Cinderella

by Chloe Perkins, Sandra Equihua (Illustrator)

Overview

The classic story of Cinderella gets a fresh twist in this vibrant Mexican spin on the beloved fairy tale!

Once upon a time, there was a girl who lived in a little cottage with her stepmother and two stepsisters...

The classic tale of Cinderella gets a fresh twist in this debut title of a brand-new board book series, Once Upon a World. With Mexico as the backdrop, and vibrant artwork from Mexican illustrator Sandra Equihua, Cinderella is still the same girl with a fairy godmother and a glass slipper—but she’s totally reimagined. Once Upon a World offers a multicultural take on the fairy tales we all know and love. Because these tales are for everyone, everywhere.

Product Details

ISBN-13:	9781481479158
Publisher:	Little Simon
Publication date:	09/13/2016
Series:	Once Upon a World
Pages:	24
Sales rank:	259,799
Product dimensions:	6.40(w) x 7.00(h) x 0.50(d)
Lexile:	AD680L (what's this?)
Age Range:	2 - 4 Years

About the Author

Chloe Perkins is the editor and author of a few dozen books for children. She lives in New York City, with her husband, Rico, and their corgi puppy/sometimes shark, Marius. Growing up in a small town in Ohio, Chloe always dreamed of writing stories that could take kids on their own reading adventures, and she’s thrilled to be doing just that!

Sandra Equihua is an illustrator, painter, and animated character designer. She was born and raised in Tijuana, Mexico. Her illustration clients have included Sony Pictures, McGraw Hill, WEA, Disney, WB, Nickelodeon, and the California State Fair. Her paintings have been exhibited in various galleries both in Mexico and the US. Equihua won an Emmy Award for her character designs on El Tigre: The Adventures of Manny Rivera (Nickelodeon), the highly-acclaimed animated television series she cocreated with her long-time collaborator and husband, Jorge R. Gutierrez. She also won an Annie Award for her character designs on The Book of Life (Dreamworks).

Editorial Reviews

08/22/2016
In one of two board books kicking off the Once Upon a World series, Perkins transplants the story of Cinderella to Mexico, though in only the most superficial of ways. Mexican illustrator Equihua embraces the setting in her digital cartoons, from the tiled floor of Cinderella’s home to the layered white gown she wears to the ball. But with no real attempt made to integrate Mexican life into the retelling (not a word of Spanish is used, and the ball is thrown by the king, despite the nation’s brief history with monarchy), the overall effect is that of cultural window-dressing. Snow White, set in Japan, is available simultaneously. Ages 2–4. (Sept.)

Publishers Weekly

12/01/2016
K-Gr 2—In these board books, standard fairy tales are simply and traditionally retold and splendidly paired with multicultural illustrations, lending a new flair to the old stories. Cinderella is set in Mexico. The folk art—style images are bursting with color, as Cinderella attends the ball (fiesta) and meets her prince. Snow White is set in Japan, with a princess (wearing a kimono) who lives in a castle (a pagoda). The artwork, with its heavy use of black, reinforces the dark tone of the fairy tale. In both entries, the familiar and pleasing ending of "happily ever after" is emphasized with bold print. These editions are clearly for older audiences rather than for typical board book readers, but fairy-tale lovers are not likely to mind. VERDICT These traditional retellings of classic fairy tales with a multicultural visual twist will appeal to new and old fans of the stories.—Ramarie Beaver, Plano Public Library System, TX

School Library Journal

2016-10-12
A retelling of the classic fairy tale in board-book format and with a Mexican setting.Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a "FIESTA" in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be "done away with," the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves' house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it's still beyond the board-book audience, and the illustrations deserve full-size books. A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Kirkus Reviews