- Ayesama
- Abonsam
- Nsu Na Kwan
- Yaa Amponsah
- Assomdwee
- Kruman Dey
- Appia Kwa Bridge
- Barrima
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0730003308925
Ben Abarbanel-Wolff Farfisa Organ,Sax (Tenor),Sax (Baritone)
Kwame Yeboah Farfisa Organ,Wurlitzer
Pax Nicholas Maracas
Philip Sindy Trumpet
Friedrich Milz Trombone
Eric Owusu Maracas,Choir/Chorus
Henry Taylor Vocals,Choir/Chorus,Farfisa Organ
Martin Klingenberg Trumpet
Ralph Karikari Bass
Ekow Alabi Savage Drums,Choir/Chorus
Tony Allen Drums
J. Whitefield Guitar,Guitar (Tenor)
Christian Grabandt Trumpet
Patrick Frankowski Bass
Oghene Kologbo Bass,Guitar (Bass),Guitar (Tenor)
Marie Clausen Product Manager,Release Coordinator
Eric Trosset Management
Jochen Stroeh Mixing,Engineer
Jane Hahn Photography
Quinton Scott Product Manager,Release Coordinator
Ebo Taylor Composer
Kelly Hibbert Mastering
Ben Abarbanel-Wolff Producer
![Appia Kwa Bridge](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v11.8.5)
![Appia Kwa Bridge](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v11.8.5)
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Overview
Unlike pop songs based on the Europe-derived rules of tonal music, Afro-beat doesn't typically move in a deliberate way from one place to another and then home again in a reasonably prescribed pattern of tension and release. Instead, it generally stays in a single place and dances there until it gets tired -- which can take anywhere from eight to 30 minutes. Nigerian legend Fela Kuti was the universally acknowledged Mozart of this approach: he would build a fearsome groove out of highly repetitive and mostly static harmonic materials, and then use it as an extended showcase for instrumental solos, wild dancing, and eye-poppingly bold political rants. Guitarist and songwriter Ebo Taylor, hailing from nearby Ghana, comes from the highlife tradition, which shares with Afro-beat a tendency toward funky, densely arranged, and harmonically static songs, but is also generally a bit lighter in terms of both groove and message. Recording here with the Berlin-based Afrobeat Academy band, Taylor gets deeper into his musical roots than he has on previous releases, creating a powerful set of songs that sound as if they could have been recorded in 1974: on tracks like "Abonsam," the highlife standard "Yaa Amponsah," and the effortlessly groovy title track, Taylor revives the old-school sounds with an energy and joy that belie his age. And on the album-closing "Barrima," he pays sweet tribute to his late wife with a stripped-down vocal-and-guitar composition that will break your heart. It all adds up to an album of unusual emotional depth and resonance. ~ Rick Anderson
Product Details
Release Date: | 04/17/2012 |
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Label: | Strut |
UPC: | 0730003308925 |
Rank: | 240894 |
Tracks
Album Credits
Performance Credits
Ebo Taylor Primary Artist,Guitar,Vocals,Choir/ChorusBen Abarbanel-Wolff Farfisa Organ,Sax (Tenor),Sax (Baritone)
Kwame Yeboah Farfisa Organ,Wurlitzer
Pax Nicholas Maracas
Philip Sindy Trumpet
Friedrich Milz Trombone
Eric Owusu Maracas,Choir/Chorus
Henry Taylor Vocals,Choir/Chorus,Farfisa Organ
Martin Klingenberg Trumpet
Ralph Karikari Bass
Ekow Alabi Savage Drums,Choir/Chorus
Tony Allen Drums
J. Whitefield Guitar,Guitar (Tenor)
Christian Grabandt Trumpet
Patrick Frankowski Bass
Oghene Kologbo Bass,Guitar (Bass),Guitar (Tenor)
Technical Credits
Matt Thame Graphic DesignMarie Clausen Product Manager,Release Coordinator
Eric Trosset Management
Jochen Stroeh Mixing,Engineer
Jane Hahn Photography
Quinton Scott Product Manager,Release Coordinator
Ebo Taylor Composer
Kelly Hibbert Mastering
Ben Abarbanel-Wolff Producer
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