Black Atlantic: Power, People, Resistance
Longlisted for the 2024 Berger Prize.

An important illustrated history of the relationship between Cambridge and the Black Atlantic.

Between 1400 and 1900, European powers, not least Britain, colonised the Americas and transported over 12.5 million people from sub-Saharan Africa as slaves. The contested space, formed by the interactions of multiple people and cultures, both Black and white, we now call the Black Atlantic. Cambridge and Cambridgeshire played a key role in this international narrative – a story of commerce, profit and colonialism, of opinion-forming, and of struggle.

Through the lens of historic artworks, artefacts and natural history specimens, this book and the exhibition it accompanies analyse the rise and growth of enslavement, the profits made by Dutch and British traders and plantation-owners, the power of images, the knowledge produced by enslaved people, histories of resistance movements and the consequences of these events today. Works by contemporary makers challenge long-held assumptions, address erasures, and create alternative narratives of repair, freedom and justice.

"1143582335"
Black Atlantic: Power, People, Resistance
Longlisted for the 2024 Berger Prize.

An important illustrated history of the relationship between Cambridge and the Black Atlantic.

Between 1400 and 1900, European powers, not least Britain, colonised the Americas and transported over 12.5 million people from sub-Saharan Africa as slaves. The contested space, formed by the interactions of multiple people and cultures, both Black and white, we now call the Black Atlantic. Cambridge and Cambridgeshire played a key role in this international narrative – a story of commerce, profit and colonialism, of opinion-forming, and of struggle.

Through the lens of historic artworks, artefacts and natural history specimens, this book and the exhibition it accompanies analyse the rise and growth of enslavement, the profits made by Dutch and British traders and plantation-owners, the power of images, the knowledge produced by enslaved people, histories of resistance movements and the consequences of these events today. Works by contemporary makers challenge long-held assumptions, address erasures, and create alternative narratives of repair, freedom and justice.

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Black Atlantic: Power, People, Resistance

Black Atlantic: Power, People, Resistance

by Bloomsbury USA
Black Atlantic: Power, People, Resistance

Black Atlantic: Power, People, Resistance

by Bloomsbury USA

Paperback

$40.00 
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Overview

Longlisted for the 2024 Berger Prize.

An important illustrated history of the relationship between Cambridge and the Black Atlantic.

Between 1400 and 1900, European powers, not least Britain, colonised the Americas and transported over 12.5 million people from sub-Saharan Africa as slaves. The contested space, formed by the interactions of multiple people and cultures, both Black and white, we now call the Black Atlantic. Cambridge and Cambridgeshire played a key role in this international narrative – a story of commerce, profit and colonialism, of opinion-forming, and of struggle.

Through the lens of historic artworks, artefacts and natural history specimens, this book and the exhibition it accompanies analyse the rise and growth of enslavement, the profits made by Dutch and British traders and plantation-owners, the power of images, the knowledge produced by enslaved people, histories of resistance movements and the consequences of these events today. Works by contemporary makers challenge long-held assumptions, address erasures, and create alternative narratives of repair, freedom and justice.


Product Details

ISBN-13: 9781781301234
Publisher: Bloomsbury USA
Publication date: 11/21/2023
Pages: 192
Product dimensions: 7.50(w) x 9.70(h) x 0.70(d)

About the Author

Jake Subryan Richards is Assistant Professor of International History at the London School of Economics and Political Science. His research and teaching concerns the histories of the people of the African diaspora, Atlantic empires, and enslavement and emancipation.

Victoria Avery has been Keeper of European Sculpture & Decorative Arts at the Fitzwilliam Museum, University of Cambridge, since 2010, prior to which she was Associate Professor in the Department of Art History at the University of Warwick.

Table of Contents

Contributor biographies

Acknowledgements

Foreword by Luke Syson

Introduction

Section 1: Before Atlantic Enslavement

1. Africa: Akan Region

2. Indigenous Islands in the Caribbean Sea

3. Europe: Slavery Before Racism; Blackness Before Slavery

Section 2: Cambridge Wealth from Atlantic Enslavement

1. Royal Patronage

2. Making Money: Dutch Connections

3. Technology for the Transatlantic Trade

4. Warfare Between the British, Dutch and Spanish Empires

Section 3: Fashion, Consumption and Racism

1. Blackness in European Art

2. Enslavement and Fashion

Section 4: Plantations: Production and Resistance

1. Production, Knowledge Generation and Exploitation

2. Plantation Violence

3. Remembering

Further Reading

Image credits

Index

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