Art and Creativity in a New Guinea Society: The Kwoma in Cross-Cultural Perspective
The Kwoma, the subject of this book, are one of a number of peoples in the Sepik River region of northern Papua New Guinea who have created some of the most distinctive visual art in the Pacific. Through case studies of their painting, sculpture, architecture and ritual this book examines in detail how people in this society understand their art as a cultural phenomenon. This includes how they understand its origins in the spirit world, how they judge quality in art and how they understand artistic creativity. The book contrasts Kwoma beliefs with the radically different approach to art found in the modern West. The modern Western concept of art first emerged not in the eighteenth century in the Enlightenment, or even later, as anthropologists and art historians often assume, but several centuries earlier in the Renaissance. The book gives an account of radical changes that took place culturally in Europe between the twelfth and sixteenth centuries in the way human intellectual creativity was understood, and how this gave rise to a new concept of art, one that remains unchanged in the modern West today.

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Art and Creativity in a New Guinea Society: The Kwoma in Cross-Cultural Perspective
The Kwoma, the subject of this book, are one of a number of peoples in the Sepik River region of northern Papua New Guinea who have created some of the most distinctive visual art in the Pacific. Through case studies of their painting, sculpture, architecture and ritual this book examines in detail how people in this society understand their art as a cultural phenomenon. This includes how they understand its origins in the spirit world, how they judge quality in art and how they understand artistic creativity. The book contrasts Kwoma beliefs with the radically different approach to art found in the modern West. The modern Western concept of art first emerged not in the eighteenth century in the Enlightenment, or even later, as anthropologists and art historians often assume, but several centuries earlier in the Renaissance. The book gives an account of radical changes that took place culturally in Europe between the twelfth and sixteenth centuries in the way human intellectual creativity was understood, and how this gave rise to a new concept of art, one that remains unchanged in the modern West today.

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Art and Creativity in a New Guinea Society: The Kwoma in Cross-Cultural Perspective

Art and Creativity in a New Guinea Society: The Kwoma in Cross-Cultural Perspective

by Ross Bowden
Art and Creativity in a New Guinea Society: The Kwoma in Cross-Cultural Perspective

Art and Creativity in a New Guinea Society: The Kwoma in Cross-Cultural Perspective

by Ross Bowden

Hardcover

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Overview

The Kwoma, the subject of this book, are one of a number of peoples in the Sepik River region of northern Papua New Guinea who have created some of the most distinctive visual art in the Pacific. Through case studies of their painting, sculpture, architecture and ritual this book examines in detail how people in this society understand their art as a cultural phenomenon. This includes how they understand its origins in the spirit world, how they judge quality in art and how they understand artistic creativity. The book contrasts Kwoma beliefs with the radically different approach to art found in the modern West. The modern Western concept of art first emerged not in the eighteenth century in the Enlightenment, or even later, as anthropologists and art historians often assume, but several centuries earlier in the Renaissance. The book gives an account of radical changes that took place culturally in Europe between the twelfth and sixteenth centuries in the way human intellectual creativity was understood, and how this gave rise to a new concept of art, one that remains unchanged in the modern West today.


Product Details

ISBN-13: 9781793611369
Publisher: Lexington Books
Publication date: 08/01/2022
Pages: 184
Product dimensions: 6.31(w) x 8.97(h) x 0.68(d)

About the Author

Ross Bowden is an Australian cultural anthropologist whose main interests are in the art, history and social organization of societies in the Sepik River region of northern Papua New Guinea.

Table of Contents

Chapter 1. Sources of Creativity in Art

Chapter 2. The Supernatural Origins of Men’s Houses and Their Art

Chapter 3. The Supernatural Origins of Kwoma Ritual

Chapter 4. Cultural Implications of Kwoma Notions of Creativity in Art

Chapter 5. A Cross-Cultural Perspective

Chapter 6. Related Issues

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