Goat Girl are never afraid to try new things. The cosmic synth pop of
On All Fours marked a dramatic change from their self-titled debut album's witchy brew of punk and country; in turn, the earthy experiments of
Below the Waste feel only distantly related to their previous work. On their first album, the trio of
Lottie Pendlebury,
Rosy Jones, and
Holly Mullineaux opts for a sound that's half rustic and half avant-garde, combining electronics and grungy guitars with banjo, flute, choral vocals, and a braying violin on tracks such as "Jump Sludge." Prior to recording
Below the Waste,
Pendlebury listened to a lot of
Deerhoof and
Philip Glass; the former's influence can be felt on "Ride Around"'s startling shifts, stops, and starts, while the latter informs the rippling repetition of "Perhaps" and "Sleep Talk"'s woozy symphonic sweep. The way "Where's Ur Heart"'s seething atmosphere flows into "Tonight"'s whispers makes for a satisfying musical arc, and the album's more considered songs are among the band's finest. "Words Fell Out" brings all of
Below the Waste's elements together in a gorgeous lament; "Take It Away" lets its simple, hymnal melody build into a wave of pure emotion; and "Motorway" is a shining example of how easy the band makes ambitious, affecting pop seem. ~ Heather Phares