When 11-year-old Gopal's family tries to escape crushing debt by leaving their village in India for his uncle's home in Mumbai, Gopal is eager to help earn money, especially after his father disappears. Gopal is fooled by the promise of a factory job and ends up a slave in a small shack with five other boys he must nickname because none is allowed to say his name. Suffering a under a cruel boss, Gopal slowly unites the boys though storytelling, with each boy reclaiming his past and his name. Sheth's (Keeping Corner) lush prose (“It is as if someone has rubbed this rough sack on my heart over and over again and made it bleed”) creates a vivid portrait of slave labor without losing the thread of hope that Gopal clings to. Though certain lines of dialogue seem improbable (“The promise was like a rose, but what I got was one big thorn of a boss”), the characters are strong and believable, with Gopal being particularly relatable. The happy ending may be slightly unrealistic but nonetheless satisfies. Ages 9–12. (Jan.)
Gr 4–7—Eager to find work after his hungry family arrives in Mumbai, 11-year-old Gopal ends up locked in a one-room "factory" making beaded frames with five other boys so beaten down they don't even talk to one another. Gopal's story is not uncommon: a bumper crop year drove prices down, money was borrowed to pay for medicine, the farm was lost but the debt remained, and the family was forced to flee to the city to find work. Gopal stores up his memories of his rural Indian village, with its pond, fruit trees, and bird songs, contrasting them with the noisy stink of their new home at the end of a sewage-laden lane in an overcrowded shantytown. Readers quickly come to care for this clever, perceptive boy who tries hard to do the right thing. Suspense mounts as it becomes clear that escape from the sweatshop will not be easy: the other boys need to be convinced. Storytelling is the key to winning them over, and Sheth includes bits of tales both familiar and new. The author includes more about child labor at the end of this well-told survival story with a social conscience.—Kathleen Isaacs, Children's Literature Specialist, Pasadena, MD
The author returned to her native India to research this fictionalized expose of child labor. Eleven-year-old Gopal and his family, deeply in debt, flee to Mumbai to find work. There, a slick older boy offers Gopal a factory job, then turns him over to a ruthless sweatshop operator. Locked inside a decrepit building with five other despairing boys, Gopal quickly learns the routine. Long days of gluing beads onto picture frames, little food, stifling heat and occasional severe beatings with a rubber hose all keep the boys intimidated. Determined to escape, Gopal befriends the others with his storytelling talents, building bonds that will be useful if an opportunity to flee arises. Gopal is a likable child, and insight into the others boys' believable characters gradually evolves. Although the shocking conditions the boys endure are vividly and realistically depicted, this effort is overlong for the recommended audience of nine through 12, and many readers may give up before they reach the portion of the narrative where Gopal is imprisoned. An enlightening multicultural tale suggested for strong elementary readers and middle schoolers. (Fiction. 11-14)
Sheth’s lush prose creates a vivid portrait of slave labor without losing the thread of hope that Gopal clings to. — Publishers Weekly
“Kashmira Sheth gives a name to the pernicious practice of child bondage in her unforgettable portrait of Gopal, a boy enslaved in a grueling factory job in India. And she shows the power of story telling to inspire acts of kindness and courage in even the darkest of situations.” — Patricia McCormick, author of of National Book Award Finalist SOLD
Boys Without Names is not a heartbreaking story, even if there are moments that break the heart. Instead, it is a story about growing up, about learning and relearning the meaning of family. This is one of the best books I’ve read this year. — Jacqueline Woodson, author of the Newbery Honor book After Tupac and D Foster
With echoes of the Lost Boys in Nancy Farmer’s The House of the Scorpion and even Slumdog Millionaire, this a tightly woven tale of a boy’s will to survive, the power of story and the bond of friends tied together in the hope of a better day. — BookPage
Boys Without Names is not a heartbreaking story, even if there are moments that break the heart. Instead, it is a story about growing up, about learning and relearning the meaning of family. This is one of the best books I’ve read this year.
With echoes of the Lost Boys in Nancy Farmer’s The House of the Scorpion and even Slumdog Millionaire, this a tightly woven tale of a boy’s will to survive, the power of story and the bond of friends tied together in the hope of a better day.
Kashmira Sheth gives a name to the pernicious practice of child bondage in her unforgettable portrait of Gopal, a boy enslaved in a grueling factory job in India. And she shows the power of story telling to inspire acts of kindness and courage in even the darkest of situations.
