Bad Luck and Trouble (Jack Reacher Series #11)
THE #1 NEW YORK TIMES BESTSELLING JACK REACHER SERIES • The inspiration for season two of the hit streaming series Reacher!

“Electrifying . . . this series [is] utterly addictive.”—Janet Maslin, The New York Times


From a helicopter high above the California desert, a man is sent free-falling into the night. On the streets of Portland, Jack Reacher is pulled out of his wandering life and plunged into the heart of a conspiracy that is killing old friends . . . and the people he once trusted with his life.

Reacher is the ultimate loner—no phone, no ties, no address. But a woman from his old military unit has found him using a signal only the eight members of their elite team would know. Then she tells him a terrifying story about the brutal death of a man they both served with. Soon Reacher is reuniting with the survivors of his team, scrambling to unravel the sudden disappearance of two other comrades. But Reacher won’t give up—because in a world of bad luck and trouble, when someone targets Jack Reacher and his team, they’d better be ready for what comes right back at them.
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Bad Luck and Trouble (Jack Reacher Series #11)
THE #1 NEW YORK TIMES BESTSELLING JACK REACHER SERIES • The inspiration for season two of the hit streaming series Reacher!

“Electrifying . . . this series [is] utterly addictive.”—Janet Maslin, The New York Times


From a helicopter high above the California desert, a man is sent free-falling into the night. On the streets of Portland, Jack Reacher is pulled out of his wandering life and plunged into the heart of a conspiracy that is killing old friends . . . and the people he once trusted with his life.

Reacher is the ultimate loner—no phone, no ties, no address. But a woman from his old military unit has found him using a signal only the eight members of their elite team would know. Then she tells him a terrifying story about the brutal death of a man they both served with. Soon Reacher is reuniting with the survivors of his team, scrambling to unravel the sudden disappearance of two other comrades. But Reacher won’t give up—because in a world of bad luck and trouble, when someone targets Jack Reacher and his team, they’d better be ready for what comes right back at them.
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Bad Luck and Trouble (Jack Reacher Series #11)

Bad Luck and Trouble (Jack Reacher Series #11)

by Lee Child
Bad Luck and Trouble (Jack Reacher Series #11)

Bad Luck and Trouble (Jack Reacher Series #11)

by Lee Child

eBook

$6.99 

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Overview

THE #1 NEW YORK TIMES BESTSELLING JACK REACHER SERIES • The inspiration for season two of the hit streaming series Reacher!

“Electrifying . . . this series [is] utterly addictive.”—Janet Maslin, The New York Times


From a helicopter high above the California desert, a man is sent free-falling into the night. On the streets of Portland, Jack Reacher is pulled out of his wandering life and plunged into the heart of a conspiracy that is killing old friends . . . and the people he once trusted with his life.

Reacher is the ultimate loner—no phone, no ties, no address. But a woman from his old military unit has found him using a signal only the eight members of their elite team would know. Then she tells him a terrifying story about the brutal death of a man they both served with. Soon Reacher is reuniting with the survivors of his team, scrambling to unravel the sudden disappearance of two other comrades. But Reacher won’t give up—because in a world of bad luck and trouble, when someone targets Jack Reacher and his team, they’d better be ready for what comes right back at them.

Product Details

ISBN-13: 9780440336853
Publisher: Random House Publishing Group
Publication date: 05/01/2007
Series: Jack Reacher Series
Sold by: Random House
Format: eBook
Pages: 416
Sales rank: 431
File size: 5 MB

About the Author

About The Author
Lee Child is the author of more than two dozen New York Times bestselling Jack Reacher thrillers, with most having reached the #1 position, and the #1 bestselling complete Jack Reacher story collection, No Middle Name. Foreign rights in the Reacher series have sold in one hundred territories. A native of England and a former television director, Lee Child lives in New York City and Wyoming.

Hometown:

Birmingham, England

Date of Birth:

1954

Place of Birth:

Coventry, England

Education:

Sheffield University

Read an Excerpt

Chapter One

The man was called Calvin Franz and the helicopter was a Bell 222. Franz had two broken legs, so he had to be loaded on board strapped to a stretcher. Not a difficult maneuver. The Bell was a roomy aircraft, twin-engined, designed for corporate travel and police departments, with space for seven passengers. The rear doors were as big as a panel van's and they opened wide. The middle row of seats had been removed. There was plenty of room for Franz on the floor.

The helicopter was idling. Two men were carrying the stretcher. They ducked low under the rotor wash and hurried, one backward, one forward. When they reached the open door the guy who had been walking backward got one handle up on the sill and ducked away. The other guy stepped forward and shoved hard and slid the stretcher all the way inside. Franz was awake and hurting. He cried out and jerked around a little, but not much, because the straps across his chest and thighs were buckled tight. The two men climbed in after him and got in their seats behind the missing row and slammed the doors.

Then they waited.

The pilot waited.

A third man came out a gray door and walked across the concrete. He bent low under the rotor and held a hand flat on his chest to stop his necktie whipping in the wind. The gesture made him look like a guilty man proclaiming his innocence. He tracked around the Bell's long nose and got in the forward seat, next to the pilot.

"Go," he said, and then he bent his head to concentrate on his harness buckle.

The pilot goosed the turbines and the lazy whop-whop of the idling blade slid up the scale to an urgent centripetal whip-whip-whip and then disappeared behind the treble blast of the exhaust. The Bell lifted straight off the ground, drifted left a little, rotated slightly, and then retracted its wheels and climbed a thousand feet. Then it dipped its nose and hammered north, high and fast. Below it, roads and science parks and small factories and neat isolated suburban communities slid past. Brick walls and metal siding blazed red in the late sun. Tiny emerald lawns and turquoise swimming pools winked in the last of the light.

The man in the forward seat said, "You know where we're going?"

The pilot nodded and said nothing.

The Bell clattered onward, turning east of north, climbing a little higher, heading for darkness. It crossed a highway far below, a river of white lights crawling west and red lights crawling east. A minute north of the highway the last developed acres gave way to low hills, barren and scrubby and uninhabited. They glowed orange on the slopes that faced the setting sun and showed dull tan in the valleys and the shadows. Then the low hills gave way in turn to small rounded mountains. The Bell sped on, rising and falling, following the contours below. The man in the forward seat twisted around and looked down at Franz on the floor behind him. Smiled briefly and said, "Twenty more minutes, maybe."

Franz didn't reply. He was in too much pain.

***

The Bell was rated for a 161-mph cruise, so twenty more minutes took it almost fifty-four miles, beyond the mountains, well out over the empty desert. The pilot flared the nose and slowed a little. The man in the forward seat pressed his forehead against the window and stared down into the darkness.

"Where are we?" he asked.

The pilot said, "Where we were before."

"Exactly?"

"Roughly."

"What's below us now?"

"Sand."

"Height?"

"Three thousand feet."

"What's the air like up here?"

"Still. A few thermals, but no wind."

"Safe?"

"Aeronautically."

"So let's do it."

The pilot slowed more and turned and came to a stationary hover, three thousand feet above the desert floor. The man in the forward seat twisted around again and signaled to the two guys way in back. Both unlocked their safety harnesses. One crouched forward, avoiding Franz's feet, and held his loose harness tight in one hand and unlatched the door with the other. The pilot was half-turned in his own seat, watching, and he tilted the Bell a little so the door fell all the way open under its own weight. Then he brought the craft level again and put it into a slow clockwise rotation so that motion and air pressure held the door wide. The second guy from the rear crouched near Franz's head and jacked the stretcher upward to a forty-five degree slope. The first guy jammed his shoe against the free end of the stretcher rail to stop the whole thing sliding across the floor. The second guy jerked like a weightlifter and brought the stretcher almost vertical. Franz sagged down against the straps. He was a big guy, and heavy. And determined. His legs were useless but his upper body was powerful and straining hard. His head was snapping from side to side.

The first guy took out a gravity knife and popped the blade. Used it to saw through the strap around Franz's thighs. Then he paused a beat and sliced the strap around Franz's chest. One quick motion. At the exact same time the second guy jerked the stretcher fully upright. Franz took an involuntary step forward. Onto his broken right leg. He screamed once, briefly, and then took a second instinctive step. Onto his broken left leg. His arms flailed and he collapsed forward and his upper-body momentum levered him over the locked pivot of his immobile hips and took him straight out through the open door, into the noisy darkness, into the gale-force rotor wash, into the night.

Three thousand feet above the desert floor.

For a moment there was silence. Even the engine noise seemed to fade. Then the pilot reversed the Bell's rotation and rocked the other way and the door slammed neatly shut. The turbines spun up again and the rotor bit the air and the nose dropped.

The two guys clambered back to their seats.

The man in front said, "Let's go home now."




Seventeen days later Jack Reacher was in Portland, Oregon, short of money. In Portland, because he had to be somewhere and the bus he had ridden two days previously had stopped there. Short of money, because he had met an assistant district attorney called Samantha in a cop bar, and had twice bought her dinner before twice spending the night at her place. Now she had gone to work and he was walking away from her house, nine o'clock in the morning, heading back to the downtown bus depot, hair still wet from her shower, sated, relaxed, destination as yet unclear, with a very thin wad of bills in his pocket.

The terrorist attacks of September 11th, 2001, had changed Reacher's life in two practical ways. Firstly, in addition to his folding toothbrush he now carried his passport with him. Too many things in the new era required photo ID, including most forms of travel. Reacher was a drifter, not a hermit, restless, not dysfunctional, and so he had yielded gracefully.

And secondly, he had changed his banking methods. For many years after leaving the army he had operated a system whereby he would call his bank in Virginia and ask for a Western Union wire transfer to wherever he happened to be. But new worries about terrorist financing had pretty much killed telephone banking. So Reacher had gotten an ATM card. He carried it inside his passport and used 8197 as his PIN. He considered himself a man of very few talents but some varied abilities, most of which were physical and related to his abnormal size and strength, but one of which was always knowing what time it was without looking, and another of which was some kind of a junior-idiot-savant facility with arithmetic. Hence 8197. He liked 97 because it was the largest two-digit prime number, and he loved 81 because it was absolutely the only number out of all the literally infinite possibilities whose square root was also the sum of its digits. Square root of eighty-one was nine, and eight and one made nine. No other nontrivial number in the cosmos had that kind of sweet symmetry. Perfect.

His arithmetic awareness and his inherent cynicism about financial institutions always compelled him to check his balance every time he withdrew cash. He always remembered to deduct the ATM fees and every quarter he remembered to add in the bank's paltry interest payment. And despite his suspicions, he had never been ripped off. Every time his balance came up exactly as he predicted. He had never been surprised or dismayed.

Until that morning in Portland, where he was surprised, but not exactly dismayed. Because his balance was more than a thousand dollars bigger than it should have been.

Interviews

The Fan Letter by Lee Child

They say the past is another country, and in my case it really was: provincial England at the end of the fifties and the start of the sixties, the last gasp of the post-war era, before it surrendered to the tectonic shift sparked by the Beatles. My family was neither rich nor poor, not that either condition had much meaning in a society with not much to buy and not much to lack. We accumulated toys at the rate of two a year: one on our birthdays, and one at Christmas. We had a big table radio (which we called "the wireless") in the dining room, and in the living room we had a black and white fishbowl television, full of glowing tubes, but there were only two channels, and they went off the air at ten in the evening, after playing the National Anthem, for which some families stood up, and sometimes we saw a double bill at the pictures on a Saturday morning, but apart from that we had no entertainment.

So we read books. As it happens I just saw some old research from that era which broke down reading habits by class (as so much was categorized in England at that time) and which showed that fully fifty percent of the middle class regarded reading as their main leisure activity. The figure for skilled workers was twenty-five percent, and even among laborers ten percent turned to books as a primary choice.

Not that we bought them. We used the library. Ours was housed in a leftover WW2 Nissen hut (the British version of a Quonset hut) which sat on a bombed-out lot behind a church. It had a low door and a unique warm, musty, dusty smell, which I think came partly from the worn floorboards and partly from the books themselves, of which there were not very many. I finished with the children's picture books by the time I was four, and had read all the chapter books by the time I was eight, and had read all the grown-up books by the time I was ten.

Not that I was unique - or even very bookish. I was one of the rough kids. We fought and stole and broke windows and walked miles to soccer games, where we fought some more. We were covered in scabs and scars. We had knives in our pockets - but we had books in our pockets too. Even the kids who couldn't read tried very hard to, because we all sensed there was more to life than the gray, pinched, post-war horizons seemed to offer. Traveling farther than we could walk in half a day was out of the question - but we could travel in our heads ... to Australia, Africa, America ... by sea, by air, on horseback, in helicopters, in submarines. Meeting people unlike ourselves was very rare ... but we could meet them on the page. For most of us, reading - and imagining, and dreaming - was as useful as breathing.

My parents were decent, dutiful people, and when my mother realized I had read everything the Nissen hut had to offer - most of it twice - she got me a library card for a bigger place the other side of the canal. I would head over there on a Friday afternoon after school and load up with the maximum allowed - six titles - which would make life bearable and get me through the week. Just. Which sounds ungrateful - my parents were doing their best, no question, but lively, energetic kids needed more than that time and place could offer. Once a year we went and spent a week in a trailer near the sea - no better or worse a vacation than anyone else got, for sure, but usually accompanied by lashing rain and biting cold and absolutely nothing to do.

The only thing that got me through one such week was Von Ryan's Express by David Westheimer. I loved that book. It was a WW2 prisoner-of-war story full of tension and suspense and twists and turns, but its biggest "reveal" was moral rather than physical - what at first looked like collaboration with the enemy turned out to be resistance and escape. I read it over and over that week and never forgot it.

Then almost forty years later, when my own writing career was picking up a head of steam, I got a fan letter signed by a David Westheimer. The handwriting was shaky, as if the guy was old. I wondered, could it be? I wrote back and asked, are you the David Westheimer? Turned out yes, it was. We started a correspondence that lasted until he died. I met him in person at a book signing I did in California, near his home, which gave me a chance to tell him how he had kept me sane in a rain-lashed trailer all those years ago. He said he had had the same kind of experience forty years before that. Now I look forward to writing a fan letter to a new author years from now ... and maybe hearing my books had once meant something special to him or her. Because that's what books do - they dig deeper, they mean more, they stick around forever.

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