Chiaroscuro als ästhetisches Prinzip: Kunst und Theorie des Helldunkels 1300-1550

In the Italian theory and practice of art of the Renaissance, the term chiaroscuro primarily refers to the articulation of sculptural qualities, i.e. depth or rilievo. In this context, rilievo refers to an innovative design principle, which replaces the inherent value of medieval chromatic shading with achromatic shades. By contrast, paintings and graphic art in the northern Alpine region tended to create the depth in the surface of objects by using light-dark effects. Based on this comparison, the book deals with chiaroscuro as an aesthetic principle, which should be understood as the key signature of European art history as a whole between 1300 and 1600.

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Chiaroscuro als ästhetisches Prinzip: Kunst und Theorie des Helldunkels 1300-1550

In the Italian theory and practice of art of the Renaissance, the term chiaroscuro primarily refers to the articulation of sculptural qualities, i.e. depth or rilievo. In this context, rilievo refers to an innovative design principle, which replaces the inherent value of medieval chromatic shading with achromatic shades. By contrast, paintings and graphic art in the northern Alpine region tended to create the depth in the surface of objects by using light-dark effects. Based on this comparison, the book deals with chiaroscuro as an aesthetic principle, which should be understood as the key signature of European art history as a whole between 1300 and 1600.

80.99 In Stock
Chiaroscuro als ästhetisches Prinzip: Kunst und Theorie des Helldunkels 1300-1550

Chiaroscuro als ästhetisches Prinzip: Kunst und Theorie des Helldunkels 1300-1550

Chiaroscuro als ästhetisches Prinzip: Kunst und Theorie des Helldunkels 1300-1550

Chiaroscuro als ästhetisches Prinzip: Kunst und Theorie des Helldunkels 1300-1550

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Overview

In the Italian theory and practice of art of the Renaissance, the term chiaroscuro primarily refers to the articulation of sculptural qualities, i.e. depth or rilievo. In this context, rilievo refers to an innovative design principle, which replaces the inherent value of medieval chromatic shading with achromatic shades. By contrast, paintings and graphic art in the northern Alpine region tended to create the depth in the surface of objects by using light-dark effects. Based on this comparison, the book deals with chiaroscuro as an aesthetic principle, which should be understood as the key signature of European art history as a whole between 1300 and 1600.


Product Details

ISBN-13: 9783110547122
Publisher: De Gruyter
Publication date: 09/10/2018
Sold by: Barnes & Noble
Format: eBook
Pages: 426
File size: 175 MB
Note: This product may take a few minutes to download.
Age Range: 18 Years
Language: German

About the Author

Norberto Gramaccini, Claudia Lehmann, Johannes Rößler und Thomas Dittelbach, Universität Bern.


Norberto Gramaccini, Claudia Lehmann, Johannes Rößler and Thomas Dittelbach, University of Bern

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