Publishers Weekly
★ 10/17/2022
Botswanan writer Moeng’s lyrical and poignant debut delves into complex family dynamics. In “Botalaote,” Boikanyo, 12, no longer views her dying aunt as a relative, just a burden. Boikanyo meets a boy and escapes the drudgery of caretaking, though after her aunt’s death, her striking reflections on the proximity of her school to the cemetery make her realize the constant presence of death in her life. In “A Good Girl,” Keletso, nine, observes her mother and teenage sister’s wariness with each other as her sister vies for independence and spills a family secret. Keletso later moves to Gaborone, where her married brother lives, and remains the “good” one in his eyes, never revealing her relationships with men or her drinking. Here, Moeng adds to the stunning range of narrative styles, sliding into first-person plural to encapsulate the debaucherous activities of Keletso and her female roommates. She meets an artist, learns another secret, and comes to terms with her role as a repository for deceit. Twenty-something Phetso grieves her husband’s death in a car accident in “Small Wonders” and marvels at how nothing has changed for anyone else. She becomes a solitary observer, ignoring family and their desire for a ceremony to honor him and release her from her mourning after a year. The author brings insightful prose and a distinctive voice to these layered stories, demonstrating deep knowledge of her characters and care for their worlds. Moeng is a new force in the literary landscape. Agent: Julie Barer, Book Group. (Jan.)
From the Publisher
Praise for Call and Response
"All these stories reveal how women, family, and community intersect—each written with compassion and a deft hand.”
—Oprah Daily
"A good short story is a bit of alchemy, showing us so much in so few pages. Gothataone Moeng’s debut collection does this over and over, each story surprising with its music, its warmth, its command of language. Moeng writes of contemporary Africa, and if the settings and customs feel unfamiliar to Western readers, there’s something universal and true in these tales that grapple with family, faith, and how we make our way in the world."
—Rumaan Alam, New York Times bestselling author of Leave The World Behind
"Call and Response is a beautiful collection. What sharply observed vignettes—linked by striking figures, vivid details, a wry and ruminative mood, and deep insight into the vicissitudes of family life. They reminded me sometimes of the work of Anton Chekhov, sometimes that of Bessie Head: calm, wise, yet searching, restless, like a still pond bestirred by undercurrents, or in Moeng's lambent words, 'like a torchlight helpless over the vast velvet of night.'"
—Namwali Serpell, author of The Old Drift
"The debut of a major talent."
—Souvankham Thammavongsa, author of How to Pronounce Knife
"The publication of Call and Response is cause for celebration. Big-hearted and clear-eyed in their evocation of her beloved Botswana, these radiant stories contain the stuff of life: joys and sorrows, the wisdom of generations, the ceremonies of the everyday. A gorgeous, vital work of literature."
—Yoon Choi, author of Skinship
"It’s a terrific collection, deeply rooted in place, sharply observed, comic, fierce, with a fine sense of the tragedy and absurdity of life. I hope it attracts the wide readership it deserves."
—Monica Ali, author of Brick Lane and Love Marriage
"Call and Response is a necessary exploration of womanhood in the context of the countervailing forces of traditional values and modern norms. Moeng’s stories are rich, compassionate and compelling and sing about Botswana’s women in lyrical, evocative prose. This collection was a joy to read."
—Cherie Jones, author of How the One-Armed Sister Sweeps Her House
“In Gothataone Moeng’s precise, delightfully detailed collection, Call and Response: Stories, we witness the challenges women of all ages face in a modernizing postcolonial Botswana where elements from the old life still remain…Though the stories are unlinked, all of these women and their separate complexities feel intricately connected…Bolstered by her stirring prose, Moeng’s stories pulsate with life and accumulate to build a full, rich world.”
—The New York Times
"In a debut collection set in Botswana, a young widow, reluctant to discard her mourning clothes, expresses wonder at the outside world that continues despite her husband’s death a year prior. In another, a university student discovers her brother's affair, shattering her perception of him and their adopted city. But all these stories reveal how women, family, and community intersect—each written with compassion and a deft hand."
—Oprah Daily
"A lovely debut brimming with deeply felt and well-rounded stories."
— Kirkus Reviews (starred review)
"Botswanan writer Moeng’s lyrical and poignant debut delves into complex family dynamics… [Moeng] brings insightful prose and a distinctive voice to these layered stories, demonstrating deep knowledge of her characters and care for their worlds. Moeng is a new force in the literary landscape."
—Publishers Weekly (starred review)
"Moeng paints beautiful vignettes of modern Botswana, exposing readers to communities and traditions of her home country while exploring dichotomies and relational tensions familiar to all readers. Her beautiful, lyrical prose and memorable characters make this collection a delight to read."
—Booklist
"[Moeng] writes with lush, heartfelt intensity that illuminates contemporary Botswana for readers who value complex female characters navigating a rapidly changing world."
—Library Journal
"These brilliant stories are set in modern Botswana, but delve into age-old longings.
Moeng unfurls the luminous inner life of her characters (girls and women for the most part) as they go about their ordinary days, hearts and heads brimful of new wants and desires, but keenly aware of old traditions and family expectations."
—Daily Mail
"In Moeng's nine stories, so exceptionally written that sentences can shine and awe, the push-pull of the modern and traditional is a recurring theme, and her characters, mostly younger women, are caught in that psychologically turbulent, unforgiving space, their private and public lives splintered and feelings left raw…masterful."
—Star Tribune
"There’s something about the short story form that welcomes a celebration of mundanity and the everyday. These stories, set in Botswana, follow characters going about their lives: they fall in and out of love, navigate hookups, get into arguments with their spouses, and ponder how to take care of aging family members. The collection as a whole is quiet and deeply steeped in place. Most of the stories aren’t centered on major life-changing events, but instead illuminate the ins and outs of daily life."
—Book Riot
"These nine unhurried, fully realized tales may brim with their protagonists’ yearnings, familial rivalries, regrets and disappointments, but reading them is pure pleasure… Completely unforced and fascinating. Rich, thronging with life, Call and Response is a collection to be treasured."
—New Internationalist
“Although Moeng is young, her prose is mature – spare and subtle, with both universal and local appeal. Beautifully crafted, they somehow echo US author Elizabeth Strout’s stories. They pull the reader, seemingly effortlessly, into the intimacy of a character, focusing on details and everyday life which open onto wider issues.”
—The Africa Report
"These mouth-wateringly sensory, satisfyingly complex stories, set in rural and urban Botswana…. Not the glance or sharp epiphany in these stories but the long kiss, with the heart as totem, questions in their wake."
—Irish Times
Library Journal
12/01/2022
DEBUT Set in Botswana, this luminous collection of short stories plumbs the depths of women's interior lives, deftly juxtaposing the quotidian with the universal. These strong individuals juggle the desire to break free from traditional expectations with the realization that, for all their education and travels, the innate love of homeland remains undiminished. Sisters, mothers, daughters, and wives star in these vignettes at various moments in their lives, a rebellious teenager in one story unrecognizable as the disillusioned career professional in another. Moeng is hilariously matter-of-fact when describing a young couple's first sexual experience, completely devoid of romance, but later somberly addresses the scourge of HIV/AIDS without ever having to say its name. Though men are often peripheral to the action, the relationship between one little boy and his grandmother is beautifully captured in "Early Life and Education," a novella that follows Lerako through his formative years, the acquiring and losing of his Christian faith, and an intellectual awakening at university in Gaborone and London. VERDICT Moeng, a former Stegner Fellow at Stanford with an MFA from the University of Mississippi, writes with lush, heartfelt intensity that illuminates contemporary Botswana for readers who value complex female characters navigating a rapidly changing world.—Sally Bissell
Kirkus Reviews
★ 2022-11-16
A wide range of stories examine family and life in contemporary Botswana.
These stories—set mainly in the author’s hometown of Serowe and the Botswanan capital of Gaborone—illuminate the inner lives of girls and women of varying ages. Idiomatic phrases add texture to the prose, elegantly describing the characters' lives and their internal conflicts. In the opening story, “Botalaote,” Boikanyo tires of taking care of her sick aunt and creates emotional distance by calling her “the patient.” Like all young people, she seeks excitement and would rather, as she says, “eat my youth.” Boikanyo begins dating a boy called Sixteen who helps distract her from her responsibilities. Years later, when she tells her friends the story of her youth, she realizes that death was omnipresent. Her friends are most interested in the “juxtaposition of school and cemetery, [which were] side by side, and a hill cutting them off from the ward. It was as if they thought that, away from our parents, we kids fraternized with the dead.” With death comes the inevitable question of how to live, which many of the narrators of these stories grapple with. In “Small Wonders,” a widow frozen with grief can’t understand how the world hasn’t stopped since her husband’s death. She isolates herself and tries to delay the necessary final farewell ceremony. And in “A Good Girl,” a young woman who as a child strove to be well-mannered goes to university and lives in a way her family wouldn’t approve of as she searches for love. Of herself and her roommates she says, “We wanted love, oh, we wanted love, but we knew, we had been warned, that for girls like us, love was dangerous, a bright-burning flame, it would lick us alive.” Moreover, she recognizes the hypocritical expectations placed on her. Her brother flaunts his infidelity to his wife while she feels it’s necessary to hide her exploits.
A lovely debut brimming with deeply felt and well-rounded stories.
