Cilka's Journey

by Heather Morris

Overview

From the author of the multi-million copy bestseller The Tattooist of Auschwitz comes a new novel based on a riveting true story of love and resilience.

Her beauty saved her — and condemned her.

Cilka is just sixteen years old when she is taken to Auschwitz-Birkenau Concentration Camp in 1942, where the commandant immediately notices how beautiful she is. Forcibly separated from the other women prisoners, Cilka learns quickly that power, even unwillingly taken, equals survival.

When the war is over and the camp is liberated, freedom is not granted to Cilka: She is charged as a collaborator for sleeping with the enemy and sent to a Siberian prison camp. But did she really have a choice? And where do the lines of morality lie for Cilka, who was send to Auschwitz when she was still a child?

In Siberia, Cilka faces challenges both new and horribly familiar, including the unwanted attention of the guards. But when she meets a kind female doctor, Cilka is taken under her wing and begins to tend to the ill in the camp, struggling to care for them under brutal conditions.

Confronting death and terror daily, Cilka discovers a strength she never knew she had. And when she begins to tentatively form bonds and relationships in this harsh, new reality, Cilka finds that despite everything that has happened to her, there is room in her heart for love.

From child to woman, from woman to healer, Cilka's journey illuminates the resilience of the human spirit—and the will we have to survive.

Product Details

ISBN-13:	9781643583808
Publisher:	Center Point
Publication date:	11/01/2019
Edition description:	Large Print
Pages:	500
Product dimensions:	5.50(w) x 8.60(h) x 1.00(d)

About the Author

HEATHER MORRIS is a native of New Zealand, now resident in Australia. For several years, while working in a large public hospital in Melbourne, she studied and wrote screenplays, one of which was optioned by an Academy Award-winning screenwriter in the US. In 2003, Heather was introduced to an elderly gentleman who ‘might just have a story worth telling’. The day she met Lale Sokolov changed both their lives. Their friendship grew and Lale embarked on a journey of self-scrutiny, entrusting the innermost details of his life during the Holocaust to her. Heather originally wrote Lale’s story as a screenplay – which ranked high in international competitions – before reshaping it into her debut novel, The Tattooist of Auschwitz.

Reading Group Guide

Her beauty saved her — and condemned her.

Cilka is just sixteen years old when she is taken to Auschwitz-Birkenau Concentration Camp in 1942, where the commandant immediately notices how beautiful she is. Forcibly separated from the other women prisoners, Cilka learns quickly that power, even unwillingly taken, equals survival.

When the war is over and the camp is liberated, freedom is not granted to Cilka: She is charged as a collaborator for sleeping with the enemy and sent to a Siberian prison camp. But did she really have a choice? And where do the lines of morality lie for Cilka, who was send to Auschwitz when she was still a child?

In Siberia, Cilka faces challenges both new and horribly familiar, including the unwanted attention of the guards. But when she meets a kind female doctor, Cilka is taken under her wing and begins to tend to the ill in the camp, struggling to care for them under brutal conditions.

Confronting death and terror daily, Cilka discovers a strength she never knew she had. And when she begins to tentatively form bonds and relationships in this harsh, new reality, Cilka finds that despite everything that has happened to her, there is room in her heart for love.

From child to woman, from woman to healer, Cilka's journey illuminates the resilience of the human spirit—and the will we have to survive.

1. After reading the author’s note about her conversation with Lale Sokolov, the Tattooist of Auschwitz, did knowing that Cilka’s story is based on a real person change your reading experience? Does the author weave fact and realistic fiction into the story effectively? In what ways?

2. What drew you to this time period and novel? What can humanity still learn from this historical space—from the front lines of an infamous concentration camp to the brutal Russian Gulags? How was this story unique in its voice and characters?

3. Is Cilka’s prison sentence in Vorkuta as punishment for “sleeping with the enemy” in the concentration camp cruel? Was she forced into this role in order to survive as a mere sixteen-year-old girl? How might Cilka’s outward behavior compare to her inner intentions?

4. “What you are doing, Cilka, is the only form of resistance you have—staying alive. You are the bravest person I have ever known, I hope you know that.” (Chapter 32) Is Lale right? Is Cilka brave, and were her acts of resistance the best course of action she had? What does Cilka feel guilty about or complicit in? How is she suffering because of it?

5. Could you imagine having the fortitude to survive one death sentence and then another? How do these two hells—the camp and the prison—compare? Were your perceptions challenged or expanded on what life in the Gulag was like after reading this book? In what ways?

6. What strategies does Cilka use to survive? Which ones does she teach the others, including Josie? How could her body be her ticket? What does she sacrifice in giving of her body but not her mind?

7. “Another number. Cilka subconsciously rubs her left arm; hidden under her clothing is her identity from that other place. How many times can one person be reduced, erased?” (Chapter 3) How would you answer Cilka here? What inner fire allows Cilka to live? How does she endure with so much death and suffering around her?

8. Does Cilka assume a protective role for the women in her hut? For her block at the camp? In what ways is Cilka a target for their rage and a focus for their hopes for life beyond the fencing? How does she help the women survive the toughest parts of their sentences (the rapes, work, injuries, separation)?

9. How do the women form a sisterhood or join in solidarity? Do you believe there is something universal about what they do? From snowy rescues to smuggled food—even Elena’s self-inflicted burn in order to get a message to Cilka—how do the women look out for one another? How is this essential for their survival?

10. Why do the women invest their time and scarce energies into “beautifying” the hut with their meager resources? What does this tell us about the human spirit?

11. How does Yelena help and advocate for Cilka? What chances and tests is Cilka given because of Yelena’s attentions? How does Cilka repay her faith and kindness? Also, why do you think Yelena would choose to serve in such a brutal place?

12. She doesn’t dare hope that she has broken her curse. That she could have a role in helping new life come into the world, rather than overseeing death.” (Chapter 12) In what ways is Cilka’s time served in the maternity ward a turning point? How does she intervene with her patients and make a difference? How does she put herself at risk?

13. Discuss Josie’s desperation regarding her baby Natia’s fate, and what lies ahead for them both after the two-year mark? How does Cilka ensure her safe transfer? What does Natia’s presence stir up for the others in the hut?

14. How would you describe a mother’s love? How does it manifest in the book?

15. How does Cilka find her calling with her ambulance work? How did she spur others to be their best selves? On the other hand, what sexist abuse did she face while performing such technical and important work?

16. Why does Cilka reject the comfort of the nurses’ quarters at first? In what ways is she seeking forgiveness?

17. How are Cilka and Alexandr joined together? How does she administer to him and what new hope does he offer for her future? What risks? Were you surprised by their reunion on the train platform?

18. The main oppressors in this novel are men—from the commanders and guards to her fellow prisoners—and their sense of menacing entitlement and acts of rape and cruelty shape the novel. Have things changed for women in times of both war and peace when it comes to their bodies and defining their own destinies? What can society do about it?

19. Why does Cilka ultimately tell her hut-mates about her experiences and actions at Auschwitz? How does she know the time is right?

20. Why are women’s voices of wartime so important to unearth and tell? What could be lost when they are unreported or underreported?

Editorial Reviews

Praise for The Tattooist of Auschwitz:

“Based on a true story, the wrenching yet riveting tale of Lale’s determination to survive the camp with Gita is a moving testament to the power of kindness, ingenuity, and hope.” —People

“The Tattooist of Auschwitz is the story of hope and survival against incredible odds and the power of love.” —PopSugar

“The Tattooist of Auschwitz is an extraordinary document..I find it hard to imagine anyone who would not be drawn in, confronted and moved. I would recommend it unreservedly to anyone, whether they’d read a hundred Holocaust stories or none.” —Graeme Simsion, internationally-bestselling author of The Rosie Project

From the Publisher

Narrator Louise Brealey impressively conveys the horror in this controversial sequel to THE TATTOOIST OF AUSCHWITZ. The novel’s fictionalization of a real person, particularly scenes involving sexual enslavement, is being viewed by some as unethical. The story focuses on Cecilia “Cilka” Klein. After surviving many years at Auschwitz-Birkenau, Cilka is sentenced to 16 years in a Siberian gulag for collaborating with the Nazis. Listeners will be horrified on behalf of Cilka and her barracks mates as they endure unimaginable mistreatment but will also feel hopeful when they help each other physically and emotionally. Brealey excels with the many accents and diverse personalities of the prisoners, their relationships, and the demands of their heartless captors. The repetitious and overly graphic descriptions of injuries and Cilka’s unrealistic medical skills are somewhat ameliorated by Brealey’s measured delivery. S.G.B. 2020 Audies Finalist © AudioFile 2019, Portland, Maine

DECEMBER 2019 - AudioFile

2019-10-28
In this follow-up to the widely read The Tattooist of Auschwitz (2018), a young concentration camp survivor is sentenced to 15 years' hard labor in a Russian gulag.

The novel begins with the liberation of Auschwitz by Soviet troops in 1945. In the camp, 16-year-old Cecilia "Cilka" Klein—one of the Jewish prisoners introduced in Tattooist—was forced to become the mistress of two Nazi commandants. The Russians accuse her of collaborating—they also think she might be a spy—and send her to the Vorkuta Gulag in Siberia. There, another nightmarish scenario unfolds: Cilka, now 18, and the other women in her hut are routinely raped at night by criminal-class prisoners with special "privileges"; by day, the near-starving women haul coal from the local mines in frigid weather. The narrative is intercut with Cilka's grim memories of Auschwitz as well as her happier recollections of life with her parents and sister before the war. At Vorkuta, her lot improves when she starts work as a nurse trainee at the camp hospital under the supervision of a sympathetic woman doctor who tries to protect her. Cilka also begins to feel the stirrings of romantic love for Alexandr, a fellow prisoner. Though believing she is cursed, Cilka shows great courage and fortitude throughout: Indeed, her ability to endure trauma—as well her heroism in ministering to the sick and wounded—almost defies credulity. The novel is ostensibly based on a true story, but a central element in the book—Cilka's sexual relationship with the SS officers—has been challenged by the Auschwitz Memorial Research Center and by the real Cilka's stepson, who says it is false. As in Tattooist, the writing itself is workmanlike at best and often overwrought.

Though gripping, even moving at times, the novel doesn't do justice to the solemn history from which it is drawn.

Kirkus Reviews