Anthology for Musical Analysis / Edition 7

by Charles Burkhart, William Rothstein

Overview

A landmark collection of over 200 complete musical compositions and movements, ranging from the Middle Ages to the present, ANTHOLOGY FOR MUSICAL ANALYSIS offers first- and second-year music theory students a wealth of illustrations of chords, voice-leading techniques, and forms, plus some material for figured-bass realization and score reading. Because this book takes no theoretical position, it is adaptable to any theoretical approach and to any type of curriculum, including those that combine theory study with music literature and the history of musical style.

Product Details

ISBN-13:	9780495916079
Publisher:	Cengage Learning
Publication date:	06/21/2011
Edition description:	New Edition
Pages:	688
Product dimensions:	8.40(w) x 10.90(h) x 1.20(d)

About the Author

Charles Burkhart is an internationally recognized scholar in Schenkerian analysis, a pianist, and the author of ANTHOLOGY FOR MUSICAL ANALYSIS. He is also co-author of A NEW APPROACH TO KEYBOARD HARMONY and author of articles and reviews in The Music Review, Perspectives of New Music, Journal of Music Theory, and The Music Forum.

Table of Contents

Part I: MEDIEVAL AND RENAISSANCE COMPOSITION. Introduction. Examples of Plainchant. Kyrie from Mass XIII. Tone for the Benedicamus Domino. Hymn to St. John the Baptist. Hymn for Lauds, December 25. Antiphon for Vespers, 3rd Sunday of Advent. Gloria Patri for the Introit of the Mass. Hildegard of Bingen. Excerpts from Ordo Virtutum (morality play). Guillaume de Machaut. De bon espoir. Puisque la douce rosee. Speravi (isorhythmic motet). Guillaume Dufay. Communio from Missa Sancti Jacobi (fauxbourdon). Josquin Desprez. Tu pauperum refugium (motet). Baises moy (double canon). Giovanni Pierluigi da Palestrina. Sanctus and Benedictus from Missa Aeterna Christi Munera. Roland de Lassus. Three Duos. 2-Beatus homo. 5-Expectatio justorum. 12-Sicut rosa. Examples of Stock Basses (late sixteenth century). Claude Gervaise. Pavane Passamaize. Jacomo Gorzanis. Passamezzo and Saltarello (dance pair). Greensleeves. Thomas Morley. Now is the Month of Maying (ballet). Carlo Gesualdo. Moro lasso al mio duolo (madrigal). Part II: BAROQUE COMPOSITIONS. Introduction. Claudio Monteverdi, 1567-1643. "Cruda Amarilli" from The Fifth Book of Madrigals. Giacomo Carissimi, 1605-74. The Daughter s Lament from Jephte. Arcangelo Corelli, 1653-1713. Adagio and Allegro from Violin Sonata, Op. 5, No. 1. Allemanda from Trio Sonata, Op. 4, No. 11. Henry Purcell, ca. 1659-1695. Dido s Lament from Dido and Aeneas. Johann Caspar Ferdinand Fischer, ca. 1665-1746. Prelude and Fugue No. 6 in E Phrygian from Ariadne musica. Fran ois Couperin, 1668-1733. Les Moissonneurs from Pi ces de Clavecin, Ordre VI. Notebook for Anna Magdalena Bach (1725). Four Pieces. March. Minuet. Aria. Polonaise. George Frideric Handel, 1685-1759. Concerto Grosso in B minor, Op. 6, No. 12 (in score). Largo. Allegro. Chaconne in G Major from Trois Le ons. Recitative: "Thy rebuke hath broken his heart" from Messiah. Aria: "Where er you walk" from Semele. Johann Sebastian Bach, 1685-1750. Allemande from French Suite No. 6 in E major. Gavottes I and II from English Suite No. 3 in G minor. Bourree I and II from Suite No. 3 in C major for Violoncello Solo. Sarabande and Double from Partita No. 1 in B minor for Violin Solo. Two Inventions. No. 4 in D minor. No. 12 in A major. Preludes and Fugues from The Well-Tempered Clavier. from Book I. Prelude 1 in C major. Fugue 2 in C minor. Fugue 11 in F major. Fugue 16 in G minor. Fugue 21 in B-flat major. from Book II. Fugue 16 in G minor. Contrapunctus VII from The Art of Fugue. Four Canons from The Musical Offering. Crucifixus from Mass in B minor. O Gott, du frommer Gott (chorale variation). Three Chorale Preludes. Gott, durch deine G te from Orgelb chlein. Durch Adam s Fall ist ganz verderbt from Orgelb chlein. Wachet auf, ruft uns die Stimme from Sch bler Chorales. Domenico Scarlatti, 1685-1757. Sonata in D major, K. 96 (Longo 465). Part III: CLASSICAL COMPOSITIONS. Introduction. Joseph Haydn, 1732-1809. Piano Sonata No. 36 in C-sharp minor, first movement. Piano Sonata No. 37 in D major, third movement. Piano Sonata No. 3 in C major, third movement. String Quartet in G minor, Op. 74, No. 3, second movement. Symphony No. 101 in D major, third and fourth movements (in score). Muzio Clementi, 1752-1832. Sonatina in G major, Op. 36, No. 2, first movement. Wolfgang Amadeus Mozart, 1756-1791. Theme with Variations from Piano Sonata in D major, K. 284. Piano Sonata in B-flat major, K. 333. Allegro. Andante cantabile. Allegretto grazioso. Sonata for Piano and Violin in B-flat major, K. 378, first movement. Menuet and Trio from Serenade in C minor, K. 388 (in score). Fantasia in C minor, K. 475. "La ci darem la mano" from Don Giovanni, K. 527. The Bird-Catcher s Song from The Magic Flute, K. 620. Clarinet Concerto in A major, K. 622, first movement (in score). Kyrie from Requiem, K. 626. Ludwig van Beethoven, 1770-1827. Piano Sonata No. 1 in F minor, Op. 2, No. 1, first and third movements. Piano Sonata No. 4 in E flat major, Op. 7, second movement. Piano Sonata No. 5 in C minor, Op. 10, No. 1, second movement. Piano Sonata No. 8 in C minor, Op. 13 ("Pathetique"). Grave. Allegro di molto e con brio. Adagio cantabile. Allegro. Piano Sonata No. 9 in E major, Op. 14, No. 1, second movement. Piano Sonata No. 15 in D major, Op. 28, third movement. Piano Sonata No. 21 in C major ("Waldstein"), Op. 53, first movement. String Quartet in F minor, Op. 95, first movement. Piano Sonata No. 30 in E major, Op. 109, first movement. Part IV: ROMANTIC COMPOSITIONS. Introduction. Carl Friedrich Zelter, 1758-1832. "Der K nig in Thule". Franz Schubert, 1797-1828. Four Lieder. "Erster Verlust". "Thr nenregen" from Die sch ne M llerin. "Erlk nig". "Der Doppelg nger". Two Piano Pieces. Waltz in A flat major, Op. 9, No. 2. Moment Musical in A flat major, Op. 94, No. 6. Fanny Mendelssohn Hensel, 1805-1847. "O Herbst" (a cappella chorus). Felix Mendelssohn, 1809-1847. Song Without Words, Op. 19b, No. 1. Robert Schumann, 1810-1856. Two Pieces from Phantasiest cke, Op. 12. "Des Abends". "Warum?". "Ich grolle nicht" from Dichterliebe, Op. 48. Six Pieces from Album for the Young, Op. 68. 1—Melody. 3—Humming Song. 6—Poor Orphan Child. 8—Wild Rider. 14—Little Etude. 17—Little Morning Wanderer. Frederic Chopin, 1810-1849. Six Preludes from Op. 28. No. 1 in C major. No. 4 in E minor. No. 6 in B minor. No. 9 in E major. No. 17 in A-flat major. No. 20 in C minor. Four Mazurkas. No. 5 in B flat major, Op. 7, No. 1. No. 6 in A minor, Op. 7, No. 2. No. 37 in A flat major, Op. 59, No. 2. No. 49 in F minor, Op. posth. 68, No. 4. Nocturne in D flat major, Op. 27, No. 2. Richard Wagner, 1813-1883. Prelude to Act I from Tristan und Isolde. Giuseppe Verdi, 1813-1901. Recitative and Duet (Rigoletto-Sparafucile) from Rigoletto. Clara Schumann, 1819-1896. Andante espressivo from Quatre Pi ces fugitives, Op. 15. Cesar Franck, 1822-1890. Moderato from Chorale No. 1 in E major for organ. Johannes Brahms, 1833-1897. "Wie Melodien zieht es mir," Op. 105, No. 1. Nos. 1, 2, 9, and 10 from Waltzes, Op. 39. Two Intermezzos. Intermezzo in A minor, Op. 76, No. 7. Intermezzo in A major, Op. 118, No. 2. Sonata in F minor for Clarinet and Piano, Op. 120, No. 1, first movement. Gabriel Faure, 1845-1924. "Prison," Op. 83, No. 1 (1894). Hugo Wolf, 1860-1903. Two Songs. "Das verlassene M gdlein". "In der Fr he". Gustav Mahler, 1860-1911. Adagietto from Symphony No. 5 (score). Richard Strauss, 1864-1949. "Ruhe, meine Seele," Op. 27, No. 1. Amy Beach, 1867-1944. "Dark is the Night," from Three Songs, Op. 11. Part V: MODERNISM. Introduction. Claude Debussy, 1862-1918. Prelude a "L Apr s-midi d un faune". La cathedrale engloutie, from Preludes, Book I. Feuilles mortes, from Preludes, Book II. Alexander Skryabin, 1872-1915. No. 4 of Five Preludes, Op. 74. Arnold Schoenberg, 1874-1951. "Traumleben," Op. 6, No. 1. No. 1 of Three Piano Pieces, Op. 11. "Nacht" (passacaglia) from Pierrot lunaire, Op. 21. Piano Piece, Op. 33a. Charles Ives, 1874-1951. "The Cage". Maurice Ravel, 1875-1937. Sonatine, first movement. Bela Bartok, 1881-1945. Three Pieces from Mikrokosmos: Bulgarian Rhythm, Syncopation, Diminished Fifth. Music for String Instruments, Percussion, and Celesta, first movement (score). Igor Stravinsky, 1882-1971. Le sacre du printemps, Introduction to Part II. Theme and Variations A, B, and C from Octet for Wind Instruments, second movement. Symphony of Psalms, first movement (vocal score). Pas-de-Quatre and Coda from Agon. Anton Webern, 1883-1945. Five Movements for String Quartet, Op. 5, fourth movement. "Wie bin ich froh!" No. 1 of Drei Lieder, Op. 25. Variations for Piano, Op. 27, second movement. Edgard Var se, 1883-1965. Octandre, first movement. Alban Berg, 1885-1935. "Schlafend tr gt man mich" from Vier Lieder, Op. 2. Lyric Suite for string quartet, first movement. Sergei Prokofiev, 1891-1953. Two pieces from Visions fugitives, Op. 22. No. 16. No. 18. Paul Hindemith, 1895-1963. "A Swan" from Six Chansons. Fuga prima in C from Ludus Tonalis. Aaron Copland, 1900-1990. Piano Variations, Theme and Variations 1-7. Ruth Crawford Seeger, 1901-1953. String Quartet 1931, third movement. Luigi Dallapiccola, 1904-1975. Quartina from Quaderno musicale di Annalibera. Dmitri Shostakovich, 1906-1975. "Ophelia s Song" from Suite on Poems by A. Blok, Op. 127. Miriam Gideon, 1906-1996. "The Shooting Starres Attend Thee" from The Shooting Starres Attend Thee (song cycle). Olivier Messiaen, 1908-1992. Liturgie de cristal, first movement of Quatuor pour la fin du temps. Elliott Carter, b. 1908. Canaries, No. 7 from Eight Pieces for Four Timpani. Fratribute for piano. Milton Babbitt, b. 1916. "The Widow s Lament in Springtime". Part VI: BEYOND MODERNISM. Introduction. Astor Piazzola, 1921-1992. No. 6 of Six Tango Etudes, for solo flute. Gy rgy Ligeti, 1923-2006. Galamb Borong, from tudes pour piano, deuxi me livre. Gy rgy Kurt g, b. 1926. Officium breve in memoriam Andreae Szerv nsky (excerpts), Op. 28, for string quartet. Terry Riley, b. 1935. In C. Steve Reich, b. 1936. Clapping Music for two performers. John Harbison, b. 1938. Variations I-VI, from Variations for clarinet in A, violin, and piano. Joan Tower, b. 1938. Wild Purple (excerpt), for solo viola. Ellen Taaffe Zwilich, b. 1939. String Quartet No. 2, second movement. Fred Lerdahl, b. 1943. First String Quartet, Variations I-X. John Adams, b. 1947. "This is Prophetic" from Nixon in China. Kaija Saariaho, b. 1952. "Attente" from Quatre Instants.

Editorial Reviews

"We have tried other (anthologies) over the years, but always come back to Burkhart s."

"I find the Burkhart Anthology is perfectly suited for the undergraduate theory sequence. It has a wide scope of pieces that are well-chosen for formal attributes, chord vocabularies, historical styles ... including many 20th-century selections." ... "(The introductory comments to the musical selections) are very useful, show excellent scholarship in their detail, and I have always appreciated the introductory material as the selections are brought to the class for discussion and analysis." ... "It is a better anthology for undergraduate theory than any other on the market now."

"The Burkhart Anthology remains clearly my first choice among anthologies for theory and analysis classes, ... I think of it as the standard by which I evaluate other anthologies."

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