Berlin Alexanderplatz: Radio, Film, and the Death of Weimar Culture
This fascinating exploration of a work that was the epitome of German literary modernism illuminates in chilling detail the death of the Weimar Republic's left-leaning culture of innovation and experimentation. Peter Jelavich examines Alfred Döblin's Berlin Alexanderplatz (1929), a novel that questioned the autonomy and coherence of the human personality in the modern metropolis, and traces the radical discrepancies that came with its adaptation into a radio play (1930) and a film (1931). Jelavich explains these discrepancies by examining not only the varying demands of genre and technology but also the political and economic contexts of the media—in particular, the censorship practices in German radio and film. His analysis culminates in a richly textured discussion of the complex factors that led to the demise of Weimar culture, as Nazi intimidation and the economic strains of the Depression induced producers to depoliticize their works. Jelavich's book becomes a cautionary tale about how fear of outspoken right-wing politicians can curtail and eliminate the arts as a critical counterforce to politics—all in the name of entertainment.
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Berlin Alexanderplatz: Radio, Film, and the Death of Weimar Culture
This fascinating exploration of a work that was the epitome of German literary modernism illuminates in chilling detail the death of the Weimar Republic's left-leaning culture of innovation and experimentation. Peter Jelavich examines Alfred Döblin's Berlin Alexanderplatz (1929), a novel that questioned the autonomy and coherence of the human personality in the modern metropolis, and traces the radical discrepancies that came with its adaptation into a radio play (1930) and a film (1931). Jelavich explains these discrepancies by examining not only the varying demands of genre and technology but also the political and economic contexts of the media—in particular, the censorship practices in German radio and film. His analysis culminates in a richly textured discussion of the complex factors that led to the demise of Weimar culture, as Nazi intimidation and the economic strains of the Depression induced producers to depoliticize their works. Jelavich's book becomes a cautionary tale about how fear of outspoken right-wing politicians can curtail and eliminate the arts as a critical counterforce to politics—all in the name of entertainment.
34.95 In Stock
Berlin Alexanderplatz: Radio, Film, and the Death of Weimar Culture

Berlin Alexanderplatz: Radio, Film, and the Death of Weimar Culture

by Peter Jelavich
Berlin Alexanderplatz: Radio, Film, and the Death of Weimar Culture

Berlin Alexanderplatz: Radio, Film, and the Death of Weimar Culture

by Peter Jelavich

Paperback(First Edition)

$34.95 
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Overview

This fascinating exploration of a work that was the epitome of German literary modernism illuminates in chilling detail the death of the Weimar Republic's left-leaning culture of innovation and experimentation. Peter Jelavich examines Alfred Döblin's Berlin Alexanderplatz (1929), a novel that questioned the autonomy and coherence of the human personality in the modern metropolis, and traces the radical discrepancies that came with its adaptation into a radio play (1930) and a film (1931). Jelavich explains these discrepancies by examining not only the varying demands of genre and technology but also the political and economic contexts of the media—in particular, the censorship practices in German radio and film. His analysis culminates in a richly textured discussion of the complex factors that led to the demise of Weimar culture, as Nazi intimidation and the economic strains of the Depression induced producers to depoliticize their works. Jelavich's book becomes a cautionary tale about how fear of outspoken right-wing politicians can curtail and eliminate the arts as a critical counterforce to politics—all in the name of entertainment.

Product Details

ISBN-13: 9780520259973
Publisher: University of California Press
Publication date: 03/31/2009
Series: Weimar and Now: German Cultural Criticism , #37
Edition description: First Edition
Pages: 316
Sales rank: 754,004
Product dimensions: 6.00(w) x 8.90(h) x 1.00(d)

About the Author

Peter Jelavich, Professor of History at Johns Hopkins University, is author of Berlin Cabaret (1993) and Munich and Theatrical Modernism: Politics, Playwriting, and Performance, 1890-1914 (1985).

Table of Contents

List of Illustrations
Preface

1. The Novel Berlin Alexanderplatz
2. Politics and Censorship at the Berlin Radio Hour
3. Cultural Programming and Radio Plays
4. The Radio Play The Story of Franz Biberkopf
5. Film Censorship in the Weimar Era
6. Nazi Threats to Film
7. The Film Berlin Alexanderplatz

Epilogue
Notes
Index
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