By Its Cover (Guido Brunetti Series #23)

By Its Cover (Guido Brunetti Series #23)

by Donna Leon

Narrated by David Colacci

Unabridged — 8 hours, 20 minutes

By Its Cover (Guido Brunetti Series #23)

By Its Cover (Guido Brunetti Series #23)

by Donna Leon

Narrated by David Colacci

Unabridged — 8 hours, 20 minutes

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Overview

Donna Leon' s critically acclaimed, internationally bestselling Commissario Guido Brunetti series has attracted readers the world over with the beauty of its setting, the humanity of its characters, and its fearlessness in exploring politics, morality, and contemporary Italian culture. In the pages of Leon' s novels, the beloved conversations of the Brunetti family have drawn on topics of art and literature, but books are at the heart of this novel in a way they never have been before. One afternoon, Commissario Guido Brunetti gets a frantic call from the director of a prestigious Venetian library. Someone has stolen pages out of several rare books. After a round of questioning, the case seems clear: the culprit must be the man who requested the volumes, an American professor from a Kansas university. The only problem-- the man fled the library earlier that day, and after checking his credentials, the American professor doesn' t exist. As the investigation proceeds, the suspects multiply. And when a seemingly harmless theologian, who had spent years reading at the library turns up brutally murdered, Brunetti must question his expectations about what makes a man innocent, or guilty.

Editorial Reviews

Publishers Weekly

02/03/2014
In bestseller Leon’s elegant 23rd Commissario Guido Brunetti mystery (after 2013’s The Golden Egg), a Venetian library director reports that several valuable old books have been either stolen or damaged. The likely thief and vandal masqueraded as an American professor, but he has vanished, and his credentials prove false. With few leads, Brunetti turns to a potential witness—a library patron and former priest dubbed Tertullian (after the early Christian author) by the staff because he spends his days reading the church fathers’ works. Before the police can interview him, the seemingly innocuous Tertullian is brutally murdered—and Brunetti discovers some of the stolen volumes in his home. This character-driven novel looks at the ravages of rare book theft on libraries, and, more broadly, the destructive effects of contemporary greed—exemplified by cruise ships damaging Venice’s fragile waterways—on cultural heritage. Leon’s skillful evocation of the city’s charms, culture, and history more than compensates for an abrupt ending that might leave some readers unsatisfied. (Apr.)

From the Publisher

A Seattle Times Best Mystery and Crime Novel of the Year

“Inspired by the real-life looting of the Girolamini Library in Naples, this book adds to Donna Leon’s best-selling Commissario Guido Brunetti series . . . Leon’s description of the setting is vivid. And she doesn’t shy away from politics, either, with her passion for preserving national institutions such as the library shining through.”—New York Times

“With its loudly reverberating echoes of the recent real-life thefts from the Girolamini Library in Naples, By its Cover will both delight and strike fear into bibliophiles’ hearts. . . . Leon offers a finely drawn tale that encompasses theft, blackmail, emotional violence, and murder, as well as a rich array of characters . . . [and] compellingly combines their workaday crime-solving with a detailed picture of a vanishing Venice.”—Boston Globe

“Fans will rejoice that staples of the Brunetti canon—including conversations with his smart wife and frequent breaks for food and coffee—are very much in evidence.”—Seattle Times

“Donna Leon’s books . . . are routinely some of the finest mystery novels to come out of Europe (or anywhere else, for that matter). Her latest, By its Cover, will do nothing but burnish that reputation.”—BookPage

“One of her best in a long line of super efforts. . . . Brunetti’s wry internal observations and musings about everything from his superiors to his family are reason enough to come to the feast.”—Bookreporter

“Think of Leon’s latest Guido Brunetti novel as a love letter to her fans. . . . This will likely be one of his most-loved adventures.”—Booklist (starred review)

“This character-driven novel looks at the ravages of rare book theft on libraries, and, more broadly, the destructive effects of contemporary greed . . . on cultural heritage. [A] skillful evocation of the city’s charms, culture, and history.”—Publishers Weekly

“Brunetti and Venice and books—there’s a totally delectable combination! . . . Truly a must-read for Brunetti fans.”—I Love a Mystery

“Donna Leon is one of the more unusual and satisfying writers of crime fiction in the current pantheon. . . . Brunetti is exceptional among detectives. . . . . Not since Simenon’s Maigret have we seen a detective so devoted to the reality and complexity of everyday life.”—Sydney Morning Herald

Library Journal

03/01/2014
In the 23rd outing for Commissario Guido Brunetti (The Golden Egg), the Venetian policeman is called to a library to investigate the thefts of several rare historical books and maps. Brunetti gets a crash course in the politics of wealthy donors, fragile institutional reputations, and the international black market in stolen literary works and prints. The investigation takes a turn for the worse when one of the library researchers is found beaten to death. Brunetti smoothly moves through the investigation, humoring his bosses and finessing witnesses, while maintaining his integrity. VERDICT Series fans will delight in the usual snippets of daily life in a historic city, brief asides about the universality of corruption and humanity's venality, and several mouthwatering meals. In addition to series fans, it will appeal to readers looking for a well-plotted story matched with just enough details of life in one of the world's most beautiful locations. [See Prepub Alert, 9/1/13; library marketing.]—Dan Forrest, Western Kentucky Univ. Libs., Bowling Green

Kirkus Reviews

2014-03-16
A rare-book thief is the target in Commissario Guido Brunetti's 23rd case. Since Venice's Biblioteca Merula is open to anyone who can provide the proper credentials, it's been the obvious place for Joseph Nickerson, professor of European history at the University of Kansas, to do his research. But when Nickerson suddenly vanishes after three weeks of daily visits, his credentials turn out to be anything but proper. Nor is he the only thing that's vanished. Several of the rare books he consulted have gone missing, and pages and illustrative plates have been removed from many others. Dottoressa Patrizia Fabbiani, director of the Merula, can't imagine how such a thing could have happened under the watchful eyes of library guard Piero Sartor. Even more puzzling is the silence of Aldo Franchini, a regular visitor for three years whom the library staff has dubbed "Tertullian" for his preferred reading about the church fathers. Franchini sat close to Nickerson every day; he can't have failed to see him remove pages from the precious volumes. Why didn't he say anything, and what can Brunetti do about it? If you think book theft is no big deal, you're in good company; neither does Vice-Questore Giuseppe Patta, Brunetti's invincibly dim superior. Only the offense the thefts may give Contessa Elisabetta Morosini-Albani, the wealthy widow whose donations have financed many of the library's acquisitions, rouses Patta, not to action, but at least to acquiescence in Brunetti's investigation, which inevitably leads to revelations of blackmail and murder. Brunetti (The Golden Egg, 2013, etc.) spends less time with both his charming family and his highly variable colleagues than usual; and with the exception of Franchini, the characters remain distantly evoked rather than vividly present. This one really is for readers who love books.

Product Details

BN ID: 2940170588916
Publisher: Recorded Books, LLC
Publication date: 04/01/2014
Series: Guido Brunetti Series , #23
Edition description: Unabridged

Read an Excerpt

CHAPTER 1

It had been a tedious Monday, much of it spent with the written witness statements about a fight between two taxi drivers that had sent one of them to the hospital with concussion and a broken right arm. The statements had been made by the American couple who had asked the concierge of their hotel to call a water taxi to take them to the airport; the concierge, who said he had called one of the taxi drivers the hotel always used; the porter, who said he had done nothing more than his job, which was to put the Americans' luggage into the taxi that had pulled up to the dock; and the two taxi drivers, one of whom had been questioned in the hospital. From what Brunetti could make of the various stories, the driver from the usual company was nearby when he received the call from the concierge, but when he arrived at the hotel, another taxi was docked at the landing. He pulled up, called out the name of the Americans, which the concierge had given him, and said he was to take them to the airport. The other driver said the porter had waved to him as he was passing, so it was his fare. The porter denied this and insisted he was simply helping with the luggage. The driver into whose taxi the porter had put the luggage had somehow found himself on the deck of the other taxi. The Americans were enraged that they had missed their flight.

Brunetti knew, but could not prove, what had happened: the porter had waved to a passing taxi so that he, instead of the concierge, would get a percentage of the fare. The consequences were evident: no one would tell the truth, and the Americans would not understand what had happened.

As he entertained that thought, Brunetti was momentarily deflected from his desire for a coffee and paused to consider whether he had perhaps stumbled upon some cosmic explanation of current world history. He smiled, making a note to repeat the idea to Paola that evening, or better yet, to tell it the following night, when they were invited to dinner at her parents'. He hoped that the Conte, who appreciated paradox, would be amused. He knew his mother-in-law would be.

He abandoned his reverie and continued down the stairs of the Questura, eager for the coffee that would help him through the rest of the afternoon. As he approached the front door, the officer at the switchboard tapped on the window of his tiny cubicle and waved Brunetti towards him. When Brunetti was inside, the guard said into the telephone receiver, 'I think you should talk to the Commissario, Dottoressa. He's in charge.' He passed him the phone.

'Brunetti.'

'You're a commissario?'

'Yes.'

'This is Dottoressa Fabbiani. I'm the chief librarian at the Biblioteca Merula. We've had a theft. A number of them, I think.' Her voice was unsteady, the voice he had heard from victims of muggings or assault.

'From the collection?' Brunetti asked. He knew the library, had used it once or twice as a student but had not given it a thought for decades.

'Yes.'

'What's been taken?' he asked, preparing in his mind the other questions that would have to follow her answer.

'We don't know the full extent yet. So far, all I'm sure of is that pages have been cut from some volumes.' He heard her deep intake of breath.

'How many?' Brunetti asked, pulling a pad and pencil towards him.

'I don't know. I just discovered it.' Her voice tightened as she spoke.

He heard a man's voice from her end of the phone. She must have turned away to answer him, for her voice grew indistinct for a moment. Then, silence from her end of the line.

He thought of the procedures he had gone through at the libraries in the city whenever he consulted a book and asked, 'You have records of the people who use the books, don't you?'

Was she surprised that a policeman should ask such a question? That he knew about libraries? It certainly took her some time to answer. 'Of course.' Well, that put him in his place, didn't it? 'We're checking on that.'

'Have you found who did it?' Brunetti asked.

There followed an even longer pause. 'A researcher, we think,' she said, then added, as if Brunetti had accused her of negligence, 'He had the proper identification.' He heard the response of any bureaucrat beginning to formulate a defence at the first whisper of an accusation of negligence.

'Dottoressa,' Brunetti began, using what he hoped was his most persuasive and professional voice, 'we'll need your help in identifying him. The sooner we find him, the less time he'll have to sell what he's taken.' He saw no reason to spare her this reality.

'But the books are destroyed,' she said, sounding anguished, as at the death of a loved person.

To a librarian, damage was as bad as theft, he imagined. Changing his voice to that of Authority, he said, 'I'll be there as soon as I can, Dottoressa. Please do not touch anything.' Before she could protest, he added, 'And I'd like to see the identification he gave you.' When there was no response, he replaced the phone.

Brunetti remembered that the library was on the Zattere, but the exact location eluded him now. He returned his attention to the guard and told him, 'If anyone wants me, I've gone to the Biblioteca Merula. Call Vianello and tell him to go over with two men to take fingerprints.'

Outside, he found Foa, arms folded, legs crossed at the ankles, leaning against the railing that ran along the canal. His head was tilted back, and his eyes were closed against the early spring sun, but when Brunetti approached, the pilot asked, 'Where can I take you, Commissario?' before opening his eyes.

'The Biblioteca Merula,' he said.

As if finishing Brunetti's sentence, Foa continued, 'Dorsoduro 3429.'

'How'd you know that?'

'My brother-in-law and his family live in the next building, so that has to be the address,' the pilot answered.

'I feared for a moment that the Lieutenant had made some new rule that obliged you to learn all the addresses in the city by heart.'

'Anyone who's grown up on boats knows where everything in the city is, sir. Better than a GPS,' Foa said, tapping his forehead with his finger. He pushed himself away from the railing and made towards the boat but stopped mid-stride and turned to Brunetti. 'You ever hear what became of them, sir?'

'Of what?' a confused Brunetti asked.

'The GPS's.'

'Which GPS's?'

'The ones that were ordered for the boats,' Foa answered. Brunetti stood still, waiting for the explanation.

'I was talking to Martini a few days ago,' Foa continued, naming the officer in charge of procurement, the man to consult to have a radio fixed or get a new flashlight. 'He showed me the invoice and asked me if I knew whether they were any good or not. The model that had been ordered.'

'And did you?' Brunetti asked, wondering where this conversation had come from.

'Oh, we all know about them, sir. They're crap. None of the taxi drivers wants them, and the only person I know who ever bought one for himself got so mad at it one day that he pulled it off the windscreen of his boat and tossed it over the side.' Foa walked towards the boat, then stopped again and said, 'That's what I told Martini.'

'What did he do?'

'What can he do? They're ordered by some central office in Rome, and someone there gets something for having ordered them, and someone else gets something for letting the order go through.' He shrugged and stepped on to the boat.

Brunetti followed him, puzzled that Foa had chosen to tell him this, for he must have known that there was nothing Brunetti could do, either. That was how things worked.

Foa switched on the motor and said, 'Martini told me the invoice was for a dozen of them.' He stressed the amount.

'There are only six boats, aren't there?' Brunetti asked, a question Foa didn't bother to answer.

'How long ago was this, Foa?'

'Couple of months. Some time in the winter, I'd say.'

'You know if they ever got here?' Brunetti asked.

Foa tilted up his chin and made a clicking sound with his tongue: he could have been a street Arab, so much did his gesture remind Brunetti of the way they dismissed the ridiculous.

Brunetti found himself at a familiar crossroads, where he could go forward only to move backward, move sideways to move forward, or just close his eyes and take a comfortable seat and not move at all. If he spoke to Martini and learned that the GPS systems had been ordered and paid for but were nowhere in evidence, he would create trouble for himself. He could begin to look around privately and perhaps prevent further looting of the public purse. Or he could simply ignore it and get on with more important things or with things that might be remedied.

'You think this is the beginning of spring?' he asked the pilot.

Foa glanced aside and smiled: their agreement could not have been more congenial. 'I think it might be, sir. I hope so. I'm sick to death of the cold and fog.'

As they completed their turn into the bacino and looked forward again, they both gasped. There was nothing theatrical about it, no attempt to make a scene or a statement. They did no more than express their human response to the otherworldly and impossible. Ahead of them was the stern of one of the newest, largest cruise ships. Its enormous rear end stared bluntly back at them, as if daring them to comment.

Seven, eight, nine, ten storeys. Was this possible? From their perspective, it blocked out the city, blocked out the light, blocked out all thought of sense or reason or the appropriateness of things. They trailed along behind it, watching the wake it created avalanche slowly towards the rivas on both sides, tiny wave after tiny wave after tiny wave, and what in God's name was the thrust of that vast expanse of displaced water doing to those stones and to the centuries-old binding that kept them in place? Suddenly the air was unbreathable as a capricious gust blew the ship's exhaust down on them for a few seconds. And then the air was just as suddenly filled with the sweetness of springtime and buds and new leaves, fresh grass and nature's giggly joy at coming back for another show.

They could see, scores of metres above them, people lining the deck, turned like sunflowers to the beauty of the Piazza and the domes and the bell tower. A vaporetto appeared on the other side, coming towards them, and the people on the deck, no doubt Venetians, raised their fists and shook them at the passengers, but the tourists were looking the other way and failed to see the friendly natives. Brunetti thought of Captain Cook, dragged from the surf, killed, cooked, eaten by other friendly natives. 'Good,' he said under his breath.

Not far along the riva of the Zattere, Foa pulled the boat to the right, flipped it into reverse and then neutral to let it glide to a stop. He grabbed a mooring rope and jumped up on to the pavement, bent and tied a quick knot. He reached down and grabbed Brunetti's hand to steady him as he made the jump to the pavement.

'This is probably going to take some time,' Brunetti told the pilot. 'You might as well go back.'

But Foa wasn't paying attention: his eyes were on the stern of the ship as it made its slow progress towards the dock at San Basilio. 'I've read,' Brunetti began, speaking Veneziano, 'that no decision can be made about them until all the agencies agree.'

'I know,' Foa answered, his eyes still on the boat. 'Magistrato alle Acque, Regione, junta of the city, Port Authority, some ministry in Rome ...' He paused, still transfixed as the boat moved farther away, hardly diminishing in size. Then Foa's voice returned, and he named some of the men on these panels.

Brunetti knew many, though not all, of them. When Foa reached the names of three former city officials of the highest rank, he pounded on the pronunciation of each surname like a carpenter hammering the final nails into the lid of a coffin.

'I've never understood why they divided things up like that,' Brunetti said. Foa, after all, came from a family that had lived on and from the laguna: fishermen, fishmongers, sailors, pilots and mechanics for ACTV. They had everything except gills, the Foas did. If anyone were to understand the bureaucracy of the waters in and off which the city lived, it would be people like them.

Foa gave him the smile a teacher gives his dullest pupil: affectionate, poignant, superior. 'Do you think eight separate committees are ever going to reach a decision?'

Brunetti looked at the pilot as illumination came. 'And only a joint decision will stop the ships,' he said, a conclusion which caused Foa's smile to broaden.

'So they can consider and reconsider for ever,' the pilot said, in open admiration of the ingenuity of having divided the decision among so many separate governmental organizations. 'Getting their salaries, making inspection tours to other countries to see how things are done there, holding meetings to discuss projects and plans.' Then, mindful of a recent article in Il Gazzettino, 'Or hiring their wives and children as consultants.'

'And picking up small gifts that might fall from the table of the companies that own the ships?' Brunetti offered, though he knew as he spoke that this was not the sort of example he was meant to give to the uniformed branch.

Foa's smile warmed, but he said only, pointing along the narrow canal, 'Down there, just before the bridge. It's the green door.'

Brunetti waved his thanks for the ride and for the directions. A moment later he heard the motor spring to life, and when he turned he saw the police boat swinging out into the canal in a wide arc that would take it in the direction from which they had come.

Brunetti noticed that the pavement was wet, with large puddles against the walls of the buildings he passed. Curious, he walked back to the edge of the riva and looked down at the water, but it was more than half a metre below him. It was low tide, there was no acqua alta, and no rain had fallen for days, so the only way the water could have got there was by being washed up by a passing ship. And they were meant to believe, he and the other citizens the administration considered to be imbeciles, that these boats did no damage to the fabric of the city.

Weren't most of the men making these decisions Venetians? Hadn't they been born in the city? Weren't their children in the schools and university? They probably spoke Veneziano during their meetings.

He thought memory would return as he walked towards the library, but it all failed to become familiar to him. Nor could he recall whether the palazzo had been Merula's home when he lived in Venice: that was a job for the Archivio Storico, not the police, whose records did not go back a thousand years.

When Brunetti passed through the open green door, he told himself it looked familiar, though what it really looked like was any of the Renaissance courtyards in the city, complete with outside steps leading to the first floor and a metal-capped well. He was drawn to it by the beautifully preserved carving, still safe inside these walls. Fat pairs of angels supported a family crest he did not recognize. The wings of some of the angels were in need of attention, but the rest of the carving was intact. Fourteenth century, he'd guess, with a garland of carved flowers encircling the well just under the metal lid: he surprised himself by having a strong memory of that, if of little else he saw there.

He started towards the remembered staircase, its broad marble handrail interspersed with the carved heads of lions, each the size of a pineapple. He climbed the stairs, patting the heads of two of the lions. At the top of the first flight, he saw a door and beside it a new brass plaque: 'Biblioteca Merula'.

He stepped inside, into coolness. By this time in the afternoon, the day had grown clement and he had begun to regret wearing his woollen jacket, but now he felt the sweat drying across his back.

In the small reception area, a young man with a fashionable two-day beard sat behind a desk, a book open in front of him. He looked at Brunetti and smiled and, when he approached the desk, asked, 'May I help you?'

Brunetti took his warrant card from his wallet and showed it. 'Ah, of course,' the young man said. 'You want Dottoressa Fabbiani, Signore. She's upstairs.'

'Isn't this the library?' Brunetti asked, pointing to the door behind the young man.

'This is the modern collection. The rare books are upstairs. You have to go up another flight.' Seeing Brunetti's confusion, he said, 'Everything was changed around about ten years ago.' Then, with a smile, 'Long before my time.'

'And long after mine,' Brunetti said and returned to the staircase.

(Continues…)


Excerpted from "By its Cover"
by .
Copyright © 2014 Donna Leon and Diogenes Verlag AG, Zurich.
Excerpted by permission of Grove Atlantic, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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