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Overview
A gripping and compassionate tale of family and faith, whispers and accusations, and the deeply hidden truths we’re compelled to uncover.
After surviving a near-fatal accident, thirty-year-old Lizzy Mitchell faces a long road to recovery. She remembers little about the days she spent in and out of consciousness, save for one thing: She saw her beloved deceased uncle, Father Mike, the man who raised her in the rectory of his Maine church until she was nine and he was accused of improprieties, dismissed from his church, and Lizzy was sent away to boarding school. Was Father Mike an angel, a messenger from the beyond, or something more corporeal?
Though her troubled marriage and her broken body need tending, Lizzy knows she must not only uncover the details of her accident, but also delve deep into events of twenty years earlier, when whispers and accusations forced a good man to give up the only family he had. With deft insight into the snares of the human heart, Monica Wood has written an intimate and emotionally expansive novel full of understanding and hope.
Any Bitter Thing is part of Godine’s Nonpareil series: celebrating the joy of discovery with books bound to be classics.
Product Details
| ISBN-13: | 9781567927726 |
|---|---|
| Publisher: | Godine, David R. Publishers, Inc. |
| Publication date: | 05/02/2023 |
| Series: | Nonpareil Books , #5 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 424 |
| Sales rank: | 288,033 |
| File size: | 3 MB |
About the Author
Monica Wood is a novelist, memoirist, and playwright. Her novel The One-in-a-Million Boy has been translated into twenty languages. When We Were the Kennedys, a memoir, was a New England bestseller, Oprah magazine summer-reading pick, and winner of the May Sarton Memoir Award and the Maine Literary Award. Wood is the 2019 recipient of the Maine Humanities Council Carlson Prize for contributions to the public humanities, and the 2018 Maine Writers and Publishers Alliance Distinguished Achievement Award for contributions to the literary arts. Her novel Meanwhile will be published in May 2023 by Mariner.
Cathie Pelletier is the author of eleven novels, including The Funeral Makers, a New York Times Notable Book. The Washington Post calls her “An ambitious, fearless novelist...one of the funniest novelists at work in this country.”
Reading Group Guide
1. As the novel opens, Lizzy says, “I tell this with the authority of memory.” A page later, she says of the girl who hit her,“She tells the cop she thought she hit a deer. She tells her parents she thought she hit a deer. She tells the judge she thought she hit a deer. Eventually, I guess, she thought she hit a deer.”Shortly after that,she observes,“The human craving is for story, not truth. Memory, I believe, embraces its errors, until what is, and what is remembered, become one.” What is the author implying about the nature of memory, and the nature of this novel?
2. This novel is, in part, the story of a marriage.What do you see as the turning points in Drew and Lizzy’s marriage? Do you think Lizzy and Drew are well matched?
3. Father Mike was both a father, small “f,” and a Father, capital “F.” How well do you believe he fulfilled both these roles? How did one role enhance the other, or diminish the other?
4. 1Vivienne tells Father Mike, “Faith has nothing to do with the Church.” Is this true? Does Father Mike’s faith fail him, or save him? What about the Catholic Church–does it fail or save Father Mike?
5. Would you describe Lizzy as an emotionally guarded woman or emotionally generous?
6. What do you think is the essence of Lizzy’s bond with Harry Griggs? Why does she turn to him instead of to her husband or friend? Is he more than just a stranger who will listen? Why did Lizzy defend Harry to his daughter, Elaine?
7. Is Vivienne a good woman or a bad woman? Do you blame her for her crime? Was her behavior in the aftermath merely an instinct for self-preservation, or more than that? Has she paid enough of a penance?
8. Is Mrs. Hanson a villain? What would you have done if you had seen what she saw?
9. One of the most moving passages in the book is Father Mike’s lament about being an accused person: “You wonder what made your love so desperate and gushing.What impelled you to admire her child’s body in the bath, the seal-slick purity of it, the strength it seemed to be acquiring, its miraculous shape-shifting? You wonder why you loved her sweaty socks, her smell as you tucked her in, her breath after she ate a plum. How can you help but wonder? You could not pass her in a room without touching your hand to her head, your thumb to her chin. What did all that mean? Tainted, all of it, your dearest memories stained for good.” Are Father Mike’s parental feelings every parent’s feelings, or do his unusual circumstances make for unusual feelings?
10. When Father Mike refers to Lizzie’s calloused hands as “the working girl’s stigmata,” how does this colorful phrase suggest several layers of pride? A similarly layered observation comes at the end, when Lizzy begins to see Father Mike’s “latter-day self bleeding through the veneer of his present-day self,like a painting beneath a painting.” Do you think Lizzy is beginning to heal in this moment, or is she merely connecting to a time when she felt the most safe, the most loved?
11. Lizzy and Father Mike are, in one sense, innocent victims of circumstance. But how does Father Mike bring about his own downfall? After Vivienne’s confession, he has no choices. But could he have made choices long beforehand that could have prevented his undoing–a choice to listen to Vivienne when she “wishes to talk about Ray,” for example, or a choice to confront Ray rather than turn a blind eye?
12. What does Lizzy see in Andrea that makes her a favorite student? Do you think they are much alike?
13. What will become of Lizzy and Mariette’s friendship now that they understand the full truth of the people they loved? Is a shared childhood enough to sustain a friendship for life? Is there really such a thing as unconditional love?