"Schantz writes about that harvest of death . . . with insight and sensitivity—even eloquence."—James M. McPherson, New York Review of Books (17 April 2008)
"Schantz makes a compelling case that Americans' experiences with, and ideas about, death before the Civil War made it possible for them to understand—and even celebrate—death caused by the war. . . . He is especially perceptive at describing mourning rituals, the literature on heaven as a place of family reunion with full bodily restoration, the rural cemetery movement, and the illustration of death in lithographs, photography, and painting. . . . A sobering assessment for anyone who imagines war as a purifying process."—Library Journal (15 February 2008)
"The revival of a Classical martial code; a maniacally detailed vision of Heaven; a rural cemetery movement that guaranteed a safe resting place—all these things together, Schantz argues, prepared American soldiers for death on the battlefield. In his view, it wasn't the bloody war that made the rituals; it was the rituals that enabled the bloody war."—Adam Gopnik, The New Yorker (21 January 2008)
"Awaiting the Heavenly Country is a first-rate book with careful research on an intriguing subject. It makes an important contribution to the understandin of the Civil War era."—Lance J. Herdegen, America's Civil War (May 2008)
"Schantz persuasively documents a coherent nineteenth-century 'culture of death' that shielded Civil War Americans from despair in the face of devestating loss. All religious traditions aim to make sense of a death-dealing cosmos, but the evangelical Protestant culture of the antebellum United States created more elaborate mourning rituals, more overt expressions of anguish, and more reassurances of reunion than previous generations of Americans had known. The culture of death, Schantz argues, provided the resources that encouraged soldiers to risk death and civilians to accept their disapppearance."—T. J. Jackson Lears, Bookforum (December/January 2009)
"In Awaiting the Heavenly Country Mark S. Schantz penetrates the cultural phenomenon of extolling the virtues of a 'good death.' Schantz makes a compelling case that attitudes facilitating the Civil War's tremendous carnage were firmly in place before hostilities ever began."—Gordon Berg, Civil War Times, December 2008
"The premise of this interesting and satisfying book is that an antebellum American culture of death contributed mightily, even decisively, to the destructive nature of the Civil War. Mark S. Schantz's excellent research melds with his deep knowledge of the war in making persuasive links among antebellum culture and Civil War behaviors—North and South, male and female, black and white, home front and battlefield."—David Waldstreicher, Temple University, author of Runaway America: Benjamin Franklin, Slavery, and the American Revolution
"Awaiting the Heavenly Country is an eloquent and insightful analysis of the culture of death and dying in antebellum America. Mark S. Schantz argues that the carnage of the Civil War may best be explained by a culture that embraced several anesthetizing notions about death: the idea that death was ennobling, that it ushered the deceased into a materially and emotionally rich heavenly existence, that the body itself could be purified and restored in the act of death. Schantz is a generous and sympathetic guide who manages to explain the inexplicable."—Susan Juster, University of Michigan, author of Doomsayers: Anglo-American Prophesy in the Age of Revolution
"Awaiting the Heavenly Country is an important book. Mark S. Schantz's prose is as clear and sharp as his insights. In our Civil War, beliefs were like body armor. Officers and enlisted men, North and South, believed in life after death. Field artillery and minié balls, suicidal infantry charges and criminally incompetent generals may have sent them to their graves, but everyone thought they'd pass through the Pearly Gates and meet again in the Peaceable Kingdom. Our ancestors weren't suicide bombers, but the thought of Heaven consoled them."—Michael Lesy, Hampshire College, author of Murder City: The Bloody History of Chicago in the Twenties
Schantz (history, Hendrix Coll., AR) makes a compelling case that Americans' experiences with, and ideas about, death before the Civil War made it possible for them to understand-and even celebrate-death caused by the war. By closely reading landscapes, images, and all manner of writings on the "culture of death," Schantz discovers that Northerners and Southerners alike came to believe that how one approached death and how a people honored the dead revealed, even decided, matters of faith, community, and national identity. Schantz is especially perceptive at describing mourning rituals, the literature on heaven as a place of family reunion with full bodily restoration, the rural cemetery movement, and the illustration of death in lithographs, photography, and painting. He finds a strong strain of Greek revival and ancient mythology in Americans' representation of what death demanded of men and women. When read in tandem with Drew Gilpin Faust's recent This Republic of Suffering, we learn that for 19th-century Americans the "unifying power of death" defined how one must live, and when the war came, it also made it easier to kill and to die. A sobering assessment for anyone who imagines war as a purifying process.
—Randall M. Miller
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