Before shooting to international fame with
Linkin Park, a young
Chester Bennington sated his straightforward rock needs with the Phoenix-based '90s post-grunge outfit
Grey Daze. Two decades after they disbanded, plans were made to reunite for the 20th anniversary of their final album. However, those wishes never came to fruition, cut short by
Bennington's passing on July 20, 2017. After a period of grieving, founding member
Sean Dowdell, bassist
Mace Beyers, and guitarist
Cristin Davis entered the studio with producer
Jay Baumgardner and a team of
Bennington's famous friends to re-record songs from 1994's
Wake Me and 1997's
...No Sun Today. The resulting collection,
Amends, reveals a teenaged
Bennington on the cusp of superstardom, with his inimitable vocals presented in raw form. Heavily influenced by the style (and vocalists) of forebears
Alice in Chains,
Nirvana, and
Soundgarden,
Amends also recalls the pain and power of early
Tool and mid-period
Depeche Mode, an emotive journey through
Bennington's psyche (and a precursor to anthems like "Crawling," "In the End," and "Numb"). While the original '90s tracks were no-frills rock blasts, the updated versions benefit from modernized production quality and the freshness of contributions by the guest musicians. As
Bennington howls and broods -- his nascent scream taking shape on tracks such as "Just Like Heroin" and "The Syndrome" --
Dowdell's drums crash,
Davis' riffs churn, and
Beyers' bass provides the grounding, weaving seamlessly together as if
Bennington was actually in the studio with them.
Helmet's
Page Hamilton provides crunch on opener "Sickness," revamped with atmospheric production and haunting synth stabs reminiscent of
Linkin Park's gloomier material. Meanwhile,
Korn's
Brian Welch and
James Shaffer transfer their distinctive guitar attack to the swirling protest anthem "B12,"
Bennington's takedown of corrupt American society that rings as true in 2020 as it did in the late '90s. While contributions by members of
Breaking Benjamin,
Bush,
P.O.D., and
Dead By Sunrise buffer the project without distraction, one special guest makes a huge emotional impact. Providing backing vocals on the moving "Soul Song,"
Bennington's son
Jamie bridges generations, honoring his father's past and fulfilling a collaborative dream that unfortunately never transpired in person. Such moments make
Amends a cathartic experience, reaching a peak on the piano- and string-backed "Morei Sky." Eerily prescient and utterly heartbreaking,
Bennington screams, "If I had a second chance/I'd make amends/Only to find myself/losing in the end." As with similar posthumous examinations of his lyrical cries for help with
Linkin Park, listeners can only wonder about
Bennington's intent. Rather than project meaning onto these decades-old lyrics,
Grey Daze ends the album with a voice recording. As the triumphant "Shouting Out" soars to a close,
Bennington tells a friend, "It's a beautiful day in the neighborhood...I love you and talk to you soon." It's a tearjerker of a conclusion, comforting listeners from the other side with a little bit of closure. A gift for those who loved
Chester,
Amends is a lovingly crafted tribute, adding a bittersweet chapter to his musical legacy that brings his past and present full-circle. ~ Neil Z. Yeung
![Barn [Deluxe Edition]](http://prodimage.images-bn.com/pimages/0093624877547_p0_v2_s90x140.jpg "Barn [Deluxe Edition]")