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Product Details
| ISBN-13: | 9781504023375 |
|---|---|
| Publisher: | The Permanent Press (ORD) |
| Publication date: | 10/13/2015 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 231 |
| File size: | 332 KB |
About the Author
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Change of Partners
By David Margolis
The Permanent Press
Copyright © 1997 David MargolisAll rights reserved.
ISBN: 978-1-5040-2337-5
CHAPTER 1
Jack and Joan
Jack and Joan have reached the Big A-Frame. While Jack goes inside, Joan squats outside to urinate. As Jack puts a match to the kerosene lamp, a golden light slides past her and flattens itself on the shrubbery. Joan goes into the cabin and sits on their bed, letting the unlatched top of her overalls flop into her lap. Sunk into herself with fatigue, she hunches over her knees, staring at the floor.
Jack, his long leg hitched onto a chair, is pulling loose the laces of his boot. The unkept long hair of his head and beard cover him with a shadow, and the lamplight shines dully on his back.
This man and this woman love each other. In the five years they have been together they have, like facing mirrors, disclosed to one another everything inside themselves and everything they see. After five years, they are sometimes a little bored, and under this fraying patch of boredom we may see the littlest tip of their divorce show through.
The impending crisis is not completely mutual. Jack may suspect but Joan knows. What is for him vague dissatisfaction has in her blossomed into a specific ambition, and as she sits on the bed she is aware of a dim disappointment that Larry has moved his bed from the A-Frame loft into the meadow. Through the winter and spring, she has been excited, as if in a separate foreplay, to imagine him up there when Jack put his hands on her in the bed below. In the proper season she will have Larry too. With a sweetness like sleep she misses him lying naked and alone above her.
However, sexual unfaithfulness does not reveal the seed or explain the flower of the crisis between Jack and Joan. As they say themselves, "Monogamy is not one of our hang-ups."
Not that Joan enjoys it when Jack goes after teenyboppers, summer hitchhikers, traveling ladies of the commune circuit, friends, friends of friends, and the chicks down at River Rats. Behind her smile, she hates it when he moves in on each new female visitor, offering her a tour of the Farm and nailing her to a bed in one of the cabins. But she does not feel here the wild panic of their years in the city, when she would go off to her secretarial job in the morning and leave Jack, the law student, at home with a visiting friend of hers from New York. Then, all day, knowing the score, she would feel the steady panic as she typed. Once she threw up after lunch from the sick fear of it and then came home to reassure her friend that it was okay.
Because it was okay. She believed in it: It was the Revolution, the only way to overthrow the demonic jealousy machine, to smash the claw of possessiveness, to heal the wound of terrible needfulness. She would kill that fear in herself. She would be free.
It was true Revolution, she told her neo-Stalinist friends, shocked that they were shocked, because it led to love that excluded no one, to freedom without dependence or loneliness, making no man oppose another for possession, pitting no woman against her sister.
Because she was looking for love, she planned her adventures more carefully than Jack, who ran a kind of fast-food franchise of the flesh, offering a quick taco in the loins to the college girls and shopgirls, blondes and browns, youngs and lovelies who swarmed to him. She was more careful than that, needing a softer atmosphere, a veil of caring, frights and languors, the mysteries and explorations of the body, words of reassurance.
When she had her affairs, he seemed unhurt. She envied him, who was so good at either side, and wanted to be him, thinking it was some notion of manliness that made him require of himself this indifference to pain. But she was only partly correct. He did not worry about her men because he did not care for his women. But she was looking for love.
And sex too. Joan loved sex. There was nothing better than it, nothing she wouldn't put aside for it. Her tastes were simple — the ordinary apparatus of mouth, hand, and genitals in all their combinations. She loved these things and being filled up with them. In bed, she could approach an understanding of what was otherwise inaccessible: like Larry, who wasn't smart and didn't talk much, who was unimaginative and stolid, an American peasant type — she would know him; knowledge and love would grow the way a penis grows in the hand. Erectile tissue does not lie; so Joan believed.
In the golden lamplight, Jack tears at the fourth and fifth intersection of boot laces, switches feet on the chair, and begins to work on his other boot. He knows that something is wrong. He is used to her shifting moods, her sudden fears, the insistent scrabblings of the starved rat of her insecurity — and he is used to her strength. He is not looking at her, but he thinks she may say something; he is waiting for her. She is the only person in the world he will wait for this way, the only person in the world for whom he will step aside. She holds the keys to something he can no longer do without — her mere presence. He knows her, knows her moves, what to expect, can distance himself and continue his life. But he is beginning to be aware, though they have always agreed he is the strong one, that she controls him.
So they are poised at the brink — but not tonight. Tonight they will sleep. Another night she will face him, her dark eyes fierce, and say, "You want to move me but I won't do what you want."
"Babe," he will answer softly, eye and finger flicking toward her. "Babe, what do you want?"
"I don't want you to have any power over me," she will say. But he will not understand and will ask again, "But what do you want?" — not believing that what she wants is nothing, wants nothing more than anything. It will not be because of boredom or because of sexual adventuring: It will be for no reason except the cold logic of her whim and because she has learned from him not to bend. Like facing mirrors — but there will be nothing between them and no image will reflect in the glass.
But that is far away. Tonight they are both very tired. Jack hops on one foot to pull off the other boot. He slips out of his overalls and tee shirt while Joan scrambles out of her clothing and under the thin yellow blanket. Jack winds their little traveler alarm clock. In the morning, he will wake her, as he woke her this morning, and hurry ahead of her down to the house to get a fire going, allowing her an extra five minutes to snooze in bed, and then have the oatmeal ready and drive her to Dietrich's and be back at work when the sun climbs up behind Mount Hope to spread a late dawn across the valley.
CHAPTER 2Long Summer Day
Helene opened her eyes, reached into her boot for her glasses and put them on. Above her the sky stayed a gray porridge but behind Mount Hope a brightness was clearing its way. "I will wait for the sun," Helene whispered to herself. These were her first words of the day.
When the sun reached her sleeping bag, Helene rose naked, stretched, and looked around. Larry's bedsite was made up — he was already at work; Claudia and Will were not yet stirring under their tree. She draped her cotton shift over one shoulder and picked her way down past the garden to the house: a woman with a narrow back and thin breasts, naked and barefoot in sunlight, carrying her boots in one hand.
Helene was the last of the Farm founders. Three early springs before, six of them had come up from Berkeley together and camped on the land, deciding, then put down the first money and planted the first garden. All there was then was the rundown main house — four small, dark rooms — and one outbuilding — now the shop — and prime topsoil a foot deep. They cleaned up the house, gardened a quarter acre that first year, and built the Big A-Frame on the hillside beyond the meadow. Helene had been there for it all, working the garden and watching the carpentry carefully through her thick lenses.
Even that first summer, the land had welcomed others, too, strangers who became family and others who had moved on. In three years, five of the original six had gone elsewhere, and new people had come, but the fruit of the work remained and the basic law: the garden organic, the lifestyle purposely primitive, the land never to be sold again but only owned equally by those who lived on it, no matter what the legal papers said. No one who had given money ever asked for any of it back: It was communal land. Even before the narrow paths had been trodden permanently through the meadow grass, Helene had been there, carrying her notebook.
Seated in the house, she heard the muted thunking of Jack's hammer from the goat pen. She lingered, sipping sweet camomile tea; perhaps he would come in for coffee. She sat at the table facing the window to catch the sunlight on her breasts. When the camomile was finished, she reached again for her boots and dress and took them out to the parking lot to sit in her Studebaker.
The Studebaker was blue and had no wheels. It also lacked an engine, and Helene, whose "automobile" it was, used it now as an extra room. She slipped her dress on and sat in the front seat; she set her notebooks onto her lap. And while she wrote, voices assailed her, as worldly images rise up to torment the mystics.
"There are already too many books," Joan said. "What people need to do is stop reading books and look at their own lives." But didn't they have the responsibility, Helene argued back, to build a bridge that some others might be willing to risk once they saw people had crossed over and were waiting to help them?
"You clean up our act too much," Jack complained.
"Jack, don't you see? It isn't a matter of choosing one lifestyle or another. Let them live as they like, but let them opt out of the machine."
"But, Helene, we believe in sex and drugs," he intoned. Sam laughed.
"They have to chop down trees to print a book," Claudia reminded her.
Not so many.
"But it's uncommunal — you sit in your car alone and do something not productive for the Farm."
"But a book can make money, a book could buy us the piece of land next door, a book could —"
Larry said, "I wouldn't want people coming in off the road because they read about us. Communes get ruined that way."
"I'll change everything that could identify us. Books are good," she cried at last, beseeching them. Last night she had thrown the I Ching coins on the floor of the sauna cabin. They said, It furthers one to cross the great water. Good fortune. The voices of books that had helped her said, Go on, and finally the sharp scissors of her need to agree with the others broke against the rock of her own will. She wanted to. And so she worked, in the sauna cabin in the rainy season and in the Studebaker in the dry season, writing her history of the Farm.
When she put aside her pencil, feeling she had worked long enough and well, she rewarded herself with a caramel from the candy stash she kept in the glove compartment. Sugar was prohibited at the Farm. From the money her father sent her, she bought sweets and passed the rest on to the communal bank account; she did not bring the candy into the house. "But Helene," Sam protested, "that's like keeping kosher at home and eating spare ribs out." Yes, she nodded against his voice, that's what I want to do. That's what I need. That's what is right for me.
Helene did unconventional things. For example, she danced. In the house or next to the woodshed she stripped naked, put on a record or warbled her own accompaniment, and danced with deliberation, each gesture ending with a flinging of wrist or ankle. Her face bragged to the sky she was a prima donna; her bony hips, her breasts and buttocks wobbled as she danced.
She also screamed. At first, in the spring, she screamed in the sauna cabin, but Sam threatened to kill her so seriously that she found a spot in the woods. She sat on a log with wood beetles in it and screamed. She thought about St. Francis. She thought about St. Teresa. She thought Jack objected to her planting a decorative row of calliopsis around the woodshed. Were decorative flowers a waste of time? Did Jack really object? What is having a vocation? How can the mind be emptied? The screams soared across the quiet Farm, requiring the others to explain, to themselves or visitors, "That's just Helene, it's okay." For two weeks she stopped wearing her thick glasses and groped like an owl in daylight. She gave up sex. A woman of twenty-four, with an earnest, birdlike face, wearing thick glasses, a cotton shift without underpants, and boots, she sat in her Studebaker, eating caramels and writing, the Farm's link with the past.
As she looked through the car windows at the trees swaying luminously in the sunlit air, the fragile tail of music from Will's flute drifted to her, counterpoint to the rhythmic sound of Jack's hammer. We need a meeting, she thought. That's why I hear their voices in my head — we need to speak aloud to one another.
For moments like this, when her mind filled with ideas or sentiments not strictly useful to her history, Helene kept a second notebook. She opened it now and wrote:
I have no evidence but my feelings.
Helene loved Jack. She believed their union was fated, programmed into the universe like the attraction of atomic particles. She knew she might be deluded about this; she preferred the word faithful. What, after all, is great faith except the daring of delusion?
She had become celibate in order to be faithful to Jack; it was a part of her painful service that she wait alone and in silence. Waiting without consolation was the only way she could bear the pain of the waiting; to share it would have made it mere gossip, and so she told no one why she waited.
She knew Jack didn't love her now, but she believed he would. She closed the second notebook on her lap, replaced it in the glove compartment with the first, stepped out of the automobile, lifted her dress off over her head, and walked naked in boots back to the house.
She stood in the middle of the kitchen, facing him as he came in. "Helene," he said like a complete sentence of greeting. The fire was out. She watched him as he pushed new kindling in, flicked a match into the firebox, with his free hand slid the coffee pot onto the heat, blowing into the fire to insure it. The paper and twigs caught, making a quick orange glow behind his face. He added two sticks of wood, tested the stove top with his fingers, and slid into a seat behind the table, pulling the tobacco can across to him.
"G'morning, Jack," she said at last. His eyes moved quickly over her breasts and belly, and then he rolled one, scattering crumbs in the quilting of sunlight on the table. "Joan went to Dietrich?" she asked.
"Uh-huh." He lit the cigarette, shutting one eye against the curl of smoke.
Helene sat down across the table from him. "She's been gone a lot lately," she said.
He looked for a moment at Helene's face and the skin stretched tight over her collarbones. He leaned over to tap the stovetop again. Restraining her impulse to bring him his coffee, Helene watched him slide out from behind the table to fetch a mug. She had half trained herself to silence for him, but she would not serve him. He poured the coffee, and she waited still another moment. "I want to call a meeting," she announced to him. There was a pause.
Then he nodded, and she knew she had been asking his permission. He snicked a jot of tobacco off his tongue. "Anything in particular?"
She shrugged. "Everything is scattered now. We're not together." She wanted to say more, feeling in the quiet his power over her. "Do you feel that too?" she said at last.
He raised an eyebrow and sucked in smoke. "Well," he said, "some of the systems don't seem to be working right now."
"That's right," she agreed.
He let the smoke out and swallowed coffee. "Put up a notice," he told her. "We'll be there." And then he fell silent, attending to the cylinder of tobacco, the dark liquid.
(Continues...)
Excerpted from Change of Partners by David Margolis. Copyright © 1997 David Margolis. Excerpted by permission of The Permanent Press.
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