Blur released
Bustin' + Dronin', a limited-edition Japanese-only remix album, after completing the supporting tour for
Blur. Apparently, this has become a group tradition, since Japanese-only albums appeared after the
Parklife and
Great Escape tours -- the B-sides compilation
Special Collectors Edition and the double-disc
Live at Budokan, respectively. The difference this time around was the fact that
Bustin' + Dronin' was imported heavily in the U.K. and U.S., because of the success of
Blur. Ironically, it's the weakest of the three Japanese albums the group has released and the one least worth acquiring. The main problem is that only a handful of songs on
Blur lend themselves to inventive remixes. In particular, the spooky dirge
"Death of a Party" and the clomping Mott the Baggy
"On Your Own" are ripe for new treatments, and that's why both are here numerous times. Unfortunately, they're not interesting at all, likely because they're not helmed by name producers. Then again,
William Orbit doesn't fare that well with
"Moving On," and
Moby's mix of
"Beetlebum" (first released as a B-side to the single) sounds identical to the original, so maybe the key isn't remixers, either. That leaves only
Thurston Moore's contemptuous, cacophonous remix of the silly, pretentious
"Essex Dogs" and
John McEntire's recasting of
"Theme from Retro" as a lost cut from
Millions Now Living Will Never Die. It might be amusing to hear
Moore's cut once, and
McEntire's work is genuinely exceptional, but that's not quite enough to make
Bustin' + Dronin' worthwhile. And the second disc, a collection of six songs recorded at
John Peel's home for broadcast on the DJ's show, is strong, proving that
Blur live is a dynamic, intoxicating force, but its release is pointless, since all of the songs were released once as B-sides for the
"On Your Own" singles, and once again on the
"MOR" single. In other words, the collectors, who are the only ones who need this disc, already own this material twice, which makes its very inclusion puzzling and useless. ~ Stephen Thomas Erlewine