A beautifully illustrated visual and cultural history of the color blue throughout the ages
Blue has had a long and topsy-turvy history in the Western world. The ancient Greeks scorned it as ugly and barbaric, but most Americans and Europeans now cite it as their favorite color. In this fascinating history, the renowned medievalist Michel Pastoureau traces the changing meanings of blue from its rare appearance in prehistoric art to its international ubiquity today.
Any history of color is, above all, a social history. Pastoureau investigates how the ever-changing role of blue in society has been reflected in manuscripts, stained glass, heraldry, clothing, paintings, and popular culture. Beginning with the almost total absence of blue from ancient Western art and language, the story moves to medieval Europe. As people began to associate blue with the Virgin Mary, the color became a powerful element in church decoration and symbolism. Blue gained new favor as a royal color in the twelfth century and became a formidable political and military force during the French Revolution. As blue triumphed in the modern era, new shades were created and blue became the color of romance and the blues. Finally, Pastoureau follows blue into contemporary times, when military clothing gave way to the everyday uniform of blue jeans and blue became the universal and unifying color of the Earth as seen from space.
Beautifully illustrated, Blue tells the intriguing story of our favorite color and the cultures that have hated it, loved it, and made it essential to some of our greatest works of art.
Michel Pastoureau is a historian and emeritus director of studies at the École Pratique des Hautes Études de la Sorbonne in Paris. A specialist in the history of colors, symbols, and heraldry, he is the author of many books, including Red, Green, and Black (all Princeton) and The Devil's Cloth: A History of Stripes. His books have been translated into more than thirty languages.
Table of Contents
Introduction: Color Is Not Black and White
7
1
An Uncommon Color: Prehistory to the Twelfth Century
13
2
A New Color: The Eleventh to the Fourteenth Century
49
3
A Moral Color: The Fifteenth to the Seventeenth Century
85
4
The Favorite Color: The Eighteenth to the Twentieth Century
"Michel Pastoureau paints a massive canvas in which the history of one color becomes the history of culture itself. This is a study not of color as mere matter but as idea—presenting thousands of years of thinking in blue."—Michael Camille, author of The Medieval Art of Love and Glorious Visions"Michel Pastoureau brilliantly uses the shifting meanings of blue to challenge a whole spectrum of assumptions about color and its symbolic value. . . . Thanks to this study, which is certain to become a classic, blue will never look the same again."—Jori Finkel and Jonathon S. Keats
Michael Camille
Michel Pastoureau paints a massive canvas in which the history of one color becomes the history of culture itself. This is a study not of color as mere matter but as idea—presenting thousands of years of thinking in blue. — Michael Camille, author of "The Medieval Art of Love and Glorious Visions"
Recipe
"Michel Pastoureau paints a massive canvas in which the history of one color becomes the history of culture itself. This is a study not of color as mere matter but as idea—presenting thousands of years of thinking in blue."—Michael Camille, author of The Medieval Art of Love and Glorious Visions
"Michel Pastoureau brilliantly uses the shifting meanings of blue to challenge a whole spectrum of assumptions about color and its symbolic value. . . . Thanks to this study, which is certain to become a classic, blue will never look the same again."—Jori Finkel and Jonathon S. Keats
