Applied Drawing
Originally published in 1916. This book covers perspective, drawing materials, design, lettering, color, costume and composition.

CHAPTER LISTING:

MATERIALS AND METHODS
-CHARCOAL
-CRAYON
-PEN AND INK
-WATER COLOR
-TRACING
-STENCILING
-BLOCK PRINTING
TESTS IN APPEARANCE DRAWING
DESIGN
-DOMINANCE
-REPETITION
-POSITIONS AND ATTITUDES
-CONVENTIONALIZATION
GENERAL DESIGN PRINCIPLES
NATURE ANALYSIS AND APPLICATION TO DESIGN
-SQUARING UP
LETTERING
DESIGN IN THREE DIMENSIONS
PERSPECTIVE PRINCIPLES, APPLICATIONS AND RENDERINGS
LANDSCAPE COMPOSITION
PENCIL TECHNIQUE
-OUTDOOR SKETCHING
COLOR
COSTUME
-ESTELLE PEEL IZOR
-STRIPED MATERIAL
-TUCKS AND HEMS
-PLAIDS
-SUITABILITY OF LINE TO FIGURE
-APRONS
-USE OF COLOR THEORY
-SELF-CRITICISM
-COLOR OF MATERIAL AND COMPLEXION
-WAISTS
-THE DRESS
ART APPRECIATION
-A NOTE FOR THE TEACHER
-INTRODUCTION
-LINE
-LIGHT AND DARK (VALUES)
-B. LIGHT AND SHADE
DRAWING AND ALLIED TOPICS
-A. DRAWING
-B. PERSPECTIVE
-C. TEXTURES
-COLOR
-SUMMARY: COLOR
-COMPOSITION
ARCHITECTURE AND THE INDUSTRIAL ARTS
"1118735110"
Applied Drawing
Originally published in 1916. This book covers perspective, drawing materials, design, lettering, color, costume and composition.

CHAPTER LISTING:

MATERIALS AND METHODS
-CHARCOAL
-CRAYON
-PEN AND INK
-WATER COLOR
-TRACING
-STENCILING
-BLOCK PRINTING
TESTS IN APPEARANCE DRAWING
DESIGN
-DOMINANCE
-REPETITION
-POSITIONS AND ATTITUDES
-CONVENTIONALIZATION
GENERAL DESIGN PRINCIPLES
NATURE ANALYSIS AND APPLICATION TO DESIGN
-SQUARING UP
LETTERING
DESIGN IN THREE DIMENSIONS
PERSPECTIVE PRINCIPLES, APPLICATIONS AND RENDERINGS
LANDSCAPE COMPOSITION
PENCIL TECHNIQUE
-OUTDOOR SKETCHING
COLOR
COSTUME
-ESTELLE PEEL IZOR
-STRIPED MATERIAL
-TUCKS AND HEMS
-PLAIDS
-SUITABILITY OF LINE TO FIGURE
-APRONS
-USE OF COLOR THEORY
-SELF-CRITICISM
-COLOR OF MATERIAL AND COMPLEXION
-WAISTS
-THE DRESS
ART APPRECIATION
-A NOTE FOR THE TEACHER
-INTRODUCTION
-LINE
-LIGHT AND DARK (VALUES)
-B. LIGHT AND SHADE
DRAWING AND ALLIED TOPICS
-A. DRAWING
-B. PERSPECTIVE
-C. TEXTURES
-COLOR
-SUMMARY: COLOR
-COMPOSITION
ARCHITECTURE AND THE INDUSTRIAL ARTS
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Overview

Originally published in 1916. This book covers perspective, drawing materials, design, lettering, color, costume and composition.

CHAPTER LISTING:

MATERIALS AND METHODS
-CHARCOAL
-CRAYON
-PEN AND INK
-WATER COLOR
-TRACING
-STENCILING
-BLOCK PRINTING
TESTS IN APPEARANCE DRAWING
DESIGN
-DOMINANCE
-REPETITION
-POSITIONS AND ATTITUDES
-CONVENTIONALIZATION
GENERAL DESIGN PRINCIPLES
NATURE ANALYSIS AND APPLICATION TO DESIGN
-SQUARING UP
LETTERING
DESIGN IN THREE DIMENSIONS
PERSPECTIVE PRINCIPLES, APPLICATIONS AND RENDERINGS
LANDSCAPE COMPOSITION
PENCIL TECHNIQUE
-OUTDOOR SKETCHING
COLOR
COSTUME
-ESTELLE PEEL IZOR
-STRIPED MATERIAL
-TUCKS AND HEMS
-PLAIDS
-SUITABILITY OF LINE TO FIGURE
-APRONS
-USE OF COLOR THEORY
-SELF-CRITICISM
-COLOR OF MATERIAL AND COMPLEXION
-WAISTS
-THE DRESS
ART APPRECIATION
-A NOTE FOR THE TEACHER
-INTRODUCTION
-LINE
-LIGHT AND DARK (VALUES)
-B. LIGHT AND SHADE
DRAWING AND ALLIED TOPICS
-A. DRAWING
-B. PERSPECTIVE
-C. TEXTURES
-COLOR
-SUMMARY: COLOR
-COMPOSITION
ARCHITECTURE AND THE INDUSTRIAL ARTS

Product Details

BN ID: 2940148177531
Publisher: Drawingbooks.org
Publication date: 02/24/2014
Sold by: Barnes & Noble
Format: eBook
File size: 13 MB
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