An American Quilt: Unfolding a Story of Family and Slavery

When we think of slavery, most of us think of the American South. We think of back-breaking fieldwork on plantations. We don't think of slavery in the North, nor do we think of the grueling labor of urban and domestic slaves. Rachel May's rich new book explores the far reach of slavery, from New England to the Caribbean, the role it played in the growth of mercantile America, and the bonds between the agrarian south and the industrial north in the antebellum era-all through the discovery of a remarkable quilt.

While studying objects in a textile collection, May opened a veritable treasure-trove: a carefully folded, unfinished quilt made of 1830s-era fabrics, its backing containing fragile, aged papers with the dates 1798, 1808, and 1813, the words "shuger," "rum," "casks," and "West Indies," repeated over and over, along with "friendship," "kindness," "government," and "incident." The quilt top sent her on a journey to piece together the story of Minerva, Eliza, Jane, and Juba-the enslaved women behind the quilt-and their owner, Susan Crouch.

May brilliantly stitches together the often-silenced legacy of slavery by revealing the lives of these urban enslaved women and their world. Beautifully written and richly imagined, An American Quilt is a luminous historical examination and an appreciation of a craft that provides such a tactile connection to the past.

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An American Quilt: Unfolding a Story of Family and Slavery

When we think of slavery, most of us think of the American South. We think of back-breaking fieldwork on plantations. We don't think of slavery in the North, nor do we think of the grueling labor of urban and domestic slaves. Rachel May's rich new book explores the far reach of slavery, from New England to the Caribbean, the role it played in the growth of mercantile America, and the bonds between the agrarian south and the industrial north in the antebellum era-all through the discovery of a remarkable quilt.

While studying objects in a textile collection, May opened a veritable treasure-trove: a carefully folded, unfinished quilt made of 1830s-era fabrics, its backing containing fragile, aged papers with the dates 1798, 1808, and 1813, the words "shuger," "rum," "casks," and "West Indies," repeated over and over, along with "friendship," "kindness," "government," and "incident." The quilt top sent her on a journey to piece together the story of Minerva, Eliza, Jane, and Juba-the enslaved women behind the quilt-and their owner, Susan Crouch.

May brilliantly stitches together the often-silenced legacy of slavery by revealing the lives of these urban enslaved women and their world. Beautifully written and richly imagined, An American Quilt is a luminous historical examination and an appreciation of a craft that provides such a tactile connection to the past.

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An American Quilt: Unfolding a Story of Family and Slavery

An American Quilt: Unfolding a Story of Family and Slavery

by Rachel May

Narrated by Carrington MacDuffie

Unabridged — 12 hours, 39 minutes

An American Quilt: Unfolding a Story of Family and Slavery

An American Quilt: Unfolding a Story of Family and Slavery

by Rachel May

Narrated by Carrington MacDuffie

Unabridged — 12 hours, 39 minutes

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Overview

When we think of slavery, most of us think of the American South. We think of back-breaking fieldwork on plantations. We don't think of slavery in the North, nor do we think of the grueling labor of urban and domestic slaves. Rachel May's rich new book explores the far reach of slavery, from New England to the Caribbean, the role it played in the growth of mercantile America, and the bonds between the agrarian south and the industrial north in the antebellum era-all through the discovery of a remarkable quilt.

While studying objects in a textile collection, May opened a veritable treasure-trove: a carefully folded, unfinished quilt made of 1830s-era fabrics, its backing containing fragile, aged papers with the dates 1798, 1808, and 1813, the words "shuger," "rum," "casks," and "West Indies," repeated over and over, along with "friendship," "kindness," "government," and "incident." The quilt top sent her on a journey to piece together the story of Minerva, Eliza, Jane, and Juba-the enslaved women behind the quilt-and their owner, Susan Crouch.

May brilliantly stitches together the often-silenced legacy of slavery by revealing the lives of these urban enslaved women and their world. Beautifully written and richly imagined, An American Quilt is a luminous historical examination and an appreciation of a craft that provides such a tactile connection to the past.


Editorial Reviews

Publishers Weekly

06/11/2018
May (Quilting with a Modern Slant) uncovers layers of history and tragedy in this imaginative, if occasionally naive, reconstruction of the lived experience of slavery in antebellum South Carolina. The discovery of a multicolored quilt top in a dusty archive prompts May to delve into the story of its white creators—the Crouch family of Charleston—and the Africans they kept in bondage—Minerva, Eliza, Juba, and Jane. May explores how slaveholding and resistance colored the practices of everyday life, from haggling over vegetables at the market to making quilts from fabric scraps. May draws both history lessons and intimate secrets—such as the Crouches’ guilt over the death of their infant son, whose brain was injured by a fall from a high crib—from her analysis of letters and domestic objects in the antebellum world. Tackling household production, the slave trade, and textile mills, the book argues that the early republic—not just the South—was knit together through slavery. While May’s writing can verge on melodramatic, as when she recounts “wanting to scream” warnings to a family member unaware of suffering about to befall her, her commitment to recovering the experiences of the enslaved people at the story’s heart is admirable. “Imagine,” she writes of Juba, having been freed: “Juba Simons chooses her dress carefully that morning, trying to decide if it will be the blue calico or green and yellow striped dress.” It is a moment worth savoring, in a book full of them. Photos. Agent: Don Fehr, Trident Media Group. (May)

Roderick Kiracofe

"May follows the footsteps of Linda Lipsett and Cuesta Benberry, who revealed a more thorough picture of the contribution the African American quilt maker. These stories need to be shared over and over again and Rachel May does so brilliantly, intelligently, and with care. The history of enslaved people—and today’s on-going racism—is not glossed over in this deeply researched and beautifully written text. An American Quilt is a major contribution to the multilayered and complex history of quilt making in America."

Bitch Magazine

"While acclaimed writer Rachel May was studying a textile collection, she stumbled on an unfinished quilt that took her on a journey from the Caribbean to New England and into the dark depths of slavery. May decided to piece together this history, which she unveils in this rich book. An American Quilt drives home how little we actually know about slavery—and how much history we can still uncover."

Booklist (starred)

"Deeply researched and vividly written, May’s creative achievement casts new light on the often ignored contributions enslaved people made to American society."

Christy Clark-Pujara

"An American Quilt cleverly weaves together the disparate fields of material cultural, northern industrialization, mercantilism, trade and slavery. Deeply researched history, May reveals the multifaceted economic and personal relations between northern textile manufacturers and southern enslavers. Moreover, May reminds us that the handmade quilts of white antebellum slave-holding and non-slave-holding women carry unlikely histories, including those of enslaved African Americans whose labor and stories are usually unacknowledged or overlooked."

Clyde Fitch Report

"An American Quilt is a scholarly accomplishment."

New Yorker

"In this far-reaching history, the discovery of an unfinished antebellum quilt becomes an investigation of the fragile scraps of documents used to make its backing. A meticulous and insightful account of slavery’s role in early mercantile America."

Booklist

"Deeply researched and vividly written, May’s creative achievement casts new light on the often ignored contributions enslaved people made to American society."

Booklist (Starred)

Deeply researched and vividly written, May’s creative achievement casts new light on the often ignored contributions enslaved people made to American society.

New Yorker

In this far-reaching history, the discovery of an unfinished antebellum quilt becomes an investigation of the fragile scraps of documents used to make its backing. A meticulous and insightful account of slavery’s role in early mercantile America.

The New Yorker

In this far-reaching history, the discovery of an unfinished antebellum quilt becomes an investigation of the fragile scraps of documents used to make its backing. A meticulous and insightful account of slavery’s role in early mercantile America.

JUNE 2018 - AudioFile

Carrington MacDuffie narrates this work of creative nonfiction. As the author researched the history of a quilt that had traveled from South Carolina to Rhode Island, she managed to trace the American slavery system south to north, and back again. Due to lack of documentation, May had to imagine lives for the enslaved people she found through the quilt, while the lives of their owners were well documented in letters, official documents, and their homes. The text begs for more emotion from the narrator. MacDuffie doesn’t do justice to the exhaustive research May carried out—archival research into slave narratives and trips to different states and to Cuba. Nonetheless, this is a worthwhile listen, unspooling real and imagined lives from an unfinished quilt. M.P.P. © AudioFile 2018, Portland, Maine

Product Details

BN ID: 2940169752373
Publisher: Blackstone Audio, Inc.
Publication date: 05/01/2018
Edition description: Unabridged
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