5
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Blood Ties
378
by Robert Asprin (Editor), Lynn Abbey (Editor), Diana L. Paxson, Janet Morris, Robin Wayne Bailey
Robert Asprin
Blood Ties
378
by Robert Asprin (Editor), Lynn Abbey (Editor), Diana L. Paxson, Janet Morris, Robin Wayne Bailey
Robert Asprin
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Overview
A ruined city rebuilds in the ninth entry of this shared-world fantasy series.
Hakiem, storyteller and adviser, surveys the city of Sanctuary from a palace window and is heartbroken by what he sees. The city of outlaws and adventurers now lies in shambles, ravaged by war, plague, riots, and magical destruction, and many citizens are dead or wounded. Hakiem is not the only one thinking of leaving . . .
Now, without gods or magic, the people of Sanctuary face the task of rebuilding their homes and their lives. It will be their toughest struggle for survival yet.
Featuring stories from some of fantasy’s best authors, including Robert Lynn Asprin, Diana L. Paxson, Janet and Chris Morris, Robin W. Bailey, C. J. Cherryh, Diane Duane, Lynn Abbey, and Andrew and Jodie Offutt.
Product Details
| ISBN-13: | 9781504075343 |
|---|---|
| Publisher: | Open Road Media |
| Publication date: | 07/12/2022 |
| Series: | Thieves' World Series |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 378 |
| File size: | 3 MB |
About the Author
Lynn Abbey, ex–New Yorker, ex-Michigander, and ex-Oklahoman, moved to Florida in 1997, which she says is nice, but she misses snow. Her first novel, Daughter of the Bright Moon, was published in 1978. Since then, she has published more than two dozen novels, most of them fantasies. She has been called the “Godmother of Shared Universes” for her part in creating, editing, and writing the Thieves’ World® series of anthologies, novels, and games. Abbey says she writes fantasies because when her imagination gets going, it is full of magic, intrigue, and the colors of a stained-glass window. If science fiction is the fiction of possible futures, then fantasy is the fiction of possible histories.
Robert Lynn Asprin grew up in the college town of Ann Arbor, Michigan. After serving in the army, he got a job as a cost accountant and saw nothing wrong with making a career out of arranging numbers, until he and a few friends wandered into a Society for Creative Anachronism event, where he quickly realized he had a perfect trifecta of talent: disruption, organization, and storytelling. Asprin put these talents to work to found the Great Dark Horde within the SCA, and the Dorsai Irregulars within the science-fiction fandom. The life of a cost accountant had lost its allure, but he had a family to support, so he decided to tell stories for money. Asprin’s first two books, The Cold Cash War and Another Fine Myth, demonstrated that he could write tragedy or comedy, science fiction or fantasy, with equal finesse. Then he got the idea for Thieves’ World® and changed the way authors, publishers, and readers thought about anthologies. Though Asprin died in 2008, the Great Dark Horde, the Dorsai Irregulars, and Thieves’ World® continue to this day.
Robert Lynn Asprin grew up in the college town of Ann Arbor, Michigan. After serving in the army, he got a job as a cost accountant and saw nothing wrong with making a career out of arranging numbers, until he and a few friends wandered into a Society for Creative Anachronism event, where he quickly realized he had a perfect trifecta of talent: disruption, organization, and storytelling. Asprin put these talents to work to found the Great Dark Horde within the SCA, and the Dorsai Irregulars within the science-fiction fandom. The life of a cost accountant had lost its allure, but he had a family to support, so he decided to tell stories for money. Asprin’s first two books, The Cold Cash War and Another Fine Myth, demonstrated that he could write tragedy or comedy, science fiction or fantasy, with equal finesse. Then he got the idea for Thieves’ World® and changed the way authors, publishers, and readers thought about anthologies. Though Asprin died in 2008, the Great Dark Horde, the Dorsai Irregulars, and Thieves’ World® continue to this day.
Lynn Abbey, ex–New Yorker, ex-Michigander, and ex-Oklahoman, moved to Florida in 1997, which she says is nice, but she misses snow. Her first novel, Daughter of the Bright Moon, was published in 1978. Since then, she has published more than two dozen novels, most of them fantasies. She has been called the “Godmother of Shared Universes” for her part in creating, editing, and writing the Thieves’ World® series of anthologies, novels, and games. Abbey says she writes fantasies because when her imagination gets going, it is full of magic, intrigue, and the colors of a stained-glass window. If science fiction is the fiction of possible futures, then fantasy is the fiction of possible histories.
Robin W. Bailey, a lover of fantasy and science fiction for as long as he can remember, has devoted years of his life to writing in the fantasy and science fiction genre. His works include Swords Against the Shadowland, Shadowdance, Frost, Bloodsongs, and Skull Gate. Bailey served as the central/south regional director of the Science Fiction and Fantasy Writers of America for nine years and was been the president of the organization for two years, from 2005 through 2007. He is also one of the founders and board members of the Science Fiction and Fantasy Hall of Fame and a member of the Kansas City Science Fiction and Fantasy Society. He is an avid book collector and a fan historian. Bailey’s interests include music, martial arts, bodybuilding, soccer, and cycling.
Robert Lynn Asprin grew up in the college town of Ann Arbor, Michigan. After serving in the army, he got a job as a cost accountant and saw nothing wrong with making a career out of arranging numbers, until he and a few friends wandered into a Society for Creative Anachronism event, where he quickly realized he had a perfect trifecta of talent: disruption, organization, and storytelling. Asprin put these talents to work to found the Great Dark Horde within the SCA, and the Dorsai Irregulars within the science-fiction fandom. The life of a cost accountant had lost its allure, but he had a family to support, so he decided to tell stories for money. Asprin’s first two books, The Cold Cash War and Another Fine Myth, demonstrated that he could write tragedy or comedy, science fiction or fantasy, with equal finesse. Then he got the idea for Thieves’ World® and changed the way authors, publishers, and readers thought about anthologies. Though Asprin died in 2008, the Great Dark Horde, the Dorsai Irregulars, and Thieves’ World® continue to this day.
Robert Lynn Asprin grew up in the college town of Ann Arbor, Michigan. After serving in the army, he got a job as a cost accountant and saw nothing wrong with making a career out of arranging numbers, until he and a few friends wandered into a Society for Creative Anachronism event, where he quickly realized he had a perfect trifecta of talent: disruption, organization, and storytelling. Asprin put these talents to work to found the Great Dark Horde within the SCA, and the Dorsai Irregulars within the science-fiction fandom. The life of a cost accountant had lost its allure, but he had a family to support, so he decided to tell stories for money. Asprin’s first two books, The Cold Cash War and Another Fine Myth, demonstrated that he could write tragedy or comedy, science fiction or fantasy, with equal finesse. Then he got the idea for Thieves’ World® and changed the way authors, publishers, and readers thought about anthologies. Though Asprin died in 2008, the Great Dark Horde, the Dorsai Irregulars, and Thieves’ World® continue to this day.
Lynn Abbey, ex–New Yorker, ex-Michigander, and ex-Oklahoman, moved to Florida in 1997, which she says is nice, but she misses snow. Her first novel, Daughter of the Bright Moon, was published in 1978. Since then, she has published more than two dozen novels, most of them fantasies. She has been called the “Godmother of Shared Universes” for her part in creating, editing, and writing the Thieves’ World® series of anthologies, novels, and games. Abbey says she writes fantasies because when her imagination gets going, it is full of magic, intrigue, and the colors of a stained-glass window. If science fiction is the fiction of possible futures, then fantasy is the fiction of possible histories.
Robin W. Bailey, a lover of fantasy and science fiction for as long as he can remember, has devoted years of his life to writing in the fantasy and science fiction genre. His works include Swords Against the Shadowland, Shadowdance, Frost, Bloodsongs, and Skull Gate. Bailey served as the central/south regional director of the Science Fiction and Fantasy Writers of America for nine years and was been the president of the organization for two years, from 2005 through 2007. He is also one of the founders and board members of the Science Fiction and Fantasy Hall of Fame and a member of the Kansas City Science Fiction and Fantasy Society. He is an avid book collector and a fan historian. Bailey’s interests include music, martial arts, bodybuilding, soccer, and cycling.
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