Colin

Colin

by E. F. Benson
Colin

Colin

by E. F. Benson

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Overview

From the acclaimed author of Mapp and Lucia comes the gothic tale of a cursed aristocratic family and two brothers vying to claim its dark legacy.

On a visit to the Sussex town of Rye, Queen Elizabeth I found herself captivated—and soon seduced—by a penniless young shepherd named Colin Stanier. According to family legend, their encounter was orchestrated by the devil himself. Colin had made a Faustian bargain to win success in all of life’s endeavors; a bargain that would be kept in the family by generations of eldest sons, so long as they maintain the Satanic covenant.
 
Centuries later, Raymond Stanier is the rightful inheritor of the family mansion and fortune. But his younger twin brother, Colin, who bears a striking resemblance to the portrait of his namesake, is willing to lie, seduce, and perhaps even kill to take the family seat for himself.
 
This saga of ambition, evil, and sensuality moves between generations and across the world from Rye to London, Naples, and Capri. “A story of greed and treachery, sibling rivalry, simmering passions and strange desires, Colin is compulsive reading” (Peter Burton).
 
This ebook has been professionally proofread to ensure accuracy and readability on all devices.
 

Product Details

ISBN-13: 9781504058940
Publisher: Open Road Media
Publication date: 09/24/2019
Sold by: Barnes & Noble
Format: eBook
Pages: 334
Sales rank: 133,584
File size: 3 MB

About the Author

Edward Frederic Benson (1867–1940) was an English novelist, biographer, memoirist, archaeologist, and short story writer. Benson was the son of the Archbishop of Canterbury and member of a distinguished and eccentric family. After attending Marlborough and King’s College, Cambridge, where he studied classics and archaeology, he worked at the British School of Archaeology in Athens. A great humorist, he achieved success at an early age with his first novel, Dodo (1893). Benson was a prolific author, writing over one hundred books including serious novels, ghost stories, plays, and biographies. But he is best remembered for his Lucia and Mapp comedies written between 1920 and 1939 and other comic novels such as Paying Guests and Mrs Ames. Benson served as mayor of Rye, the Sussex town that provided the model for his fictional Tilling, from 1934 to 1937.
 
Edward Frederic Benson (1867–1940) was an English novelist, biographer, memoirist, archaeologist, and short story writer. Benson was the son of the Archbishop of Canterbury and member of a distinguished and eccentric family. After attending Marlborough and King’s College, Cambridge, where he studied classics and archaeology, he worked at the British School of Archaeology in Athens. A great humorist, he achieved success at an early age with his first novel, Dodo(1893). Benson was a prolific author, writing over one hundred books including serious novels, ghost stories, plays, and biographies. But he is best remembered for his Lucia and Mapp comedies written between 1920 and 1939 and other comic novels such as Paying Guests and Mrs Ames. Benson served as mayor of Rye, the Sussex town that provided the model for his fictional Tilling, from 1934 to 1937.
 

Read an Excerpt

CHAPTER 1

Neither superstition nor spiritual aspiration signified anything particular to the Staniers, and for many generations now they had been accustomed to regard their rather sinister family legend with cynical complacency. Age had stolen the strength from it, as from some long-cellared wine, and in the Victorian era they would, to take their collective voice, have denied that, either drunk or sober, they believed it. But it was vaguely pleasant to have so antique a guarantee that they would be so sumptuously looked after in this world, while as for the next ...

The legend dated from the time of Elizabeth, and was closely connected with the rise of the family into the preeminent splendour which it had enjoyed ever since. The Queen, in one of her regal journeys through her realm (during which she slept in so incredible a number of beds), visited the affiliated Cinque Port of Rye, and, after taking dinner with the mayor, was riding down one of the steep, cobbled ways when her horse stumbled and came down on its knees She would certainly have had a cruel fall if a young man had not sprung forward from the crowd and caught her before her Grace's head was dashed against the stones. He set her on her feet, swiftly releasing the virgin's bosom from his rough embrace, and, kneeling, kissed the hem of her skirt.

The Queen bade him rise, and, as she looked at him, made some Elizabethan ejaculation of appreciative amazement — a 'zounds,' or a 'gadzooks,' or something.

There stood Colin Stanier in the full blossom of his twenty summers, ruddy as David and blue-eyed as the sea. His cap had fallen off, and he must needs toss back his head to free his face from the tumble of his yellow hair. His athletic effort to save her Grace had given him a moment's quickened breath, and his parted lips showed the double circle of his white teeth.

But, most of all, did his eyes capture the fancy of his Sovereign; they looked at her, so she thought, with the due appreciation of her majesty, but in their humility there was mingled something both gay and bold, and she loved that any man, young or old, high or humble, should look at her thus.

She spoke a word of thanks, and bade him wait on her next day at the Manor of Brede, where she was to lie that night. Then, motioning her courtiers aside with a testy gesture, she asked him a question or two while a fresh horse was being caparisoned and brought for her, and allowed none other but Colin to help her to mount....

It was thought to be significant that at supper that night the virgin sighed, and made her famous remark to my Lord of Essex that she wished sometimes that she was a milkmaid.

Colin Stanier's father was a man of some small substance, owning a little juicy land that was fine grazing for cattle, and the boy worked on the farm. He had some strange, magical power over the beasts; a savage dog would slaver and fawn on him, a vicious horse sheathed its violence at his touch, and, in especial at this season of lambing-time, he wrought wonders of midwifery on the ewes and of nursing on the lambs. This authoritative deftness sprang from no kindly love of animals; cleverness and contempt, with a dash of pity, was all he worked with, and this evening, after the Queen had passed on, it was reluctantly enough that he went down to the low-lying fields where his father's sheep were in pregnancy. The old man himself, as Colin ascertained, had taken the excuse of her Grace's visit to get more than usually intoxicated, and the boy guessed that he himself would be alone half the night with his lantern and his ministries among the ewes.

So, indeed, it proved, and the moon had sunk an hour after midnight, when he entered the shed in the lambing-field to take his bite of supper and get a few hours' sleep. He crunched his crusty bread and bacon in his strong teeth, he had a draught of beer, and, wrapping himself in his cloak, lay down. He believed (on the evidence of his memoirs) that he then went to sleep.

Up to this point the story is likely enough; a pedant might unsniffingly accept it. But then there occurred (or is said to have occurred) the event which forms the basis of the Stanier legend, and it will certainly be rejected, in spite of a certain scrap of parchment still extant and of the three centuries of sequel, by all sensible and twentieth-century minds.

For, according to the legend, Colin woke and found himself no longer alone in the shed; there was standing by him a finely-dressed fellow who smiled on him. It was still as dark as the pit outside — no faintest ray of approaching dawn yet streaked the eastern sky, yet for all that Colin could see his inexplicable visitor quite plainly.

The stranger briefly introduced himself as his Satanic majesty, and, according to his usual pleasant custom, offered the boy all that he could wish for in life — health and beauty (and, indeed, these were his already) and wealth, honour, and affluence, which at present were sadly lacking — on the sole condition that at his death his soul was to belong to his benefactor. The bargain — this was the unusual feature in the Stanier legend — was to hold good for all his direct descendants who, unless they definitely renounced the contract on their own behalf, would be partakers in these benefits and debtors in the other small matter.

For his part, Colin had no sort of hesitation in accepting so tempting an offer, and Satan thereupon produced for his perusal (he was able to read) a slip of parchment on which the conditions were firmly and plainly stated A scratch with his knife on the forearm supplied the ink for the signature, and Satan provided him with a pen. He was bidden to keep the document as a guarantee of the good faith of his bargainer; the red cloak flashed for a moment in front of his eyes, dazzling him, and he staggered and fell back on the heap of straw from which he had just risen.

The darkness was thick and impenetrable round him, but at the moment a distant flash of lightning blinked in through the open door, showing him that the shed was empty again. Outside, save for the drowsy answer of the thunder, all was quiet, but in his hand certainly was a slip of parchment.

The same, so runs the legend, is reproduced in the magnificent Holbein of the young man which hangs now above the mantelpiece in the hall of Stanier. Colin Stanier, first Earl of Yardley, looking hardly older than he did on this momentous night, stands there in Garter robes with this little document in his hand. The original parchment, so the loquacious housekeeper points out to the visitors who to-day go over the house on the afternoons when it is open to the public, is let into the frame of the same portrait.

Certainly there is such a piece of parchment there, just below the title of the picture, but the ink has so faded that it is impossible to decipher more than a word or two of it. The word 'diabolus' must be more conjectured than seen, and the ingenious profess to decipher the words 'quodcunque divitiarum, pulchritud' ... so that it would seem that Colin the shepherd-boy, if he signed it, must have perused and understood Latin.

This in itself is so excessively improbable that the whole business may be discredited from first to last. But there is no doubt whatever that Colin Stanier did some time sign a Latin document (for his name in ink, now brown, is perfectly legible) which has perished in the corroding years, whether he understood it or not, and there seems no doubt about the date in the bottom left-hand corner....

The constructive reader will by this time have got ready his interpretation about the whole cock-and-bull story, and a very sensible one it is. The legend is surely what mythologists call ætiological. There was — he can see it — an old strip of parchment signed by Colin Stanier, and this, in view of the incredible prosperity of the family, coupled with the almost incredible history of their dark deeds, would be quite sufficient to give rise to the legend. In mediæval times, apparently, such satanic bargains were, if not common, at any rate not unknown, and the legend was, no doubt, invented in order to account for these phenomena, instead of being responsible for them.

Of legendary significance, too, must be the story of Philip Stanier, third Earl, who is said to have renounced his part in the bargain, and thereupon fell from one misfortune into another, was branded with an incurable and disfiguring disease, and met his death on the dagger of an injured woman. Ronald Stainer, a nephew of the above, was another such recusant; he married a shrew, lost a fortune in the South-Sea bubble, and had a singularly inglorious career.

But such instances as these (in all the long history there are no more of them, until credence in the legend faded altogether), even if we could rely on their authenticity, would only seem to prove that those who renounced the devil and all his works necessarily met with misfortune in this life, which is happily not the case, and thus they tend to disprove rather than confirm the whole affair.

Finally, when we come to more modern times, and examine the records of the Stanier family from, let us say, the advent of the Hanoverian dynasty, though their splendour and distinction is ever a crescent, not a waning moon, there can be no reason to assign a diabolical origin to such prosperity. There were black sheep among them, of course, but when will you not find, in records so public as theirs, dark shadows thrown by the searchlight of history? Bargains with the powers of hell, in any case, belong to the romantic dusk of the Middle Ages, and cannot find any serious place in modern chronicles.

But to quit these quagmires of superstition for the warranted and scarcely less fascinating solidity of fact, Colin Stanier next day obediently craved audience with the Queen at the Manor of Brede. By a stroke of intuition which does much to account for his prosperous fortune, he did not make himself endimanché, but, with his shepherd's crook in his hand and a new-born lamb in his bosom, he presented himself at the house where the Queen lodged. He would have been contemptuously turned back with buffets by the halberdiers and yeomen who guarded the entrance, but the mention of his name sufficed to admit him with a reluctant alacrity.

He wore but the breeches and jerkin in which he pursued his work among the beasts, his shapely legs were bare from knee to ankle, and as he entered the porch, he kicked off the shoes in which he had walked from Rye. His crook he insisted on retaining, and the lamb which, obedient to the spell that he exercised over young living things, lay quiet in his arms.

Some fussy Controller of the Queen's household would have ejected him and chanced the consequences, but, said Colin very quietly, "It is by her Majesty's orders that I present myself, and whether you buffet me or not, prithee tell the Queen's Grace that I am here."

There was something surprising in the dignity of the boy, and in the sweet-toned, clear-cut speech, so unlike the utterance of the mumbling rustic, and the Controller, bidding him wait where he was, shuffled upstairs, and came back with extraordinary expedition.

"The Queen's Grace awaits you, Mr. —"

"Stanier," said Colin.

"Mr. Stanier. But your crook, your lamb —"

"Let us do her Majesty's bidding," said Colin.

He was ushered into the long hall of Brede Manor, and the Controller having thrown the door open, slipped away with an alertness that suggested that his presence was desirable there no more, and left the boy, barefooted, clasping his lamb, with a rush-strewn floor to traverse. There was a table down the centre of it, littered with papers, and hemmed in with chairs that suggested that their occupants had hurriedly vacated them. At the end was seated a small, bent figure, conspicuous for her ruff and her red hair, and her rope of pearls, and her eyes bright and sharp as a bird's.

Colin, sadly pricked on the soles of his feet by the rushes, advanced across that immeasurable distance, looking downwards on his lamb. When he had traversed the half of it, he raised his eyes for a moment, and saw that the Queen, still quite motionless, was steadily regarding him. Again he bent his eyes on his lamb, and when he had come close to that formidable figure, he fell on his knees.

"A lamb, madam," he said, "which is the first-fruits of the spring. My crook, which I lay at your Grace's feet, and myself, who am not worthy to lie there."

Again Colin raised his eyes, and the wretch put into them all the gaiety and boldness which he gave to the wenches on the farm. Then he dropped them again, and with his whole stake on the table, waited, gambler as he was, for the arbitrament.

"Look at me, Colin Stanier," said the Queen.

Colin looked. There was the tiny wrinkled face, the high eyebrows, the thin-lipped mouth disclosing the discoloured teeth.

"Madam!" he said.

"Well, what next?" said Elizabeth impatiently.

"My body and soul, madam," said Colin, and once more he put into his eyes and his eager mouth that semblance of desire which had made Mistress Moffat, the wife of the mayor, box his ears with a blow that was more of a caress.

The Queen felt precisely the same as Mistress Moffat, and drew her hand down over his smooth chin. "And it is your wish to be my shepherd-boy, Colin?" she asked. "You desire to be my page?"

"I am sick with desire," said Colin.

"I appoint you," she said. "I greet and salute you, Colin Stanier."

She bent towards him, and neither saint nor devil could have inspired Colin better at that moment. He kissed her (after all, he had been offered the greeting) fairly and squarely on her withered cheek, and then, without pause, kissed the hem of her embroidered gown. He had done right, just absolutely right.

"You bold dog!" said the Queen. "Stand up."

Colin stood up, with his arms close by his side, as if at attention in all his shapeliness and beauty, and the Queen clapped her hands.

The side door opened disclosing halberdiers, and through the door by which Colin had entered came the Controller.

"Colin Stanier is my page," she said, "and of my household. Summon my lords again; we have not finished with our Spanish business. The lamb — I will eat that lamb, and none other, at the feast of Easter."

Within the week Colin was established in attendance on the Queen, and the daring felicity which had marked his first dealings with her never failed nor faltered. His radiant youth, the gaiety of his boyish spirits, the unfailing tact of his flattery, his roguish innocence, the fine innate breeding of the yeoman-stock, which is the best blood in England, wove a spell that seemed to defy the usual fickleness of her favouritism. Certainly he had wisdom as far beyond his years as it was beyond his upbringing, and wisdom coming like pure water from the curves of that beautiful young mouth, made him frankly irresistible to the fiery and shrewd old woman.

From being her page he was speedily advanced to the post of confidential secretary, and queer it was to see the boy seated by her side at some state council while she rated and stormed at her lords for giving her some diplomatic advice which her flame-like spirit deemed spiritless. Then, in midtirade, she would stop, tweak her secretary by his rosy ear, and say, "Eh, Colin, am I not in the right of it?"

Very often she was not, and then Colin would so deftly insinuate further considerations, prefacing them by, "As your Grace and Majesty so wisely has told us" (when her Grace and Majesty had told them precisely the opposite) that Elizabeth would begin to imagine that she had thought of these prudent things herself.

The Court in general followed the example of their royal mistress, and had not Colin's nature, below its gaiety and laughter, been made of some very stern stuff, he must surely have degenerated into a spoilt, vain child before ever he came to his full manhood. Men and women alike were victims of that sunny charm; to be with him made the heart sing, and none could grudge that a boy on whom God had showered every grace of mind and body should find the mere tawdry decorations of riches and honour his natural heritage.

Then, too, there was this to consider: the Queen's fickle and violent temper might topple down one whom she had visited but yesterday with her highest favours, and none but Colin could induce her to restore the light she had withdrawn. If you wanted a boon granted, or even a vengeance taken, there was no such sure road to its accomplishment as to secure Colin's advocacy, no path that led so straight to failure as to set the boy against you. For such services it was but reasonable that some token of gratitude should be conferred on him by the suppliant, some graceful acknowledgment which, in our harsh modern way, we should now term 'commission,' and Colin's commissions, thus honestly earned, soon amounted to a very pretty figure. Whether he augmented them or not by less laudable methods, by threats or what we call by that ugly word 'blackmail,' is a different matter, and need not be gone into.

(Continues…)


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