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Carrying Over: Poems from the Chinese, Urdu, Macedonian, Yiddish, and French African

Carrying Over: Poems from the Chinese, Urdu, Macedonian, Yiddish, and French African

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Carrying Over: Poems from the Chinese, Urdu, Macedonian, Yiddish, and French African

Paperback

$16.00

Paperback
$16.00

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Product Details

Product Details

ISBN-13:	9781556590177
Publisher:	Copper Canyon Press
Publication date:	10/01/1988
Pages:	128
Product dimensions:	5.60(w) x 9.00(h) x 0.40(d)

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Editorial Reviews

In this unusual collection, Pulitzer Prize-winner Kizer translates verse from several languages and juxtaposes works by known and less familiar writers with journals she kept while living in Pakistan. This is a book lush in its varieties of language and writing styles, and it is Kizer's deftness that controls the material, keeping the cultures discrete, while at the same time ensuring that they complement each other, that they ``carry over.'' For the most part, Kizer serves up the poems in ideal proportionshowever, her personal journal entries take up many pages in the middle section. While the diary observations are astute and her comments witty and candid, she includes information that is too intimate to be relevant to the book's intention. Also, there are only two Yiddish poemsmore of these and fewer of the Yugoslavian would balance the whole. Kizer sustains a sense of travel throughoutthe poetry is supple and the exoticism of each society is limpid, and memorable: ``No matter: this remains Lahore, / Oxcarts and tongas, as before, / Jingling along or lumbering back.'' (Nov.)

Publishers Weekly - Publisher's Weekly

World traveler, Pulitzer Prize-winning poet, and founder of Poetry Northwest , Kizer presents translations of hard-to-find international poets: e.g., Tu Fu (8th century A.D. China); Rachel Korn (contemporary Yiddish); M. Safdar Mir (Pakistan, translated from Urdu); Bogomil Gjuzel (Yugoslavia, translated from Macedonian); Edouard Maunick (French-African, from Madagascar); and Shu Ting (contemporary China). These carefully crafted translations are accompanied by an intimate prose journal of a trip to Pakistan (1969) and a poem of her own in tribute to Dennis Brutus, the exiled South African poet. In this mini-anthology, made of ``sharply individual voices, but togetheran orchestra,'' Kizer broadens our Western self-preoccupation with her urbane vision. Frank Allen, Allentown Coll., Center Valley, Pa.

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