Anne of Green Gables

by Lucy Maud Montgomery Narrated by LibriVox Community

Overview

Lucy Maud Montgomery's classic children's novel, Anne of Green Gables tells the story of a red headed orphan girl with a personality you can't help but love. Despite her “tragical” past, Anne's optimism and imagination have helped her to always see the best in things. Anne's life changes considerably when she is accidentally adopted by the Cuthberts, a brother and sister who thought they were getting a boy to help out on the farm. The Cuthberts decide Anne will have to be sent back to the orphange but before they know it, she has begun to work her way into their hearts. (Summary by Annie Coleman)

Editorial Reviews

barnesandnoble.com

When mischievous orphan Anne Shirley arrives at the Cuthbert farm Green Gables, she knows she wants to stay forever. But the Cuthbert's were expecting a boy orphan -- someone strong enough to help with their farmwork. Can spunky Anne win their hearts? This beautiful picture book adaptation of L. M. Montgomery's classic novel will delight the author's many fans -- and captivate a new audience of younger readers.

Publishers Weekly

This simplified picture-book retelling of how the 11-year-old orphan comes to Prince Edward Island is adapted from L.M. Montgomery's classic. Ages 5-8. (Apr.) Copyright 2003 Reed Business Information.

Library Journal

Montgomery is the latest author to join Running Press's ongoing "Courage Classics'' series of budget hardcover reprints of classic works. Along with the full text, this edition includes excerpts from the author's journal. Also new in the line is Short Stories and Tall Tales by Mark Twain ( ISBN 1-56138-323-6 ), which offers pieces gleaned from Running Press's The Unabridged Mark Twain . At this bargain price, both titles are excellent choices.

School Library Journal

Gr 5-8-The nostalgic charm of Avonlea comes alive in Lucy Maud Montgomery's heart-warming tale set on the quaint island of Prince William about an aging brother and sister, Mathew and Marilla Cuthbert, and their decision to adopt a young boy to help with chores around their farm. However, as the result of a misunderstanding the boy turns out to be a feisty, independent, and wildly imaginative redheaded girl named Anne. Marilla's first reaction to this news is, "What use is she to us?" Wherein Mathew replies, "We might be of some use to her." Throughout this moving story these two statements mix and meld together so richly and completely that they become one truth. Three lives are changed so dramatically that none can imagine life without the others. Each new day brings a new set of adventures, often hilarious and always uplifting. Anne's vivid and overactive imagination is the cause of many mishaps, but her saving grace is her heart of gold. Her best friend and "kindred spirit," Diana, and her handsome admirer, Gilbert Blythe, often find themselves unintentional victims of Anne's escapades. Narrator Shelly Frasier's pleasant voice is especially enjoyable during the rapid ramblings of Anne and as the soft-spoken, slow-paced Mathew. Her voice reflects the human qualities of each character, switching seamlessly between broken and despaired, curt and crisp, or dreamy and absent-minded. This perennial classic, divided into convenient three minute tracks and containing a short biography of the author, is a must have for expanding audiobook collections.-Cheryl Preisendorfer, Twinsburg High School, OH Copyright 2004 Reed Business Information.

From the Publisher

'The dearest and most moving and delightful child since the immortal Alice' - Mark Twain

MAY 2014 - AudioFile

The village of Greenwillow is redolent with verdant pastures and quaint inhabitants who are engrossed in both nature and their religions. Ann Richardson narrates this gentle story of romance, family curses, and battling intolerance. She believably portrays a broad range of characters of all ages—from high-pitched toddlers to belligerent teens and elderly folks. Nuances of accent, class, and attitude are all lightly performed. Young Gideon, who vows never to marry, is smitten with orphan Dorrie, and therein lies the quandary. In this charming book, Chute embraces rural challenges and village eccentrics, particularly two reverends who spar over good and evil. A.W. © AudioFile 2014, Portland, Maine

MAY 2014 - AudioFile

The village of Greenwillow is redolent with verdant pastures and quaint inhabitants who are engrossed in both nature and their religions. Ann Richardson narrates this gentle story of romance, family curses, and battling intolerance. She believably portrays a broad range of characters of all ages—from high-pitched toddlers to belligerent teens and elderly folks. Nuances of accent, class, and attitude are all lightly performed. Young Gideon, who vows never to marry, is smitten with orphan Dorrie, and therein lies the quandary. In this charming book, Chute embraces rural challenges and village eccentrics, particularly two reverends who spar over good and evil. A.W. © AudioFile 2014, Portland, Maine

Product Details

BN ID:	2940169361445
Publisher:	LibriVox
Publication date:	08/25/2014
Sales rank:	239,025

Read an Excerpt

Daring was the fashionable amusement among the Avonlea small fry just then. It had begun among the boys, but soon spread to the girls, and all the silly things that were done in Avonlea that summer because the doers thereof were “dared” to do them would fill a book by themselves. . . .

Now, to “walk” board fences requires more skill and steadiness of head and heel than one might suppose who has never tried it. But Josie Pye, if deficient in some qualities that make for popularity, had at least a natural and inborn gift, duly cultivated, for walking board fences. Josie walked the Barry fence with an airy unconcern which seemed to imply that a little thing like that wasn’t worth a “dare.” Reluctant admiration greeted her exploit, for most of the other girls could appreciate it, having suffered many things themselves in their efforts to walk fences. Josie descended from her perch, flushed with victory, and darted a defiant glance at Anne.

Anne tossed her red braids.

“I don’t think it’s such a very wonderful thing to walk a little, low, board fence,” she said. “I knew a girl in Marysville who could walk the ridge-pole of a roof.”

“I don’t believe it,” said Josie flatly. “I don’t believe anybody could walk a ridge-pole. You couldn’t, anyhow.”

“Couldn’t I?” cried Anne rashly.

“Then I dare you to do it,” said Josie defiantly. “I dare you to climb up there and walk the ridge-pole of Mr. Barry’s kitchen roof.”

Anne turned pale, but there was clearly only one thing tobe done. She walked towards the house, where a ladder was leaning against the kitchen roof. All the fifth-class girls said, “Oh!” partly in excitement, partly in dismay.

“Don’t you do it, Anne,” entreated Diana. “You’ll fall off and be killed. Never mind Josie Pye. It isn’t fair to dare anybody to do anything so dangerous.”

“I must do it. My honour is at stake,” said Anne solemnly. “I shall walk that ridge-pole, Diana, or perish in the attempt. If I am killed you are to have my pearl bead ring.”

Anne climbed the ladder amid breathless silence, gained the ridge-pole, balanced herself uprightly on that precarious footing, and started to walk along it, dizzily conscious that she was uncomfortably high up in the world and that walking ridge-poles was not a thing in which your imagination helped you out much. Nevertheless, she managed to take several steps before the catastrophe came. Then she swayed, lost her balance, stumbled, staggered and fell, sliding down over the sun-baked roof and crashing off it through the tangle of Virginia creeper beneath — all before the dismayed circle below could give a simultaneous, terrified shriek.

If Anne had tumbled off the roof on the side up which she ascended Diana would probably have fallen heir to the pearl bead ring then and there. Fortunately she fell on the other side, where the roof extended down over the porch so nearly to the ground that a fall therefrom was a much less serious thing.

Nevertheless, when Diana and the other girls had rushed frantically around the house — except Ruby Gillis, who remained as if rooted to the ground and went into hysterics — they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper.

“Anne, are you killed?” shrieked Diana, throwing herself on her knees beside her friend. “Oh, Anne, dear Anne, speak just one word to me and tell me if you’re killed.”

To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with horrible visions of a future branded as the girl who was the cause of Anne Shirley’s early and tragic death, Anne sat dizzily up and answered uncertainly:

“No, Diana, I am not killed, but I think I am rendered unconscious.”

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