Florida Georgia Line begins
Can't Say I Ain't Country -- their fourth album and the one following "Meant to Be," their record-smashing 2017 crossover hit duet with
Bebe Rexha -- with country comedian
Brother Jervel ranting about how
Tyler Hubbard is still country despite the fact that
Tyler Hubbard's got himself a Tesla.
Hubbard and his partner
Brian Kelley follow
Jervel's babble with "Can't Say I Ain't Country," which spins this sentiment into something funnier and hookier, not to mention a whole lot less defensive than the opening skit. Defensiveness doesn't suit the easy-rolling
Florida Georgia Line, not when they're the biggest thing in country music in 2019 -- so big, they're essentially pop stars. Ever since their debut,
FGL have courted that audience -- think of the
Nelly remix of "Cruise" -- but
Can't Say I Ain't Country finds the tables turning: now pop comes to the duo instead of the reverse.
Bebe Rexha may not be found here, but R&B crooner
Jason Derulo is, singing a valentine to "Women" -- no specific woman, they love them all -- a sign of how
Can't Say I Ain't Country trades upon a pancultural pop that could easily slide onto any play list you'd like. Despite this deliberate amorphous sound, there's a reason why
FGL front-loads
Can't Say I Ain't Country with a preemptive protest of their country roots, then peppers the album with odes to small towns and good old boys. Sometimes, this can cause a political dissonance; when they're palling around with
Jason Aldean, they brag that you "Can't Hide Red," but left to their own devices, they're sentimental saps, singing "this whole world would be a whole lot better place if we all just embrace the fact that people are different." Set this aside, and
Can't Say I Ain't Country is a successful blend of the cosmopolitan and country, sounding as assured on soulful slow jams and percolating crossover pop as it does on the breakneck twang of "Y'all Boys," a duet with their protege
HARDY. ~ Stephen Thomas Erlewine
