Table of Contents
Introduction: Catherine Wynne
1. On the origins of the Gothic Novel: From Old Norse to Otranto; Martin Arnold
2. Wollstonecraft's Wrongs of Woman to Stoker's Dracula: You've Come a Long Way Baby, or Have You?; Bettina Tate Pedersen
3. Stoker, Poe, and American Gothic in 'The Squaw'; Kevin Corstorphine
4. Bram Stoker and Gothic Transylvania; Marius-Mircea Cri?an
5. 'Labours of Their Own': Property, Blood, and the Szgany in Dracula; Abby Bardi
6. Invasions Real and Imagined: Stoker's Gothic Narratives; Carol A. Senf
7. 'Gay motes that people the sunbeams': Dust, Death and Degeneration in Dracula; Victoria Samantha Dawson
8. The Imprint of the Mother: Bram Stoker's 'The Squaw and The Jewel of Seven Stars; Sara Williams
9. 'Empire of the Air': Ireland, Aerial Warfare and Futurist Gothic; Luke Gibbons
10. Bram Stoker, Ellen Terry, Pamela Colman Smith and the Art of Devilry; Katharine Cockin
11. 'Beyond Hommy-Beg': Hall Caine's Place in Dracula;Richard Storer
12. The Du Mauriers and Stoker: Gothic Transformations of Whitby and Cornwall; Catherine Wynne
13. The Un-Death of the Author: The Fictional Afterlife of Bram Stoker; William Hughes
14. Gallants, Ghosts,&Gargoyles: Illustrating the Gothic Tale; Jef Murray