Publishers Weekly
06/24/2024
As Angélica and her family prepare to travel from the Dominican Republic, where they’ve spent the summer, back to New York, she knows she’ll soon say goodbye to her family. The day before she leaves, Abuelito gives her a family heirloom, a Güira, shows her how to make its characteristic sound, and tells her about its unique power—“It makes the music go slow slow or speed up—fast fast.” But back in Washington Heights, Angélica struggles to find a place to play the Güira, dismissed by her family, the school orchestra, and the neighborhood jazz band. Realizing she can play alone, Angélica picks up the Güira on her building’s front steps, evoking the sounds of her ancestors on the instrument, and is soon joined by neighborhood musicians whose jam session leads to a fantastic block party. Batista’s digitally created art blends vivid, bright colors and fluid imagery that pairs well with Cruz’s uplifting text in this double picture book debut. Characters are portrayed with various skin tones. Publishing simultaneously in English and Spanish. Ages 5–8. (July)
From the Publisher
Praise for Angélica and la Güira By Angie Cruz; Illustrated by Luz Batista:
“Heartwarming themes of familial love and heritage resonate throughout, and Angélica is a resilient and empathetic protagonist; readers will admire her persistence as she searches for belonging. Rainbow-hued swirls emanate from the güira, infusing Batista’s orderly scenes with energy; use of onomatopoeia gives the text an enjoyably rhythmic quality. A melodic tribute to the power of music.”
–- Kirkus Reviews
“Batista’s digitally created art blends vivid, bright colors and fluid imagery that pairs well with Cruz’s uplifting text.”
— Publishers Weekly
Kirkus Reviews
2024-04-20
Angélica is sad to say goodbye to her family in the Dominican Republic after a magical summer visit.
As a parting gift, Abuelito gives the child an antique güira, a cylindric metal percussion instrument. As he scrapes the güira with a metal comb, Abuelito tells Angélica about their ancestors who played the instrument before her. “This güira has power,” he tells her. “It makes the music go slow slow or speed up—fast fast.” Angélica is excited to bring this piece of her beloved Dominican Republic back home to New York City; she plays it loudly whenever she misses Abuelito. Her family and her orchestra teacher aren’t thrilled by the bold sounds, and Angélica can’t seem to find a place where her music is welcomed. Undeterred, she plays outside, drawing neighbors with tamboras, accordions, and more until their street ignites with music and dancing. In the rhythmic beats of the güira, Angélica finds a connection to her roots and a harmony that brings her Washington Heights community together. Heartwarming themes of familial love and heritage resonate throughout, and Angélica is a resilient and empathetic protagonist; readers will admire her persistence as she searches for belonging. Rainbow-hued swirls emanate from the güira, infusing Batista’s orderly scenes with energy; use of onomatopoeia gives the text an enjoyably rhythmic quality.
A melodic tribute to the power of music. (Picture book. 5-9)
