Publishers Weekly
★ 03/07/2022
A resonant call for criminal justice reform rings out from investigative journalist Blakinger’s extraordinary debut. When her figure skating partner left her in 2001, dashing their dreams of competing in the Olympics, 17-year-old Blakinger redirected her intensity on the ice toward self-destruction. After experimenting with drugs during a high school summer program at Harvard, Blakinger spiraled into a nine-year heroin addiction, turning to petty crime and sex work to support her habit. Still, she was “a dean’s-list student at Cornell” and writing for the school’s newspaper when, in 2010, her felony conviction for heroin possession made national headlines. Chronicling in unsparing prose the cruelties she suffered for nearly two years behind bars—where “you are nothing,” and “torture” prevails over “treatment”—Blakinger depicts the slow stripping away of her humanity, but she also writes of learning “how to steal joy in a place built to prevent it.” While her experience spurred her, after her release, to spend the next decade as a journalist reporting on U.S. correctional facilities’ vast failings, Blakinger resolutely notes how her “privilege” as a white woman enabled her to reclaim a life post-parole that many others aren’t afforded. Her self-awareness is bracing and her indictment of the prison industrial system raises searing questions around its punitive culture. This is absolutely sensational. (June)
From the Publisher
"Corrections in Ink is a groundbreaking debut from an extraordinary writer; in her memoir, Blakinger offers a searing work of self-examination, an inquiry of power, and a funny, provocative, and inspiring personal story of addiction, prison, and investigative journalism. Her book stands as a feminist response to David Carr's The Night of the Gun, a testament to where a woman can go after rock-bottom, the power to transform oneself, and the imperative to discover and tell the truth." —Piper Kerman, #1 New York Times bestselling author of Orange Is the New Black
"Corrections in Ink is a hair-raising tale of a girl torn between perfectionism and self-destruction, and a woman who uses her profound gifts to help set others free. How that girl became that woman demonstrates the beauty of storytelling—and sobriety." —Sarah Hepola, New York Times bestselling author of Blackout
"It's hard to think of a reporter more deeply devoted to exposing the brokenness of the American prison system than Keri Blakinger, who in Corrections in Ink turns her journalistic eye and narrative gift to her own story—a riveting journey through the depths of addiction and incarceration. It's impossible to read this book and not be inspired, and called to action, by her dedication to exposing the inhumane and injustice status quo within our country's jails and prisons." —Wesley Lowery, Pulitzer Prize winning journalist and author of They Can't Kill Us All
“Keri Blakinger’s brave, brutal memoir, Corrections in Ink, is a riveting story about suffering, recovery, and redemption. Inspiring and relevant.” —David Sheff, New York Times
"Scorchingly candid." —Los Angeles Times
"Corrections in Ink is magical. Keri Blakinger is a fresh and brave voice; her writing is sharp and effective. I love this book." —Molly Jong-Fast, editor-at-large at The Daily Beast
"Blakinger’s harrowing tale of her stretch in the American carceral system is one of the more foreboding in recent memory. Thankfully, it’s also punctuated by wonderfully bone-dry humor, which makes the book not only bearable, but brilliant. When it’s over, you’ll want to raze every correctional facility in the land." —Elon Green, author of Last Call
"Blakinger is an extraordinary writer, and this provocative, witty, and painfully honest memoir is an empathic and urgent call to action for reforming the American carceral system." —Gilbert King, Pulitzer Prize–winning author and host of the podcast Bone Valley
"A gorgeously written, page-turning memoir about addiction, prison, and privilege." —Kirkus Reviews (starred)
"[An] extraordinary debut . . . [Blakinger's] self-awareness is bracing and her indictment of the prison industrial system raises searing questions around its punitive culture. This is absolutely sensational." —Publishers Weekly (starred)
"An exceptional debut . . . a singular reading experience. Raw and important.” —Bookpage (starred)
"Transferring powerful internal dialogue onto the page, Blakinger offers vulnerable, honest recollections, and a story that won’t be forgotten and could even inspire much-needed change." —Booklist
Library Journal
01/01/2022
A competitive figure skater who turned to heroin when her skating partner left her, Blakinger ended up on the street selling drugs and sex even as she attempted to finish a degree at Cornell. Arrested for possession, she spent two years behind bars, emerging sober, aware of her advantages as a white woman, and determined to expose the inequities of the prison system. Now she's an award-winning journalist.
Kirkus Reviews
★ 2022-02-08
An investigative reporter reflects on the time she spent in the prison system for a drug crime.
Growing up in Lancaster, Pennsylvania, Blakinger was a good student and promising figure skater who had dreams of competing at the highest level. However, her academics and athleticism concealed darker truths: an eating disorder and suicidal tendencies. When her figure-skating partner abruptly quit their doubles team, her skating career collapsed, plunging her into persistent depression, which she tried to address with drugs, eventually turning to heroin. Her habit continued until her senior year at Cornell, when she was arrested for possessing what was falsely reported as “$150,000 of smack.” Following her arrest, Blakinger spent years in the prison system, where she not only got sober, but also received a firsthand education in the savage inhumanity of the American carceral system. “Behind bars, there are no rules. Sure, there is a rulebook and there are things you cannot do,” she writes. “But when it matters, no one is watching….All the futility, the small cruelties, the refusal to see us as fully human—it was not a flaw in the system. It was the system.” Upon her release, Blakinger became a journalist whose many reports on incarceration—for the Marshall Project, where she currently works, and previously for the Houston Chronicleand other outlets—have resulted in much-needed reforms. Throughout her narrative, the author emphasizes the privileges that enabled her recovery, and she shows her commitment to exposing the practices that make Black and brown prisoners much less likely to succeed. Blakinger’s voice is frank but compassionate, as she lovingly but truthfully owns up to her mistakes. Her deeply researched analysis of the dehumanizing nature of incarceration is trenchant and infused with the passion of her personal experiences. The story moves quickly, populated with characters who are deeply flawed yet often sympathetic.
A gorgeously written, page-turning memoir about addiction, prison, and privilege.
