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Overview
Just as Julie’s dreams were coming true, her life began to unravel. Soon, she was battling debilitating physical illness, the rising waters of Nashville’s hundred-year flood, and a stalled career. Instead of succumbing to despair, Julie proved miraculously resilient—taking the steps she needed to face adversity head on and rebuild her life through her characteristic optimism, hard work, and faith.
Journey with Julie as she walks through the highs and lows of her career, the personal struggles she’s endured, the lessons she’s learned, and her sense of purpose as she rebuilds her singing career and contributes her voice to the work of supporting others with multiple sclerosis. Julie’s courage combined with her joyful personality and love for God will encourage readers in a uniquely powerful way.
Product Details
| ISBN-13: | 9780785219590 |
|---|---|
| Publisher: | Nelson, Thomas, Inc. |
| Publication date: | 09/18/2018 |
| Pages: | 304 |
| Product dimensions: | 5.40(w) x 8.30(h) x 0.90(d) |
About the Author
Ken Abraham is a New York Times best-selling author known around the world for his collaborations with high-profile public figures. A former professional musician and pastor, he is a popular guest with both secular and religious media. His books include One Soldier's Story with Bob Dole, Payne Stewart with Tracey Stewart, Falling in Love for All the Right Reasons with Dr. Neil Clark Warren, and Let's Roll! with Lisa Beamer.
Read an Excerpt
CHAPTER 1
From Dreams to Nightmares
Few people can truly say, "I am living my dream," but I really was. From my perspective, I had made it! Life was great. As a country music recording artist, I had achieved a gold album — a major milestone in the music world, signifying sales of more than five hundred thousand albums. I traveled on a beautiful tour bus, with a full band, singing concerts and meeting people all over the country. Mama joined me on the bus anytime she could break away from her full-time job as an accountant at a local mattress factory, and her presence made everything I was doing even more special to me.
I loved being on the road. I told my booking agent, "Keep me busy. The only time I want to come home is to work on my new album or to get my roots done." Of course, for me, the ultimate sign of my newfound success was that I was now a client of the same hairstylist who styled the hair of my childhood music idol, Barbara Mandrell! I know it seems silly, but that meant something significant to me. I was doing everything that I had envisioned and that I had asked God to allow me to do. My dreams of succeeding in the music business were coming true.
I was also working on my second album, hoping to follow the success of "Break Down Here," a hit song from my first album, Julie Roberts, and to keep the momentum going. I expected my career and my personal life to continue to flourish. Then, in a matter of seconds, my dreams turned to nightmares.
I was playing at the Orange Peel, a well-known club in Asheville, North Carolina, to an enthusiastic crowd pressed in tightly all the way to the front of the stage. More than one thousand people were packed into the venue, and the audience brimmed with enthusiasm. Many fans standing at the front of the stage knew my songs and sang the words along with me. It was a fabulous experience, something that most every music artist dreams of happening.
My band and I were putting on a great show, and everything seemed to be hitting just the right note — when suddenly, in the middle of my set, my vision became blurry and I lost the sense of feeling in my hands. Weird electricity-like shocks shot down my back from my head to my toes. Stark terror seared through me. What's going on? I thought. This is weird! The electric shocks dissipated quickly, and I didn't feel any other serious pain at the moment, but my eyesight remained blurred. I knew something was seriously wrong, but I kept on singing. I could hear people singing along with me, even though I could no longer see the audience members standing right in front of the stage.
I'm right-handed, so I was holding my microphone in that hand. When my hand went weak and then numb, I switched the mike to my left hand and continued the song. Then the same thing happened with my left hand. Now I was really scared. I can't even hold on to the microphone!
Fortunately, there was a microphone stand onstage, so I struggled awkwardly to place the mike on the stand and finished my full set standing almost motionless in front of it. As the band played a reprise of "Break Down Here," I walked toward the right side of the stage, where my tour manager met me and hooked his arm in mine, just as he did after each show. He aimed the beam of his flashlight on the floor so I could walk through the dimly lit backstage area. That night I needed his assistance more than ever.
* * *
Following the show, I wanted to sign pictures and albums for my fans, as I always did. Whatever those strange sensations are in my body, I'll deal with them later, I thought. I didn't want to disappoint the fans who were waiting patiently in line. I sat at a table and signed whatever anyone put in front of me, but I really couldn't see what I was writing. My sense of feeling in my fingers had returned slightly, so I could hold a Sharpie, but I was writing blindly. Fortunately, by that point in my young career, I had already signed a lot of autographs, so signing my name without seeing it wasn't that difficult.
After signing, I got back on the bus without saying a word about the unusual sensations and numbness to my road manager or to any of the guys in the band. Instead, I hurried straight to the back bedroom and called Mama. I explained about my vision being blurred and losing the feeling in my hands.
As soon as I told her what was going on, she said, "Julie, you need to come on home, just as fast as you can."
"I'm coming, Mama." I was really scared. I had never experienced anything like what had happened to me onstage that night. I knew something wasn't right.
* * *
Asheville is less than five hours from Nashville, so we were home before morning. Mama said, "You need to see a doctor." I made an appointment with my primary-care physician, who, upon hearing my symptoms, immediately sent me to a neurologist.
The neurologist recommended that I have an MRI. I had never had an MRI, and my first was a nightmare. For some reason, the doctor ordered an enclosed MRI for me. The attendant instructed me to lie down flat on a table, put a mask over my face, then slid me inside a tube. When the attendant put that mask on me, I became claustrophobic. My heart starting racing, and my whole body began perspiring profusely. All I could see was the mask covering my eyes, and that caused me to be even more fearful.
I had to hold completely still as the machine scanned my entire body, making all sorts of strange, loud clanking noises. I gotta get out of this thing! I screamed to myself. The MRI seemed to take forever, and I freaked out inside that cold tube. I felt as though I were in the scene in the movie The Silence of the Lambs where the girl is kept captive in the bottom of the well. I started kicking my feet, yelling, "Please let me out of here!"
The attendants came running at my first twitch, which, of course, meant that I had to redo the tests. The neurologist had also ordered a spinal tap, but before the hospital doctors could administer the test, I had to sign waivers and consent forms containing all sorts of ominous terminology and warnings. Although I had no idea what all was involved, I complied with the doctor's orders. I had never seen a needle that large in my life! I closed my eyes tightly and tried to think about something other than the pain.
After I completed the procedures, I was discharged from the hospital. The neurologist said, "I'll call you as soon as we know anything."
I went home and tried to forget about it, which was easy to do because I was feeling slightly better, and I had work to do on my new album.
* * *
I was in a studio in Franklin, Tennessee, about twenty miles south of Nashville, recording the song "Men and Mascara," with Byron Gallimore producing, when the doctor called me. I saw his name on my phone but didn't take the call because I didn't want to break the creative flow. I wanted to focus on the music, but I was anxious, wondering what news the doctor wanted to tell me. So I called Mama and asked her to get the results for me.
On my drive back to Nashville, I called Mama to learn the test results. I feared that the doctor had told her that I had a brain tumor. My palms were sweaty on the steering wheel. That was not like me.
When I got her on the phone, Mama quickly said, "Why don't you pull over, Julie, so I can talk to you?"
"No, I'm fine." I kept driving. "Just tell me, Mama. What did the doctor say?"
Mama listed a litany of things that I didn't have, things that apparently the doctor had told her the symptoms might have indicated, conditions that she had already looked up online.
"Okay, Mama." I was growing impatient. "That's fine. So tell me, what do I have?"
Mama seemed to take a deep breath before answering.
"Well, the doctor says you have MS. They discovered some lesions on your brain."
"MS? Lesions on my brain? Wha ...?"
"Pull over," Mama said again. "I'm gonna come and pick you up."
"No, no. I can drive home," I said.
When I hung up, the first image that went through my mind was of Carol, a young woman in a nursing home where I used to sing many years earlier, who also had multiple sclerosis. Wheel-chairbound from an early age, her body debilitated, her life limited to the confines of that nursing home, I saw Carol.
And I saw me. I was twenty-six years old.
I knew now why I had met her. I knew my music had helped her overcome her daily despair. I was glad of that, but it scared me to think that my future might be similar to Carol's, confined to a wheelchair in a nursing home.
I had already overcome a number of difficult obstacles, but I had no idea how to face something like this. All I knew to do was to cry out to God for his help. I didn't ask him to heal me, although I believed that he could. My prayer focused more on how I was going to move forward with my life.
Tears welled in my eyes. "God, I don't know what you want me to do with my life," I prayed aloud. "Ever since I was a little girl, I've been convinced that the reason you put me on earth was to sing country music and to lift people's spirits. Now what?" Of one thing I was certain: I wouldn't tell anybody out-side my family that I had MS, not my best friends, not my record-label executives, not my band members — nobody. I suspected that if people on Music Row knew I had MS, they would regard me as "damaged goods." I had been in the music business long enough to know that it could be rather fickle — everybody wants you today, and tomorrow nobody knows your name. I especially worried that if the people at my record label or the concert promoters knew that I had this debilitating disease, they might assume that I couldn't perform up to par anymore and doubt that I could still sing and play shows.
I pulled into our driveway and saw Mama and my sister Lorie, who was now living with us, standing on the patio waiting for me, along with my dogs. Mama and Lorie were crying. Clearly, Mama had shared the bad news with my younger sister.
We hugged in the driveway and then went inside the house. "Why are y'all crying?" I asked them. I smiled at them, attempting to hide my own stress behind an everything-is-fine look, a skill that I had mastered early in life.
"Why aren't you crying?" Mama answered.
"I don't know," I said. "All I can think about is Carol. Maybe God wants me to do something else with my life. Maybe I'm supposed to help people like Carol, somehow."
* * *
I went to meet with the neurologist the following day. In a formal, clinical tone, he explained that multiple sclerosis is a disease that affects the brain, with residual ramifications throughout my body. "The exact causes of MS remain unknown," he told me, "but we have some hunches." He further explained that some people possibly get MS after having mononucleosis as a child. Females, especially, seem to contract MS at young ages. Others lack vitamin D, so doctors theorize that might have an impact.
I appreciated the doctor's information about my diagnosis but had already decided that I wasn't ready to accept it. The neurologist gave me lots of literature about MS and encouraged me to read it before we talked further about some sort of treatment protocol.
I'm sure it was important information, but it was overwhelming to me, and I was already zoning out, headed for my comfortable realm of denial. Surely this isn't happening to me! I thought.
I took the literature home and put it in a drawer, without reading a word of it. It was a coping strategy I had learned as a child: if I didn't talk about it, it didn't exist.
CHAPTER 2Escape!
Hurry, girls," I heard Mama whisper hoarsely. "Come on. We have to get out of this house right now."
I had just celebrated my fifth birthday. My sister Lorie — a year younger — followed me as I crawled out of bed, both of us wearing our footie pajamas, rubbing the sleep from our eyes and wobbling precariously into the hallway leading from our bedroom to the living room. With my hair still in ponytails from the previous day, I grabbed my new Cabbage Patch doll and led Lorie toward the living room. Marie, our older sister by a few years, was already in the hall, carrying a blanket to keep us warm.
From Mama and Daddy's bedroom we heard a crash, then frightening sounds of furniture scraping across the floor and Daddy rampaging through the room.
Mama glanced toward her and Daddy's bedroom door, right across the hallway from Lorie's and mine.
"Faster, girls. Now!" Mama whispered louder, clutching her nightgown around her neck. Her eyes looked red, her face swollen. "Get in the truck," she ordered. "Don't try to take anything else with you. Just go. Hurry!"
Mama shooed us out the front door, toward her white Ford F150 pickup truck sitting at the edge of a row of shrubbery leading to the gray gravel driveway.
The cool night air slapped me wide-awake as Marie, Lorie, and I ran across the porch to the truck. Marie got there first. Mama always left the truck doors unlocked, so Marie jerked the door open, and the three of us piled inside. Mama followed closely behind, yelling back toward the door where, even in the dim light, we could see Daddy's tall, looming shadow.
Something must have clicked in Daddy's drunken brain, because he lurched out onto the porch and headed for the truck, just as Mama pushed the key in the ignition and turned it. The Ford roared to life, and Mama stretched her neck to the side so she could look over her shoulder to back out of the driveway.
"Get back inside this house!" Daddy yelled, staggering closer to us. "Where do you think you're going?"
Mama didn't answer, and she didn't stop; instead, she threw the pickup into reverse, the truck tires slinging gravel back in Daddy's direction.
I looked out the truck window, my face pressed against the glass, terrified, as Daddy reached down and scooped up handfuls of gravel and hurled them at the truck.
Mama stopped the truck long enough to make sure we were okay. "Keep the windows rolled up," she instructed.
Daddy was so close now, he began kicking the front of the truck with his heavy work boot. Mama pressed down on the accelerator, and the truck roared backward. Daddy grabbed another handful of rocks and threw it at the windows. I reared back, instinctively. The stones crackled off the glass so loudly that I thought the window had shattered. Mama kept going; she steered the truck backward down the gravel drive, finally hitting the pavement. She barely stopped for a fraction of a second before slamming the truck into drive, the tires peeling out on the road, heading toward Mawmaw and Pawpaw's house, while Daddy continued to rage at us from our front yard.
As soon as we had escaped to the highway, Mama leaned toward the dashboard and turned up the volume on the truck's stereo, filling the cab with country music.
"Let's sing, girls," she called above the loud music.
And we did. All three of us pajama-clad girls sang at the top of our lungs, pretending the incident we had just experienced — again, for the fourth time that month — had not even happened. Sadly, it would not be the last time Mama, my sisters, and I fled Daddy's erratic behavior.
* * *
Mama, Sandra Baker, married Daddy, Bobby Walton Roberts, in 1975 when she was twenty-five years old, knowing full well that he drank too much and smoked too much too. But he was tall, dark-haired, lean, handsome, and smart. Mama fell in love with him, and they eloped. Their first daughter, Marie, came along shortly after. Three years later, I was born, followed by our sister Lorie thirteen months later. My family settled in Mama's hometown of Lancaster, South Carolina.
Daddy was fabulously intelligent, worked as a nuclear engineer, and provided well for our family, even though we saw little of the money he earned. Daddy's money belonged to Daddy, not us. "It's my money," he often said, "and I will do what I want with it."
My sisters and I learned early on that if we needed something such as a winter coat or a new pair of shoes, we had to ask Daddy when he was drunk. Occasionally, when Daddy was the "good drunk," Mama could coax some money or a credit card out of him so we could go shopping. We had fun together on those shopping sprees, but Mama rarely bought anything for herself; she spent almost every extra penny she had on my sisters and me. Of course, when Daddy sobered up the next day and discovered what we had done, he would be furious. He would lash out at Mama, screaming at the top of his lungs.
Despite the tension between them, Mama worked hard trying to keep her husband happy. Mama ironed Daddy's clothes every week. If Mama didn't get the creases just right — or, more specifically — up to his impossibly unrealistic standards, then Daddy would lose his mind with frustration and anger, blistering Mama with profanity and other derogatory slurs. Maybe that's why I never learned to iron clothes well, nor did I ever learn to cook healthy meals, country-style food, or much of any-style food, for that matter, because I knew my best efforts would never meet Daddy's approval.
(Continues…)
Excerpted from "Beauty in the Breakdown"
by .
Copyright © 2018 Julie Roberts.
Excerpted by permission of Thomas Nelson.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
Chapter 1 From Dreams to Nightmares 1
Chapter 2 Escape! 11
Chapter 3 God, Make Me a Singer Like Barbara Mandrell 25
Chapter 4 There Is No Plan B 41
Chapter 5 Comings and Goings 53
Chapter 6 Some Risks Are Worth It 63
Chapter 7 In Production 71
Chapter 8 In the Moment 83
Chapter 9 Welcome to the Whirlwind 95
Chapter 10 Striking Gold! 115
Chapter 11 Song-Stress 123
Chapter 12 Anxious Acquiescence 133
Chapter 13 Goodbye, Girl Next Door 141
Chapter 14 Men and Mascara-They Always Run! 151
Chapter 15 Carolina Bred; California Bound 157
Chapter 16 Great Bruton 163
Chapter 17 The Flood 173
Chapter 18 Not Again! 181
Chapter 19 Starting Over 189
Chapter 20 The Voice 205
Chapter 21 Prisoner of Love 217
Chapter 22 A "Voice" from the Past 231
Chapter 23 Pig-Sitting for Lashes 247
Chapter 24 I Ain't Skeered I Have MS 257
Chapter 25 Stronger 271
Acknowledgments 283
About the Authors 289