03/25/2019
When 63-year-old retiree Louis McDonald Jr., the narrator of this excellent novel from Miller (Always Happy Hour), spots a “Free Dogs” advertisement when out driving one day, he stops and adopts Layla, a black and white pup with a gagging complex. The duo pokes around coastal Mississippi while Louis also deals with visits from Frank, his ex-wife’s brother, who’s concerned about Louis’s loneliness; calls with his semi-estranged daughter, Maxine; and his own attempts to settle the estate of his recently deceased father. A witty, insightful exploration of masculinity and self-worth, the story lets its protagonist roam with Layla and discover a new lease on life before introducing Layla’s original owner, Sasha, the wife of the man who gave her away without permission. When Sasha sees that Layla, known to her as Katy, did not run away, as her husband claimed, the much younger woman leaves him and shacks up with Louis, who is initially happy for the company, but who soon grows weary of her as their situation comes to a head. In Louis, Miller captures the insecurities of an imperfect man beyond his prime as he tries to find his purpose in the world, and the result is a charming and terrific novel. (May)
"I’ve always been a huge fan of Mary Miller’s work. Now, with Biloxi, Miller gives us the singular new voice of Louis McDonald Jr., a man grieving his past, trapped in a state of emotional and mental paralysis — until the day he adopts a dog named Layla, who slowly begins to crack his heart open again. I was continually surprised, delighted, and above all moved while reading. A beautiful book from one of southern literature’s most important young authors."
"This is a story about second chances, the art of settling, and settling down. Mary Miller knows how to tell a simple story in a spectacular way. She is funny and peculiar and mysterious and wise."
"Miller (The Last Days of California) casts light on crushing loneliness in the form of a lost sixtysomething man at the heart of a sweet dog-saves-man story filled with plenty of surprises to keep one turning the pages.”"
"If Lorrie Moore’s wicked sense of humor and Ernest Hemingway’s minimalism had a love-child that love-child would be Mary Miller’s Biloxi. Get ready to fall in love with cantankerous Louis McDonald Jr, a singular character as surprised by life as he is surprising. This book is a winner."
"As disagreeable and contrary as they come, Louis is a narrator readers will want to throttle with equal urgency, sometimes simultaneously. Delightful at sentence-level, this is foremost the story of his sluggish-but-sure metamorphosis.... Miller, an absolute master of minutiae, relates Louis’ innermost self with poignancy and humor that never sacrifice an ounce of realism."
"Mary Miller’s new novel is a marvel, a deliberate, careful rendering of the slipping-away life of a sixty year old man who discovers, after more than his share of loneliness, desire and calamity, that there is always, after all, the wonder of hope."
★ 2019-02-17
This novel about a man and his dog is also about unexpected connections and the strange turns life can take.
One day, while driving to pick up his diabetes medicine and a two-liter bottle of Pepsi at his local Walgreens, Louis McDonald Jr., in a panic at having spotted his ex-wife's car, turns "left instead of right" and finds himself on an unfamiliar street, in front of a house with a sign out front advertising "FREE DOGS." Soon Louis is in possession of a companionable border collie. Harry Davidson, the man who gives Louis the dog, tells him the pooch is named Layla after the Eric Clapton song about George Harrison's wife, whom Clapton subsequently (briefly) married. The encounter, a harbinger of things to come, changes the trajectory of Louis' life, knocking it off its previous passive path. Having made one unpredictable decision, Louis, 63 years old, recently retired, and anticipating an inheritance following the death of his father, begins to make more of them—some of the more questionable choices stemming from an inexplicable preoccupation with Harry Davidson's wife. Louis' post-marital life heretofore had been one primarily of solitude and inaction—stretches of watching TV in his chair, sipping beer, punctuated by visits from his "dull and fine" brother-in-law bearing leftover restaurant meals—but as he begins to take actions, both admirable and ill-advised, he starts to connect with those around him, set new patterns, and, ultimately, chart a new path into his future. Writing with insight and wit, Miller (Always Happy Hour, 2017, etc.) is both unsparing and sympathetic as she captures the perspective of a character who, initially at least, comes off as not terribly appealing. But at a slow, deliberate pace befitting the story's Southern setting, she reveals Louis to be something more than the emotionally limited sad sack he may initially be taken for—an irascible old coot, sure, but a lovable one you can't help but root for.
Miller's deliciously engaging, gently quirky, surprisingly hopeful novel seals her spot in the pantheon of Southern fiction writers.