At the Mountains of Madness: And Other Works of Weird Fiction

by H. P. Lovecraft, D M Mitchell (Introduction)

Overview

When Prof. William Dyer, a geologist from Miskatonic University, investigates an abandoned, hieroglyphed city forged with weird non-human geometry in the ice-wastes of Antarctica, he uncovers evidence of an ancient and cataclysmic war waged between races of malignant aliens: long before the advent of the human race, the Elder Ones battled for supremacy with the Star-spawn of Cthulhu, leaving behind a lurking protoplasm of unimaginable cosmic evil.

At The Mountains Of Madness is a crucial work in Lovecraft's Cthulhu Mythos, the author's first interpretation of his occult paroxysms in science-fictional terms, dating dark entities back to the primordial aeons of the Earth's existence.

This new edition also includes Lovecraft's two other major "science fantasy" stories: The Whisperer In Darkness and The Shadow Out Of Time, plus the related poem-cycle Fungi From Yuggoth, and a new introduction by DM Mitchell (editor, The Starry Wisdom).

Product Details

ISBN-13:	9781902197333
Publisher:	Creation Oneiros
Publication date:	11/01/2011
Series:	Tomb of Lovecraft , #3
Pages:	224
Product dimensions:	5.50(w) x 8.40(h) x 0.60(d)

About the Author

Howard Phillips "H. P." Lovecraft (August 20, 1890 — March 15, 1937) was an American author of horror, fantasy and science fiction, especially the subgenre known as weird fiction.

Although Lovecraft's readership was limited during his life, his reputation has grown over the decades, and he is now regarded as one of the most influential horror writers of the 20th century. According to Joyce Carol Oates, Lovecraft – as with Edgar Allan Poe in the 19th century – has exerted "an incalculable influence on succeeding generations of writers of horror fiction".

D M Mitchell is the editor of The Starry Wisdom, and is renowned as an expert in the subject of Lovecraft and weird fiction.

Read an Excerpt

XII

Danforth and I have recollections of emerging into the great sculptured hemisphere and of threading our back trail through the Cyclopean rooms and corridors of the dead city; yet these are purely dream-fragments involving no memory of volition, details, or physical exertion. It was as if we floated in a nebulous world or dimension without time, causation, or orientation. The grey half-daylight of the vast circular space sobered us somewhat; but we did not go near those cached sledges or look again at poor Gedney and the dog. They have a strange and titanic mausoleum, and I hope the end of this planet will find them still undisturbed.
It was while struggling up the colossal spiral incline that we first felt the terrible fatigue and short breath which our race through the thin plateau air had produced; but not even the fear of collapse could make us pause before reaching the normal outer realm of sun and sky. There was something vaguely appropriate about our departure from those buried epochs; for as we wound our panting way up the sixty-foot cylinder of primal masonry we glimpsed beside us a continuous procession of heroic sculptures in the dead race's early and undecayed technique — a farewell from the Old Ones, written fifty million years ago.
Finally scrambling out at the top, we found ourselves on a great mound of tumbled blocks; with the curved walls of higher stonework rising westward, and the brooding peaks of the great mountains shewing beyond the more crumbled structures toward the east. The low antarctic sun of midnight peered redly from the southern horizon through rifts in the jagged ruins, and the terrible age and deadness of the nightmare city seemed all the starker by contrast with such relatively known and accustomed things as the features of the polar landscape. The sky above was a churning and opalescent mass of tenuous ice-vapours, and the cold clutched at our vitals. Wearily resting the outfit-bags to which we had instinctively clung throughout our desperate flight, we rebuttoned our heavy garments for the stumbling climb down the mound and the walk through the aeon-old stone maze to the foothills where our aa-roplane waited. Of what had set us fleeing from the darkness of earth's secret and archaic gulfs we said nothing at all.
In less than a quarter of an hour we had found the steep grade to the foothills — the probable ancient terrace — by which we had descended, and could see the dark bulk of our great plane .....

Editorial Reviews

"Lovecraft has exerted an incalculable influence on succeeding generations of writers of horror fiction." — Joyce Carol Oates

"Lovecraft's fiction is one of the cornerstones of modern horror." — Clive Barker

"At the Mountains of Madness is one of the greatest short novels in American literature, and a key text in my own understanding of what that literature can do." — Michael Chabon

From the Publisher