Miami University) Religion (Liz Wilson
‘Buying Buddha, Selling Rumi highlights the hidden costs of what would appear to be positive stereotypes about Eastern religiosity. In doing so, Arjana interrogates cultural colonialism, i.e. the borrowing of other people’s cultures and religions without giving credit to actual persons and institutions... With its comprehensive theoretically informed approach and exciting case studies, I would especially recommend this book for use in undergraduate classes.’
Religion & Ideology Politics
‘an expansive book, covering the intersection of mysticism and capitalism... illuminating... I would recommend this book in undergraduate classrooms learning about Asian religions and especially the last chapter for a media studies class. This type of sweeping project is difficult to pull off, and Arjana certainly does an admirable job.’
Jeffrey H. Mahan
‘Both scholarly and readable, Buying Buddha, Selling Rumi deepens our understanding of the way the West appropriates Eastern religion.’
Sylvia Chan-Malik
‘A fascinating and wholly engrossing exploration of how “mysticism”, as we know it in the West, circulates as a modern-day product of colonial structures of power.’
Journal of Religion
‘Tribal events and mystic tourism in Bali are some of the topics entertainingly and critically described and analyzed by Arjana... The book is not only well researched with many fine examples and convincing arguments to underline the theoretical assumptions of the commodification of Eastern religions in the West; it is also well written and a pleasure to read. Furthermore, it raises some important theoretical, methodological and moral questions that could be the center of good discussions with students... The book is very interesting, well written, highly recommendable and useful for critical discussions.’
Richard King
‘A wide-ranging overview of the ongoing power and cultural significance of long-standing Western Orientalist tropes about “the Mystic East”. This is an important work for anyone working on Asian traditions and their contemporary appropriation, transformation and commodification.’
