Table of Contents
FOREWORD by Lawrence KonnerPART I: FLIP THE DOLPHIN
Chapter 1: WHY SHOULD WE LISTEN TO YOU?
Chapter 2: FIRST STEP—MOVE TO LA
Chapter 3: MY STORY
PART II: THE WRITERS’ ROOM
Chapter 4: THE WRITERS
Chapter 5: THE LIFE OF AN EPISODE
Chapter 6: PILOTS
Chapter 7: STREAMING AND MINI-ROOMS
Chapter 8: HOW TO BEHAVE IN A WRITERS’ ROOM
PART III: ASSISTANTING
Chapter 9: GETTING YOUR FIRST JOB
Chapter 10: JOB POSTING RED FLAGS
Chapter 11: MEET PEOPLE AND BOTHER THEM
Chapter 12: ASSISTANT JOBS
Chapter 13: THE FINANCIAL REALITIES OF BEING AN ASSISTANT
Chapter 14: NEGOTIATING YOUR ASSISTANT SALARY
Chapter 15: THE ASSISTANT ATTITUDE AND WHEN TO QUIT
Chapter 16: IF YOU CAN, SKIP IT: A FINAL WORD ON ASSISTANTING
PART IV: BREAKING IN: THE OTHER ROUTES
Chapter 17: SCREENWRITING COMPETITIONS
Chapter 18: WORKSHOPS, FELLOWSHIPS, AND LABS
Chapter 19: STAND-UP, IMPROV, AND SKETCH COMEDY
Chapter 20: BE CREATIVE, MAKE THINGS, AND USE WHAT YOU’VE GOT
Chapter 21: SOCIAL MEDIA & GETTING YOUR STUFF OUT THERE
PART V: THE SCRIPT
Chapter 22: FIRST OF ALL, JUST WRITE
Chapter 23: YOUR SCRIPT
Chapter 24: ECONOMICS OF A TV SCRIPT
PART VI: THE UNIONS
Chapter 25: IATSE LOCAL 871
Chapter 26: WGA
PART VII: A FREELANCE ECONOMY & THE FUTURE OF TV WRITING
Chapter 27: THE 2023 WGA WRITERS’ STRIKE
Chapter 28: CARVING OUT YOUR UNIQUE PATH
ACKNOWLEDGMENTS
GLOSSARY
RESOURCES
INDEX