Bats in the Band

by Brian Lies, Brian Lies (Illustrator)

Overview

The look on our faces is easy to read:
a little night music is just what we need!

A late-spring night sky fills with bats flocking to a theater, already echoing and booming with delightful sounds of music. Bat music—plunky banjoes, bat-a-tat drums, improvised instruments, country ballads, and the sweet cries of a bat with the blues.

Join this one-of-a-kind music festival as the bats celebrate the rhythm of the night, and the positive power of music. Brian Lies’s newest celebration of bats and their dazzling, dizzying world will lift everyone’s spirits with joyous noise and cheer!

Product Details

ISBN-13:	9780544482548
Publisher:	HarperCollins
Publication date:	08/05/2014
Series:	A Bat Book
Sold by:	HARPERCOLLINS
Format:	eBook
Pages:	32
Lexile:	AD600L (what's this?)
File size:	27 MB
Note:	This product may take a few minutes to download.
Age Range:	4 - 7 Years

About the Author

Brian Lies is the Caldecott honor-winning author-illustrator of New York Times bestsellers Bats at the Beach, Bats at the Library, Bats at the Ballgame, and Bats in the Band. He has written and illustrated more than twenty books for children. Born in Princeton, New Jersey, Brian lives on the South Shore of Massachusetts with his family.
www.BrianLies.com 

Editorial Reviews

★ 07/14/2014
Given how important echolocation is to bats, it should come as no surprise that they’re secret music-lovers. That’s the case with Lies’s colony, anyway, back in a fourth book. When night falls, the bats head to a summer theater where act after act takes the stage—there’s a string section that hangs upside down while playing, as well as singers in a variety of genres (“Next up, there’s a country song—/ some lonesome bat done someone wrong”). Humorous touches abound in Lies’s characteristically polished acrylic paintings, and the bats’ infectiously joyful music-making will have readers reaching for the nearest noisemaker or instrument. Ages 4–8. (Aug.)

Publishers Weekly

"Again with the bats, evoking another call of "encore!"
—Kirkus

"This latest adventure will enchant children, who will want to hear it, read it, and relive it over and over again."
—School Library Journal —

From the Publisher

06/01/2014
PreS-Gr 3—Bats wake up in the spring, hungry for food and even hungrier for sound. Their quest for a little night music leads them to a deserted summertime theater where a single light beckons them inside, past huckster bats selling T-shirts and posters, to the stage where other bats gather with improvised instruments. "We sing together as one voice./It seems the very walls rejoice!" A classical quartet, suspended upside down on matchstick perches, play violins, viola, and cello. A one-bat band is followed by a country bat sitting on a bottle cork and singing lonesome songs. A jazz bat's melancholy voice turns the room blue, while in a far corner little bats listen to children's songs. As the evening progresses, the main stage fills with bats. "Hearts are pumping, drums are thumping,/everything that's loose is jumping." Too soon, daylight signals the concert's end. Bats fly home to their rafters and dream of performing with the band. Luminous acrylic illustrations and rhyming text bring this nighttime concert joyfully to life. Like Bats at the Beach (2006), Bats at the Library (2008), and Bats at the Ballgame (2010, all Houghton Mifflin Harcourt), this latest adventure will enchant children, who will want to hear it, read it, and relive it over and over again.—Mary Jean Smith, formerly at Southside Elementary School, Lebanon, TN

School Library Journal

2014-04-30
Yet more bats tumble from Lies' belfry, this time to ignite a darkened summer theater with the gift of music.Lies, who has ushered bats through a night at the library, the beach and the ballpark, invites a colony into a playhouse after lights out. There, he carves out a piece of the small hours for his readers, that strange time of collywobbles and spooky quiet. The playhouse is anything but, as the bats have decided to light up the dark with "a little night music." In tuneful couplets laced with fluid if demanding words like "sitar" and "improvise," the bats get busy with jazz—is that Dizzy, with those cheeks?—and rock—is that Leon Russell, in Uncle Sam's hat?—and a camellia-adorned bat woman with a broken heart: "Her feelings fill the room with blue," a room that Lies has draped with indigo. The paintings are full of mood and spot-lit color, the bats upside down and right-side up, the rhyme both casual and emotive. There is no doubt that Lies has made an effort to please adult readers with plenty of allusions: In what passes as their dusk, a bat takes his fiddle to the roof. But the bats never fly over young readers' heads. They are there to entertain, and that they do.Again with the bats, evoking another call of "encore!" (Picture book. 4-8)

Kirkus Reviews