Since the closing decades of the nineteenth century, Barcelona has striven to sustain an image of modernity that distinguishes itself within Spain. Barcelona's Vocation of Modernity traces the development of that image through texts that foreground key social and historical issues. It begins with Barcelona's "coming of age" in the 1888 Universal Exposition and focuses on the first major narrative work of modern Catalan literature, La febre d'or. Positing an inextricable link between literature and modernity, Resina establishes a literary framework for the evolution of the image of Barcelona's modernity through the 1980s, when the consciousness of modernity took on an ironic circularity. Because the city is an aggregation of knowledge, Resina draws from sociology, urban studies, sociolinguistics, history, psychoanalysis, and literary history to produce a complex account of Barcelona's self-reflection through culture. The last chapter offers a glimpse into the "post-historical" city, where temporality has been sacrificed to the spatialization associated with the seductions of the spectacle.
Joan Ramon Resina is Professor in the Department of Spanish and Portuguese at Stanford University. He is the author of a number of books, including El cadáver en la cocina: La novela policiaca en la cultura del desencanto (1997) and El postnacionalisme en el mapa global (2004). Among his distinctions are the Fulbright Fellowship and the Alexander von Humboldt Fellowship.
Table of Contents
List of Figures ix Acknowledgments xi Introduction: The City as Social Form 1 The Bourgeois City 10 Imagined City 63 Like Moths to a Lamp: Foreigners in Barcelona's Red-Light District 93 A Sojourn with the Dead 119 The Divided City and the Divided Self 142 The City of Eternal Returns 179 From the Olympic Torch to the Universal Forum of Cultures: The After-Image of Barcelona's Modernity 199 Notes 235 Works Cited 241 Index 259
