1: Stays in his apartments.

V.2: Never goes out.

V.1: Not for a year now.

V.2: Longer. Longer.

V.1: Must be seventy.

V.2: Older. Older.

V.1: Antonio Salieri--

V.2: The famous musician--

V.I: Shouting it aloud!

V.2: Crying it aloud!

V.1: Impossible.

V.2: Incredible.

V.1: I don't believe it!

V.2: I don't believe it!

WHISPERERS: SALIERI!

V.1: I know who started the tale!

V.2: I know who started the tale!

[Two old men--one thin and dry, one very fat--detach themselves from the crowd at the back and walk downstage, on either side: Salieri's VALET and PASTRY COOK. ]

V.1: [Indicating him]. The old man's valet!

V.2: [Indicating him]. The old man's cook!

V.1: The valet hears him shouting!

V.2: The cook hears him crying!

V.1: What a story!

V.2: What a scandal! [The VENTICELLI move quickly upstage, one on either side, and each collects a silent informant. VENTICELLO ONE walks down eagerly with the VALET; VENTICELLO TWO walks down eagerly with the COOK. ]

V.1: [To VALET]. What does he say, your master?

V.2: [To COOK]. What exactly does he say, the Kapellmeister?

V.1: Alone in his house--

V.2: All day and all night--

V.I: What sins does he shout?

V.2: The old fellow--

V.I: The recluse

V.2: What horrors have you heard?

V.1: & V.2: Tell us! Tell us! Tell us at once! What does he cry? What does he cry? What does he cry? [VALET and COOK gesture toward SALIERI. ] SALIERI: (In a great cry). MOZART!!! [Silence ] V.1: [Whispering]. Mozart!

V.2: [Whispering]. Mozart!

SALIERI: Perdonami, Mozart! Il tuo assassino ti chiede perdono!

V.1: [In disbelief]. Pardon, Mozart!

V.2: [In disbelief]. Pardon your assassin!

V.1 & V.2: God preserve us!

SALIERI: Pieta, Mozart! . . . Mozart, pieta!

V.1: Mercy, Mozart!

V.2: Mozart, have mercy!

V.1: He speaks in Italian when excited!

V.2: German when not!

V.1: Perdonami, Mozart!

V.2: Pardon your assassin!
[The VALET and the COOK walk to either side of the stage and stand still. Pause. The VENTICELLI cross themselves, deeply shocked. ]

V.1: There was talk once before, you know.

V.2: Thirty-two years ago.

V.1: When Mozart was dying.

V.2: He claimed he'd been poisoned!

V.1: Some said he accused a man.

V.2: Some said that man was Salieri!

V.1: But no one believed it.

V.2: They knew what he died of!

V.1: Syphilis, surely.

V.2: Like everybody else.

[Pause ]

V.1: [Slyly]. But what if Mozart was right?

V.2: If he really was murdered?

V.1: And by him. Our First Kapellmeister!

V.2: Antonio Salieri!

V.1: It can't possibly be true.

V.2: It's not actually credible.

V.1: Because why?

V.2: Because why?

V.1: & V.2: Why on earth would he do it?

V.1: And why confess now?

V.2: After thirty-two years!

WHISPERERS: Salieri!

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