Horn Book
[A] gentle, folksy short novel of life on the farm . . . Semolina steals the show.
School Library Journal
Gr 3-5- Much of the tension in this charming, witty chapter book centers around the question of whether Josh's pet hen, Semolina, really does talk. After all, she talks to Josh and to Josh alone. This wouldn't be such a problem if Semolina didn't have such important information to impart concerning a fox who has formed a gang to extort protection money (in the form of eggs) from the hens in the number three shed-dozens of eggs a day. This is a loss the Miller family can ill afford, what with Elizabeth confined to the hospital for three months awaiting the birth of a new baby. As Tucker tells his son, "Your mom and I are not good layers, and that's the truth of it." Then there's the added complication that cranky, opinionated Semolina has developed a taste for Grandma's home brew and refuses to divulge what she knows unless she's paid off in "brown water." Tucker is as unable to believe in a tippling hen as a loquacious one and disconcertingly seems to suspect Josh of sampling the liquor. Grandma just plain dislikes the hen. It all comes to a head when Semolina is attacked and carried off by the fox. Family and friends rally round and Josh is able to appreciate how loved and supported he has been all along. Elliott's personality-laden pencil illustrations extend readers' sense of Cowley's characters. The image of Tucker, scratching his head as he tries to negotiate the tricky emotional ground between sympathy for Josh and respect for prickly Grandma, speaks volumes. Original, well-crafted, and touching, Cowley's story begs to be read aloud-over and over again.-Miriam Lang Budin, Chappaqua Public Library, NY
Kirkus Reviews
Channeling Dick King-Smith, Cowley offers a warmhearted tale set on a chicken farm featuring a lad with a feathered confidante that talks-though only to him. In the double-stranded plot, Josh's mother is abruptly off to the hospital to prevent another miscarriage, while back on the farm eggs are disappearing. Josh's hen Semolina fearfully tells him that there's a fox on the prowl, but Josh can't convince his distracted dad. Then Semolina disappears, leaving blood and scattered feathers. Though the humans in the cast display individual quirks and feelings, it's Semolina, temperamental and occasionally poetic-"Sun egg or moon egg, fast time or slow time, foxes hunt chickens with big sharp teeth"-who's the most vividly drawn character here. Elliot provides an aerial view of the farm, plus a spare selection of spot art. Tucking in just the right number of subplots, the author builds to a climax infused with the sense of the miraculous, leverages happy endings all around (except for the fox) and closes with a twist. Not a standout, but expertly done. (Fantasy. 9-11)