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Overview
330BC: Alexander the Great has sacked Persepolis and won the greatest fortune the world has ever known. The night of the Silent Dinner, when Athens placates the spirits of the dead, passes with a creeping mist accompanied by eerie portents and a strange disappearance. Stephanos and his teacher, the philosopher Aristotle, are about to be drawn into solving the perplexing abduction case of Anthia, the heiress of a prominent silver merchant. All that is known is that the abductor and the heiress are on the road to Delphi and its ancient oracle—whose help may be needed when a murder complicates the case in this follow-up to the “eminently enjoyable” Aristotle Detective (Colin Dexter, author of the Inspector Morse Mysteries).
“Why did no one think of this before?”—The Times (UK)
Product Details
| ISBN-13: | 9780226132037 |
|---|---|
| Publisher: | University of Chicago Press |
| Publication date: | 03/04/2020 |
| Series: | The Aristotle Detective Novels , #2 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 338 |
| Sales rank: | 528,107 |
| File size: | 1 MB |
About the Author
Read an Excerpt
Aristotle and Poetic Justice
By Margaret Doody
The University of Chicago Press
Copyright © 2001 Margaret DoodyAll rights reserved.
ISBN: 978-0-226-13203-7
CHAPTER 1
Silver Men and an Heiress
Inspire me, O waters of the Kastalian springy that I may speak well-omened words. Hear me, O Muses who dwell by the Spring of Hippokrene, Thalia and Melpomene, and speak through me that I may relate in fitting manner my surprising tale. It is a tale of wrongs done to well-born maidens, of murder and rescue, of silver mines and ghosts and wanderings by the way. In the wanderings my own life was changed, and to my surprise a marriage came in view. Let me make clear the truth, even as my master Aristotle made truth appear. Let me render him due honour. And may I also honour the great Oracle at Delphi. Apollo be praised.
Perhaps I should start with the day I first encountered the circle of citizens I still think of as 'the Silver Men'. That was on the tenth day of Anthesterion—a cool month, but it is also the beginning of spring. The eleventh day of Anthesterion brings us the Flower Festival, the Anthesteria. It is the time of beginning for new shoots and buds when we celebrate the return of Dionysos after the deathly suspension of winter, when the generous god of wine is absent. It is in that month of first flowers, and in that festival time, strangely enough, that we also celebrate accursed Orestes' visit to Athens, doing strange honour to the unfortunate young man who had been doomed to avenge his father's death by killing his mother. Pursued by the Furies for his matricide, Orestes was tried in Athens and at last freed of blood-guilt by the decree of Phoibos Apollo. I remember when someone first told me the tale of Orestes, and what a chill it gave me as a child, and how I wondered if he did not feel badly about killing his mother even after the court said he was free of blame. Of course I was thinking of my own dear mother, not the wicked queen, and I did not then understand the story, a subject of celebrated poems and dramas. At the Anthesteria also we celebrate the youngest children of Athens, those who have reached the age of three and are thus safely out of infancy and likely to thrive. But we also remember the dead, those who have gone before, and whose spirits may walk among us on the Night of the Ghosts. And along with them perhaps mischievous spirits, like goblins and harpies. So, all in all, the Anthesteria seems a strange festival to foreigners, combining blood-guilt and mirth, wine and familial murder, Dionysos and Hades, children and ghosts.
My tale certainly has to do with the three-day festival itself in that year when Aristophanes (the less important one) was arkhon—the spring when Alexander was making himself master of Persia, just after he had captured Persepolis and taken the treasure of one hundred and twenty thousand talents of silver.
I, Stephanos of Athens, had recovered from the trial of my cousin Philemon in the previous year. My cousin had returned to Athens, and our family affairs were in better order. It was the troubles of another and much wealthier Athenian family that were to touch my life at the time of the Flower Festival, and to send Aristotle and myself unexpectedly bound on a springtime journey, as you shall hear. But to make all clear, I should go back to the day before the holiday began.
I remember that day with its Silver Men very clearly. I went up to the Agora to register a land rental; I was letting most of the farm outside Athens to a country citizen, at a good rent. My new tenant farmer was a citizen, and had some connections in Athens, so I was happy to be seen with him. In the Agora, the official buildings were crowded. The Council was busily drafting a bill to be put to the Assembly. Interested citizens as well as hangers-on were pressing round the Tholos, that democratic circular building where the fifty prytaneis, elected by lot so there are five from each of the ten tribes, dine daily at public expense when presiding over public business. Today also the Board of Public Contracts, the Poletai, were about to announce the names of those who had won the leases of some very pretty silver mines in Laurion. This always aroused great interest; nobody dislikes the chance to mine silver. Except, of course, the wretched slaves who must dig the precious stuff out of the ground.
The land in the region of Laurion is pitted with mine-shafts, and dotted about with mills and ore washeries where the silver ore is separated from lead. The good ore must be taken to furnaces to be transformed into pure refined silver. Towns like Thorikos had flourished on all this activity, but most of the really rich producers of silver enjoy life in the city of Athens.
It was the wealth of the silver mines—which belong to Athens—that permitted Perikles in the old days to beautify our city with so many wonderful buildings. True, the mining had lapsed during a long period, and not only in the wars between Sparta and Athens, when the Spartans invaded and took over the diggings and the slaves. For a time afterwards, the coinage had been largely bronze, with a little gold; some coins were only copper with a thin coat of silver that wore off easily. Later, when Athens recovered control of Laurion, the beautiful silver coins returned. Our mines had prospered since that time, and greatly expanded. Everyone with a concession had to pay a sum to the government for the right to undertake the work; a man working on a new mine had to pay to the city the twenty-fourth part of the proceeds. But there were strong advantages. There was the tempting possibility of immediate wealth—and at this time also a valuable concession, the permission not to pay war-tax on the proceeds. That seemed an odd thing, as we were supposed to be proud of paying taxes. Athenian taxes are publicly voted on, and we had recently been urged by highly respected leaders to strengthen Athens. As a further inducement to go in for silver mining, a silver man was exempted from certain public services to the state. A mine-owner wouldn't have to use part of his proceeds in liturgies usually expected of the wealthy, like producing plays for the Great Dionysia or fitting out a warship. Liturgies give a man honour, but they are expensive. If this exemption from taxation, this ateleia, was meant to encourage investors in mining, it succeeded. For there were evidently enough people who didn't care about garnering civic honours but did care for the immediate wealth and the tax exemptions, judging from the many bidders now putting in for the Laurion concessions.
I was not one of the rich citizens who could bid for such contracts, of course. But I took more interest in public affairs than I had done in my youth; now that I was a responsible citizen it seemed likely that I would soon be serving on a public committee. Every man over twenty-five years old takes his turn, and I would be twenty-five this spring.
After my new tenant and I had transacted our business, we paused by the bronze statues of the Ten Heroes to read the public notices set out on the white boards. There were drafts of bills which were to come before the Council, and the usual list of impending lawsuits—civil suits of the kind that keep jurors in pay. 'Arkhilaos brings Epikrates before the court on the charge of removing his landmark' and so on. One older notice was still standing: 'Glaukon brings Pherekrates before the court on the charge of selling silver at false weight.' This was a serious charge enough, but the notice was sadly out of date, for Pherekrates of the deme of Kydathenaion had been dead and in his grave for over a week. As a dead man can't be brought before a court, the suit would have to be altered. The dead man's inheritor would have to be brought to answer the charge. Altering the suit would take time—less satisfactory to the accuser. I pointed this out to my tenant, who, coming from a country deme, was not so well versed as I in affairs of the city. But he had heard of the rich Pherekrates.
Pherekrates had begun life as a silversmith, like his father Demodikos before him. The father had died prosperous, having accumulated land and slaves. Even though this wealth had been divided among three sons, Pherekrates had been able to profit by his beginnings, and to triple his property in the first ten years. Before he died, he had acquired property in Peiraieus, and in Athmonon; he was the owner of two merchant vessels, and of a small ancillary factory in the west of Athens as well as the factory in his own deme. He still continued to make a good income from that original concern, where silver was melted and worked, and jewellery and silver-bronze statues created. This impressive business he shared with his equally successful brother Lysippos. If we were all as rich as Pherekrates our troubles would be few—not that Pherekrates was to be envied now, since he had died in his bed and departed this life and these factories.
After we had read over the notices, I treated my tenant to a drink and some food, to seal our bargain. We were lingering, hoping to meet his guest-friend and distant kinsman, Kleiophoros, when the latter was finished with business for the day. I earnestly hoped for this introduction to Kleiophoros. I really needed to make connections in the city and re-establish our family. Just this morning, my own mother had asked, 'Why don't you know important people?' My mother, Eunike daughter of Diogeiton, was descended from great men of the founding tribe of the Erekhtheidai, and had brought some land with her dowry. Though she lived in modest retirement as the widow of a well-born citizen, she daily had sufficient occasion to observe in our domestic life the fact that we lived in no splendid manner. I did not give dinner-parties, nor did high-born or rich men come to visit me to take wine in the main room of our house. Now, Kleiophoros was an important person, an official in the city, and he had good connections with men who were, if not distinguished by good birth, exceedingly well-to-do like Pherekrates (now departed) and Lysippos. Fortunately my tenant took this day as a holiday, and was not impatient.
We wandered through the Agora and around the Akropolis for a while. I was able to point out to him the site where the new stadium would be, after we peered across at the construction work upon the Hill of the Pnyx, the rocky hill where the Assembly of the people always met; the renovation of the Assembly building had been going on for at least ten years now. Athens was currently under construction. Since the energetic and incorruptible Lykourgos had been controller of finances, Athens looked more important and prosperous than ever. Lykourgos' taxation system had doubled the state revenue, and, as well as reorganising the military system and creating and outfitting warships, he had certainly gone in for building the city so it would shine in splendour in the eyes of the peoples of the earth. New golden statues of victory glistened on the Parthenon. Our new temple of Apollo shone brightly in the Agora. Having seen enough of these sights, my tenant and I eventually wandered into the Poikile, the Painted Colonnade, to hear the news.
'Stephanos—how pleasant to see you!' A tall stout man clapped me vigorously on the shoulder. It was Ammonios, well-to-do citizen and merchant. Since I and my family had emerged into a clearer light (after my cousin's trial) many people had become more friendly to me. At least they recognised me. The prosperous like prosperity. It may be that Ammonios thought that now I was twenty-five I would soon hold some office of importance, perhaps as one of the sitophylakes, the Grain Guardians, as my father had once been. That might not be as pleasant as of yore; there were rumours of shortages, and even though Alexander had just taken Egypt, so rich in grain, there were anxieties about grain supplies since we had to import so much. As far as public office was concerned, it would be better to be one of those in charge of the Emporion, the market area all about the harbour. I might rise to such a position—ultimately—if I could only raise my family's circumstances. We were not as badly off as in recent years after my father's death, when we were shackled by debts and then by the infamous charge of murder against my cousin, and the ensuing trial. But at present everything seemed static. Nothing I could do seemed to make any striking improvement. I introduced my tenant to the Athenian merchant, and Ammonios clapped him on the shoulder likewise.
'And how are you, Stephanos? But I needn't ask. Had some lively girls, lately, eh?' He nudged my ribs. 'If you want a change, I could introduce you to something agreeable. A little poppet who'd entertain you royally, if you know what I mean. I tell you as a friend,' he added, 'not in the way of business, ha! ha!'
The stout man's friendliness was not to my liking, although many found it agreeable enough. Indeed, some found it more than agreeable. Ammonios, a widower, would invite friends (and acquaintances whom he desired to impress) home to try out a new boy cup-bearer or a musical slave-girl with notable accomplishments. An important part of his business concerned a smart brothel in Peiraieus; to this, once his friends had used her, each notable cup-bearer or flute-player would eventually be sent.
'And here's Polemon,' exclaimed Ammonios, hailing him. 'Fresh from new conquests, no doubt.' The young man did not look over-eager to join us, but greeted us politely. Polemon was a graceful youth, blue-eyed with locks of curling brown hair. His beard, like his manhood, was just beginning. Although at the age of nearly twenty he was doing his military service, he still seemed shy, if stronger and more sunburned than of yore. Polemon's vivid youthfulness made even me feel my age, while beside him my rural citizen looked countryfied and heavy-footed, and Ammonios obese and coarse-grained. Polemon harmonised well with the great mural behind him, the painting of the Athenians arrayed against the Spartans. Flabby Ammonios before this picture of ancient glory looked like a satire on the age.
'Well, well,' said Ammonios gravely. 'You know Stephanos, son of Nikiarkhos? Polemon is a sort of cousin of mine,' he explained to me. Polemon blushed, and glared at Ammonios. 'Second cousin,' he muttered. (I had not realised they were related—they certainly did not look alike. Would Polemon ever become so richly endowed with chins?)
'Well, my cousin Polemon the ephebe, he's got to go among the girls, now he's got a beard, and has entered the military. No more boyish fun. That's so, isn't it, Polemon? Still at your exercises, my lad? Going to fight for Alexander if he'll let you? And how are the night manoeuvres going?'
Ammonios chuckled, and looked at the other wall with its painting of Theseus and his men fighting the Amazons. 'Now there's the kind of war I should prefer. Well, we don't get everything we want, 'tis true. Though I once knew a strange girl who would—but mustn't babble. How is my cousin, your honoured father?'
'My father is very well,' said Polemon formally. 'He is of course grieved at the death of his friend Pherekrates.'
'Yes, oh, yes. A friend and neighbour. Saw your father at the funeral. Very sad, old Pherekrates popping off like that. Lying alone—bad for the health. Too bad, and him so rich. I hear he had nearly six hundred slaves working in his diggings at Laurion—almost as good as rich Kallias of yore, or his son. How some people do get on! Six hundred slaves dig-digging away, and him lying on a bed trying to dig up another breath. Poor old silversmith!'
'He was a very respectable man,' said Polemon, a trifle frostily. 'There's nothing wrong with mining,' he added. 'The wealth of mines has made Athens great in the past. Wasn't it Themistokles or somebody who had two hundred warships built from the proceeds?'
'No need to persuade me, my civic-minded cousin, of the value of our silver mines—Athens' "treasury in the earth" as one of those old dramatists had it. But you see all his silver didn't save Pherekrates from going underground himself. And now the great question is—who will get all that money? Hey? What's to become of the little Anthia, now she's an heiress? Can you tell me that?'
Polemon's face lost its look of forced deference. His muscles tightened, but he replied civilly, 'Anthia is under the guardianship of her uncle Lysippos. Doubtless he will marry her off suitably. Actually, they—he promised her to me.'
Ammonios laughed. 'Suitably indeed! If you can make them keep to it. You're over young for marriage. Or Lysippos will marry her himself, suitably. It's an old Athenian law—that the man nearest of kin is entitled to marry an heiress. Have you thought of that?'
Polemon looked shocked. 'But—he's old—and he already has a wife.'
'True. In a manner of speaking. But everyone knows that Hegeso is sickly and ailing. Can you really call that having a wife, now? I admit, she gave Lysippos two sons, and although he could divorce her, she is the daughter of a well-born man, who would be bound to take offence if there were any mention of divorce. But, as to being old, Lysippos is no older than myself. And I am still in service.'
(Continues...)
Excerpted from Aristotle and Poetic Justice by Margaret Doody. Copyright © 2001 Margaret Doody. Excerpted by permission of The University of Chicago Press.
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Table of Contents
MapsList of Characters
I Silver Men and an Heiress
II The Flower Festival and the Night of the Ghosts
III Goblins and Disappearances
IV The Ill-Tempered Man
V Man in a Landscape
VI Rural Interludes
VII Into the Hills
VIII The Slave’s Tale
IX Fire and Water
X Delphi
XI The Silver Singer
XII The Brothel at Kirrha
XIII The Beautiful Girl
XIV The Hanged Girl
XV The Elektra of the Cave
XVI The Oracle of Apollo
XVII The Murderer
XVIII Justice and an Abductor
XIX Silver, Gold and Virtue
XX Aristotle’s Poetics