Contemplating Music: Challenges to Musicology / Edition 2

by Joseph Kerman

Overview

With this book, Joseph Kerman establishes the place of music study firmly in the mainstream of modern intellectual history. He treats not only the study of the history of Western art music—with which musicology is traditionally equated—but also sometimes vexed relations between music history and other fields: music theory and analysis, ethnomusicology, and music criticism.

Kerman sees and applauds a change in the study of music toward a critical orientation. As examples, he presents fascinating vignettes of Bach research in the 1950s and Beethoven studies in the 1960s. He sketches the work of prominent scholars and theorists: Thurston Dart, Charles Rosen, Leonard B. Meyer, Heinrich Schenker, Milton Babbit, and many others. And he comments on such various subjects as the amazing absorption of Stephen Foster’s songs into the canons of “black” music, the new intensity of Verdi research, controversies about performance on historical instruments, and the merits and demerits of The New Grove Dictionary of Music and Musicians.

Contemplating Music is filled with wisdom and trenchant commentary. It will spark controversy among musicologists of all stripes and will give many musicians and amateurs an entirely new perspective on the world of music.

Product Details

ISBN-13:	9780674166783
Publisher:	Harvard University Press
Publication date:	03/15/1986
Edition description:	Abridged
Pages:	256
Product dimensions:	6.00(w) x 9.00(h) x 0.60(d)

About the Author

Joseph Kerman is Professor of Music, Emeritus, at the University of California, Berkeley. He was the Charles Eliot Norton Lecturer at Harvard University for 1997–98.

Table of Contents

1. Introduction

2. Musicology and Positivism: the Postwar Years

3. Analysis, Theory, and New Music

4. Musicology and Criticism

5. Ethnomusicology and "Cultural Musicology"

6. The Historical Performance Movement

7. Coda

Notes

Main Works Cited

Index

Editorial Reviews

A timely proposal, and one well worth investigating for anyone who is interested in music as a discipline… It represents a useful, and indeed unique, attempt to map out in English the issues of our day.

Times Literary Supplement - Christopher Wintle

A gracefully polemical survey of ‘modern ideas and ideologies of music,’ in the course of which the author touches upon many aspects of music and musical life in the 20th century… Important and consistently stimulating.

Los Angeles Times Book Review - David Hamilton

Nothing less than a Who’s Who of musicology, and a What’s What of theory, analysis, and musical philosophy.

Erich Leinsdorf

A masterly exposition of what Kerman views as the pivotal intellectual issues surrounding postwar musical studies—an exposition that even his critics would readily concede him to be uniquely qualified to undertake. Musicians of all sorts ought to view this as a challenge…to give music the balanced critical attention it deserves.

New York Review of Books - Robert Winter

A gracefully polemical survey of 'modern ideas and ideologies of music, ' in the course of which the author touches upon many aspects of music and musical life in the 20th century... Important and consistently stimulating.--David Hamilton "Los Angeles Times Book Review"

A masterly exposition of what Kerman views as the pivotal intellectual issues surrounding postwar musical studies--an exposition that even his critics would readily concede him to be uniquely qualified to undertake. Musicians of all sorts ought to view this as a challenge...to give music the balanced critical attention it deserves.--Robert Winter "New York Review of Books"

A timely proposal, and one well worth investigating for anyone who is interested in music as a discipline... It represents a useful, and indeed unique, attempt to map out in English the issues of our day.--Christopher Wintle "Times Literary Supplement"

Nothing less than a Who's Who of musicology, and a What's What of theory, analysis, and musical philosophy.--Erich Leinsdorf "New York Times Book Review"

From the Publisher

Nothing less than a Who's Who of musicology, and a What's What of theory, analysis, and musical philosophy.

New York Times Book Review - Erich Leinsdorf

A timely proposal, and one well worth investigating for anyone who is interested in music as a discipline...It represents a useful, and indeed unique, attempt to map out in English the issues of our day.
— Christopher Wintle

Times Literary Supplement

A gracefully polemical survey of "modern ideas and ideologies of music," in the course of which the author touches upon many aspects of music and musical life in the 20th century...Important and consistently stimulating.
— David Hamilton

Los Angeles Times Book Review

A masterly exposition of what Kennan views as the pivotal intellectual issues surrounding postwar musical studies—an exposition that even his critics would readily concede him to be uniquely qualified to undertake. Musicians of all sorts ought to view this as a challenge...to give music the balanced critical attention it deserves.
— Robert Winter

New York Review of Books

Nothing less than a Who's Who of musicology, and a What's What of theory, analysis, and musical philosophy.
— Erich Leinsdorf

New York Times Book Review