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Born Yesterday: Inexperience and the Early Realist Novel
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Born Yesterday: Inexperience and the Early Realist Novel
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Overview
Between the emergence of the realist novel in the early eighteenth century and the novel's subsequent alignment with self-improvement a century later lies a significant moment when novelistic characters were unlikely to mature in any meaningful way. That adolescent protagonists poised on the cusp of adulthood resisted a headlong tumble into maturity through the workings of plot reveals a curious literary and philosophical counter-tradition in the history of the novel. Stephanie Insley Hershinow's Born Yesterday shows how the archetype of the early realist novice reveals literary character tout court.
Through new readings of canonical novels by Samuel Richardson, Henry Fielding, Horace Walpole, Ann Radcliffe, Frances Burney, and Jane Austen, Hershinow severs the too-easy tie between novelistic form and character formation, a conflation, she argues, of Bild with Bildung. A pop-culture-infused epilogue illustrates the influence of the eighteenth-century novice, as embodied by Austen's Emma, in the 1995 film Clueless, as well as in dystopian YA works like The Hunger Games.
Drawing on bold close readings, Born Yesterday alters the landscape of literary historical eighteenth-century studies and challenges some of novel theory's most well-worn assumptions.
Product Details
ISBN-13: | 9781421429670 |
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Publisher: | Johns Hopkins University Press |
Publication date: | 07/02/2019 |
Pages: | 192 |
Product dimensions: | 6.00(w) x 9.00(h) x 0.76(d) |
Age Range: | 18 Years |
About the Author
Table of Contents
AcknowledgmentsIntroduction. Entering the World1. Clarissa's Conjectural History: The Novel and the Novice2. When Experience Matters (and When It Doesn't): Tom Jones and the Rake's Regress3. Simple and Sublime: The Otherworldly of Ann Radcliffe's Gothic4. Starting from Scratch: Frances Burney and the Appeals of InexperienceEpilogue. Emma's DystopiaNotesIndexWhat People are Saying About This
"The finest study of literary character in a generation, Hershinow's book demonstrates exactly what close reading and hard thinking can bring to the study of the eighteenth-century novel. In lean and sculpted prose, Born Yesterday examines how novels thought about experience without committing themselves to development. It is a must read for students of the novel and of eighteenth-century literature and for anyone interested in what what the methods of literary studies can illuminate about culture and ideas."
Hershinow brings an important new critical voice to the ongoing discussions of the eighteenth-century English novel. She provides an important theoretical intervention into the critical assumption that both plot and character are driven by a developmental telos.
"Engaging, innovative, and refreshing. Born Yesterday is an important, absorbing, cannily situated, and justifiably confident study that will be of interest to eighteenth-century literary scholars, as well as to narrative and genre theorists. An admirable piece of debut criticism, this book will be read, used, and built upon."
In a series of sophisticated, worldly-wise readings of the novice figure in eighteenth-century fiction, Born Yesterday challenges the usual alignment of the novel with Bildung and enlightenment. The result is an exciting, original reassessment of the relationship between plot and character in realism and of eighteenth-century novelists' ethical commitments.
Intelligent and sharply stylish. Born Yesterday confirms my impression that Hershinow is one of the very brightest and most interesting of her cohort.—Jenny Davidson, Columbia University, author of Reading Style: A Life in Sentences
In a series of sophisticated, worldly-wise readings of the novice figure in eighteenth-century fiction, Born Yesterday challenges the usual alignment of the novel with Bildung and enlightenment. The result is an exciting, original reassessment of the relationship between plot and character in realism and of eighteenth-century novelists' ethical commitments.—Deidre Shauna Lynch, Harvard University, author of Loving Literature: A Cultural History
The finest study of literary character in a generation, Hershinow's book demonstrates exactly what close reading and hard thinking can bring to the study of the eighteenth-century novel. In lean and sculpted prose, Born Yesterday examines how novels thought about experience without committing themselves to development. It is a must read for students of the novel and of eighteenth-century literature and for anyone interested in what what the methods of literary studies can illuminate about culture and ideas.—Jonathan Kramnick, Yale University, author of Paper Minds: Literature and the Ecology of Consciousness
Hershinow brings an important new critical voice to the ongoing discussions of the eighteenth-century English novel. She provides an important theoretical intervention into the critical assumption that both plot and character are driven by a developmental telos.—Shawn Lisa Maurer, College of the Holy Cross, author of Proposing Men: Dialectics of Gender and Class in the Eighteenth-Century English Periodical
Engaging, innovative, and refreshing. Born Yesterday is an important, absorbing, cannily situated, and justifiably confident study that will be of interest to eighteenth-century literary scholars, as well as to narrative and genre theorists. An admirable piece of debut criticism, this book will be read, used, and built upon.—Jayne Lewis, University of California, Irvine, author of Air's Appearance: Literary Atmosphere in British Fiction, 1660–1794
Intelligent and sharply stylish. Born Yesterday confirms my impression that Hershinow is one of the very brightest and most interesting of her cohort.