Jeff VanderMeer’s Southern Reach Trilogy was an ever-creeping map of the apocalypse; with Borne he continues his investigation into the malevolent grace of the world, and it's a thorough marvel.” Colson Whitehead
"VanderMeer is that rare novelist who turns to nonhumans not to make them approximate us as much as possible but to make such approximation impossible. All of this is magnified a hundredfold in Borne . . . Here is the story about biotech that VanderMeer wants to tell, a vision of the nonhuman not as one fixed thing, one fixed destiny, but as either peaceful or catastrophic, by our side or out on a rampage as our behavior dictatesfor these are our children, born of us and now to be borne in whatever shape or mess we have created. This coming-of-age story signals that eco-fiction has come of age as well: wilder, more reckless and more breathtaking than previously thought, a wager and a promise that what emerges from the twenty-first century will be as good as any from the twentieth, or the nineteenth." Wai Chee Dimock, The New York Times Book Review
“The conceptual elements in VanderMeer’s fiction are so striking that the firmness with which he cinches them to his characters’ lives is often overlooked . . . Borne is VanderMeer’s trans-species rumination on the theme of parenting . . . [Borne] insists that to live in an age of gods and sorcerers is to know that you, a mere person, might be crushed by indifferent forces at a moment’s notice, then quickly forgotten. And that the best thing about human nature might just be its unwillingness to surrender to the worst side of itself.” Laura Miller, The New Yorker
"Borne, the latest novel from New Weird author Jeff VanderMeer, is a story of loving self-sacrifice, hallucinatory beauty, and poisonous trust . . . Heady delights only add to the engrossing richness of Borne. The main attraction is a tale of mothers and monstersand of how we make each other with our love." Nisi Shawl, The Washington Post
"Borne, Jeff VanderMeer's lyrical and harrowing new novel, may be the most beautifully written, and believable, post-apocalyptic tale in recent memory . . . [VanderMeer] outdoes himself in this visionary novel shimmering with as much inventiveness and deliriously unlikely, post-human optimism as Borne himself." Elizabeth Hand, Los Angeles Times
"Borne, the latest from sci-fi savant Jeff VanderMeer, begins innocently enough: Girl meets strange plantlike creature. But if you haven't read his haunting Southern Reach trilogy, prepare yourselfthis is Walden gone horribly wrong." Esquire
"VanderMeer's apocalyptic vision, with its mix of absurdity, horror, and grace, can't be mistaken for that of anyone else. Inventive, engrossing, and heartbreaking, Borne finds [VanderMeer] at a high point of creative accomplishment." Michael Berry, San Francisco Chronicle
"Beautiful . . . VanderMeer's fiction is not preachy by any means. Rather, it probes the mysterious of different lifeforms and highlights our human ignorance at the life around us." Lincoln Michel, Vice
"VanderMeer’s follow-up to his acclaimed Southern Reach trilogy is fantastical and strange, but with a sincere heart beating at its core. " Jaime Green, Google Play
"Borne maintains a wry self-awareness that's rare in dystopias, making it the most necessary VanderMeer book yet." Charley Locke, Wired
"With Borne VanderMeer presents a parable about modern life, in these shaky days of roughshod industrialism, civilizational collapse, and looming planetary catastrophe . . . Think of Borne as a retelling of Steven Spielberg’s E.T, or the character arc of Data on Star Trek: The Next Generation. It’s the story of humanity making contact with something strange, alien, artificial, but yet possessed of a personality, a sense of humor, a drive to find love and friendship and community, to be a part of somethingand to be respectedrespected the way immigrants, refugees, the oppressed the world over have always wished to be respected." Brian Ted Jones, The Rumpus
"A triumph of science fiction . . . Borne will dazzle you with its wonders and horrors, revealing itself as another piece of the puzzle, a reflection on the terror and beauty of being alive." Matt E. Lewis, Electric Literature
"Just as VanderMeer subverted your expectations for each sequel to Annihilation, with Borne he’s written something completely different and unpredictable not just in terms of the story, but also with regards to language, structure, and point of view." Adam Morgan, Chicago Review of Books
"VanderMeer offers another conceptual cautionary tale of corporate greed, scientific hubris, and precarious survival . . . VanderMeer marries bildungsroman, domestic drama, love story, and survival thriller into one compelling, intelligent story centered not around the gee-whiz novelty of a flying bear but around complex, vulnerable characters struggling with what it means to be a person. VanderMeer's talent for immersive world-building and stunning imagery is on display in this weird, challenging, but always heartfelt novel." Krista Hutley, Booklist (starred review)
"Supremely literary, distinctly unusual . . . VanderMeer’s deep talent for worldbuilding takes him into realms more reminiscent of Cormac McCarthy's The Road than of the Shire. Superb.” Kirkus Reviews (starred review)
"VanderMeer, author of the acclaimed Southern Reach trilogy, has made a career out of eluding genre classifications, and with Borne he essentially invents a new one . . . Reading like a dispatch from a world lodged somewhere between science fiction, myth, and a video game, the textures of Borne shift as freely as those of the titular whatsit. What’s even more remarkable is the reservoirs of feeling that VanderMeer is able to tap into . . . resulting in something more than just weird fiction: weird literature.” Publishers Weekly (starred review)
★ 07/01/2017
The setting, plot, and characters of this novel are richly realized, but it's the almost unbearably poignant tone that will draw in readers. Rachel lives with her reclusive lover, Wick, in a postapocalyptic city ruined by corporate greed. A giant bearlike creature flies overhead, trash stuck to his fur. He was designed to help restore order, but instead he wreaks more havoc. Rachel scavenges what she can and brings it back to Wick. Barricaded within their deteriorating apartment, they figure out what they can use. When Rachel finds a throbbing blob that reminds her of sea anemones and happier times, scientist Wick wants to kill it to understand it, but Rachel insists on letting it live. She names it Borne, and it grows quickly until one day it speaks. Borne's coming-of-age is also Rachel's, but as the two mature, Rachel's and Wick's lives—and the city itself—are at risk. Themes such as the consequences of science without ethics, attraction vs. addiction, secrets and trust, and the rewards and heartbreak of parenting (pets, children, or monsters) provide food for thought on top of an exciting survival story. VERDICT Suggest this title to teens who love layered, unusual, harsh, yet ultimately hopeful dystopian tales such as Emily St. John Mandel's Station Eleven or Ernest Cline's Ready Player One.—Hope Baugh, Carmel Clay Public Library, Carmel, IN
★ 2017-02-02
"Once upon a time there was a piece of biotech that grew and grew until it had its own apartment": an odd, atmospheric, and decidedly dark fable for our time.VanderMeer's Southern Reach trilogy (Acceptance, 2014, etc.) set high standards for dystopian fantasy, and the wizardry was as much in the writing as in the storyline. This latest is much the same: supremely literary, distinctly unusual, its title character a blob of something or another that earns its name, in part, because it's carried from place to place—when we meet it, in fact, it's tangled up in the fur of a giant bear that just now is busily marauding through the ruins of a once-thriving city in what would seem to be the very near future. The Company, an unfeeling and monstrously inclined biotech giant, once held sway there, but now what's left is a whole bunch of one-time experiments gone awry. Mord, the bear, is one, Borne another. Alternately dodging and caring for them is Rachel, an eminently resourceful young woman who doesn't quite know what to make of the little creature at first: "I knew nothing about Borne and treated him like a plant at first. It seemed logical, from my initial observations." Logical, yes, but Rachel is no Mr. Spock: she brims with feelings, some of them for her fellow survivor Wick. Just as Borne is able to morph into semblances of other beings, though, including an uncanny other-Rachel, so Wick would seem to have logged some hours in the lab himself. The reader is treated to the intriguing spectacle of Borne's acquiring consciousness in the middle of all the mayhem: "I became entangled in Mord's fur. (Who entangled me?) Where did I come from before that?" That the genetic basis for life is nothing to tinker with is plain throughout, especially in the moments where VanderMeer's deep talent for worldbuilding takes him into realms more reminiscent of Cormac McCarthy's The Road than of the Shire. Superb: a protagonist and a tale sure to please fans of smart, literate fantasy and science fiction.