Authorial Echoes: Textuality and Self-plagiarism in the Narrative of Luigi Pirandello
"Luigi Pirandello is best known for his experimental plays, but his narrative production has not enjoyed the same degree of critical attention. O'Rawe's study represents the first major reassessment of this output, including the 'realist' novels, the historical novel I vecchi e i giovani (1909) and the autobiographical Suo marito (1911). The book identifies in Pirandello a practice of 'self-plagiarism' - constant rewriting and revision and obsessive re-use of material - and explores the relation of these overlooked modes of composition to the author's own theories of authorship and textuality. Drawing on a wide range of critical theory, O'Rawe repositions Pirandello as a major figure in the development of European narrative modernism."
"1132747958"
Authorial Echoes: Textuality and Self-plagiarism in the Narrative of Luigi Pirandello
"Luigi Pirandello is best known for his experimental plays, but his narrative production has not enjoyed the same degree of critical attention. O'Rawe's study represents the first major reassessment of this output, including the 'realist' novels, the historical novel I vecchi e i giovani (1909) and the autobiographical Suo marito (1911). The book identifies in Pirandello a practice of 'self-plagiarism' - constant rewriting and revision and obsessive re-use of material - and explores the relation of these overlooked modes of composition to the author's own theories of authorship and textuality. Drawing on a wide range of critical theory, O'Rawe repositions Pirandello as a major figure in the development of European narrative modernism."
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Authorial Echoes: Textuality and Self-plagiarism in the Narrative of Luigi Pirandello

Authorial Echoes: Textuality and Self-plagiarism in the Narrative of Luigi Pirandello

by Catherine O'Rawe
Authorial Echoes: Textuality and Self-plagiarism in the Narrative of Luigi Pirandello

Authorial Echoes: Textuality and Self-plagiarism in the Narrative of Luigi Pirandello

by Catherine O'Rawe

eBook

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Overview

"Luigi Pirandello is best known for his experimental plays, but his narrative production has not enjoyed the same degree of critical attention. O'Rawe's study represents the first major reassessment of this output, including the 'realist' novels, the historical novel I vecchi e i giovani (1909) and the autobiographical Suo marito (1911). The book identifies in Pirandello a practice of 'self-plagiarism' - constant rewriting and revision and obsessive re-use of material - and explores the relation of these overlooked modes of composition to the author's own theories of authorship and textuality. Drawing on a wide range of critical theory, O'Rawe repositions Pirandello as a major figure in the development of European narrative modernism."

Product Details

ISBN-13: 9781351195690
Publisher: Taylor & Francis
Publication date: 12/02/2017
Sold by: Barnes & Noble
Format: eBook
Pages: 201
File size: 455 KB

About the Author

Catherine O'Rawe

Table of Contents

Introduction PART I 1 ‘Non parola ma la cosa stessa’: Pirandello, Metaphor and ‘L’umorismo’ 2 The Unrepeatable Repeated: Epiphany and Self-Plagiarism PART II 3 Metaphors of History: I vecchi e i giovani 4 Authors and Authenticity: Suo marito, 5 ‘Non conclude’?: Uno, nessuno e centomila and the Dangers of Overinterpretation, Conclusion
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