An Anthology of Interracial Literature: Black-White Contacts in the Old World and the New

by Werner Sollors

Overview

A white knight meets his half-black half-brother in battle. A black hero marries a white woman. A slave mother kills her child by a rapist-master. A white-looking person of partly African ancestry passes for white. A master and a slave change places for a single night. An interracial marriage turns sour. The birth of a child brings a crisis. Such are some of the story lines to be found within the pages of An Anthology of Interracial Literature.
This is the first anthology to explore the literary theme of black-white encounters, of love and family stories that cross—or are crossed by—what came to be considered racial boundaries. The anthology extends from Cleobolus' ancient Greek riddle to tormented encounters in the modern United States, visiting along the way a German medieval chivalric romance, excerpts from Arabian Nights and Italian Renaissance novellas, scenes and plays from Spain, Denmark, England, and the United States, as well as essays, autobiographical sketches, and numerous poems. The authors of the selections include some of the great names of world literature interspersed with lesser-known writers. Themes of interracial love and family relations, passing, and the figure of the Mulatto are threaded through the volume.
An Anthology of Interracial Literature allows scholars, students, and general readers to grapple with the extraordinary diversity in world literature. As multi-racial identification becomes more widespread the ethnic and cultural roots of world literature takes on new meaning.
Contributors include: Hans Christian Andersen, Gwendolyn Brooks, Elizabeth Barrett Browning, Charles W. Chesnutt, Lydia Maria Child, Kate Chopin, Countee Cullen, Caroline Bond Day, Rita Dove, Alexandre Dumas, Olaudah Equiano, Langston Hughes, Victor Hugo, Charles Johnson, Adrienne Kennedy, Henry Wadsworth Longfellow, Guy de Maupassant, Claude McKay, Eugene O'Neill, Alexander Pushkin, and Jean Toomer.

Product Details

ISBN-13:	9780814781449
Publisher:	New York University Press
Publication date:	02/01/2004
Pages:	675
Product dimensions:	7.00(w) x 10.00(h) x 1.30(d)

About the Author

Werner Sollors is Henry B. and Anne M. Cabot Professor , Emeritus, of English Literature and Professor of Afro-American Studies. He is the author and editor of numerous books, including The Multilingual Anthology of American Literature, Theories of Ethnicity: A Classical Reader, and Multilingual America: Transnationalism, Ethnicity, and the Languages of American Literature, all available from NYU Press.

What People are Saying About This

From the Publisher

"Thanks again to Werner Sollors for oxygenating our thoughts on race and identity, and their relationship to that holy dunce, the literary imagination. Intelligently multicultural, this compendium provokes and entertains even as it exposes still-live nerves. Sollors' scholarship is erudite but relevant; his choices speak with tactful passion about matters which touch us all."

-Gish Jen,author of Mona in the Promised Land

"Many startling textual artifacts included."

-The New York Times,

"The first in English devoted to work that Mr. Sollors says has typically been overlooked, an orphan literature belonging to no clear ethnic or national tradition."

-New York Times,

"The scope of this collection is impressive. The introduction is invaluable, providing much-needed context. The volume's topic and scope make it a valuable resource."

-Choice,

"No one has done more important work to place interracial association at the center of American culture than Werner Sollors. This extraordinarily rich anthology is an excellent addition to the study of this fascinating subject."

-Randall Kennedy,author of Interracial Intimacies: Sex, Marriage, Identity & Adoption

Editorial Reviews

""Many startling textual artifacts included.""

The New York Times

""No one has done more important work to place interracial association at the center of American culture than Werner Sollors. This extraordinarily rich anthology is an excellent addition to the study of this fascinating subject."

Randall Kennedy

""The scope of this collection is impressive. The introduction is invaluable, providing much-needed context. The volume's topic and scope make it a valuable resource.""

Choice

"The scope of this collection is impressive. The introduction is invaluable, providing much-needed context. The volume's topic and scope make it a valuable resource."

-Choice

"Thanks again to Werner Sollors for oxygenating our thoughts on race and identity, and their relationship to that holy dunce, the literary imagination. Intelligently multicultural, this compendium provokes and entertains even as it exposes still-live nerves. Sollors' scholarship is erudite but relevant; his choices speak with tactful passion about matters which touch us all."

-Gish Jen,author of Mona in the Promised Land

"The first in English devoted to work that Mr. Sollors says has typically been overlooked, an orphan literature belonging to no clear ethnic or national tradition."

-New York Times

"Many startling textual artifacts included."

-The New York Times

From the Publisher

Sollors (English literature & Afro-American studies, Harvard) has compiled the first scholarly anthology that centers on the theme in literature of love and family across, or crossed by, racial boundaries. As Sollors explains in the introduction, "It is a theme that makes for unusual intersections of the plots of love and family relations with issues of society and politics." The anthology contains a broad range of texts, including epics, poems, and novellas, and spans numerous cultures from the ancient to the contemporary. The authors included range from Hans Christian Andersen and Alexander Pushkin to Eugene O'Neill and Gwendolyn Brooks. One is reminded that color was an accidental quality in antiquity and the Christian Middle Ages; that during later times, censure existed; and that, in the United States in particular, interracial marriage bans were not deemed unconstitutional until 1967. As stated in a Rita Dove play: "A sniff of freedom's all it takes to feel history's sting." Recommended for academic libraries and for any reader working around the race rubric.-Scott Hightower, Fordham Univ., New York Copyright 2003 Reed Business Information.

Library Journal

"Thanks again to Werner Sollors for oxygenating our thoughts on race and identity, and their relationship to that holy dunce, the literary imagination. Intelligently multicultural, this compendium provokes and entertains even as it exposes still-live nerves. Sollors' scholarship is erudite but relevant; his choices speak with tactful passion about matters which touch us all."

Gish Jen

""The first in English devoted to work that Mr. Sollors says has typically been overlooked, an orphan literature belonging to no clear ethnic or national tradition.""

New York Times